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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D9A9CF it is the complementary color #265630. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D9A9CF. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #D9A9CF: #DEA9CA, #EFBBDD, #FFCDF0, #FFDFFF and #FFF1FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D9A9CF. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #D9A9CF: #D9A9CF, #C897BC, #B785A9, #A67396 and #956183

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 22 / 5 / 15

HEX #D9A9CF

RGB 217 169 207

HSL 312.5, 0.39%, 0.76%

LAB 74.59, 23.8, -12.53

 

Complementary color

CMYK 56 / 0 / 44 / 66

HEX #265630

RGB 38 86 48

HSL 132.5, 0.39%, 0.24%

LAB 32.44, -25.78, 17.27

 

CMYK 0 / 24 / 9 / 13

HEX #DEA9CA

RGB 222 169 202

HSL 322.64, 0.45%, 0.77%

LAB 74.93, 24.64, -9.24

 

CMYK 0 / 22 / 8 / 6

HEX #EFBBDD

RGB 239 187 221

HSL 320.77, 0.62%, 0.84%

LAB 81.35, 24.07, -9.81

 

CMYK 0 / 20 / 6 / 0

HEX #FFCDF0

RGB 255 205 240

HSL 318, 1%, 0.9%

LAB 87.59, 23.21, -10.5

 

CMYK 0 / 13 / 0 / 0

HEX #FFDFFF

RGB 255 223 255

HSL 300, 1%, 0.94%

LAB 92.25, 16.43, -11.45

 

CMYK 0 / 5 / 0 / 0

HEX #FFF1FF

RGB 255 241 255

HSL 300, 1%, 0.97%

LAB 96.57, 7.12, -5.04

 

CMYK 0 / 22 / 5 / 15

HEX #D9A9CF

RGB 217 169 207

HSL 312.5, 0.39%, 0.76%

LAB 74.59, 23.8, -12.53

 

CMYK 0 / 25 / 6 / 22

HEX #C897BC

RGB 200 151 188

HSL 314.69, 0.31%, 0.69%

LAB 68.05, 24.39, -12.01

 

CMYK 0 / 27 / 8 / 28

HEX #B785A9

RGB 183 133 169

HSL 316.8, 0.26%, 0.62%

LAB 61.4, 25.02, -11.47

 

CMYK 0 / 31 / 10 / 35

HEX #A67396

RGB 166 115 150

HSL 318.82, 0.22%, 0.55%

LAB 54.63, 25.72, -10.88

 

CMYK 0 / 35 / 12 / 42

HEX #956183

RGB 149 97 131

HSL 320.77, 0.21%, 0.48%

LAB 47.72, 26.47, -10.23

 

CMYK 0 / 22 / 5 / 15

HEX #D9A9CF

RGB 217 169 207

HSL 312.5, 0.39%, 0.76%

LAB 74.59, 23.8, -12.53

 

CMYK 0 / 22 / 8 / 15

HEX #D9A9C8

RGB 217 169 200

HSL 321.25, 0.39%, 0.76%

LAB 74.38, 22.57, -9.02

 

CMYK 0 / 22 / 12 / 15

HEX #D9A9C0

RGB 217 169 192

HSL 331.25, 0.39%, 0.76%

LAB 74.15, 21.2, -4.98

 

CMYK 0 / 22 / 15 / 15

HEX #D9A9B8

RGB 217 169 184

HSL 341.25, 0.39%, 0.76%

LAB 73.93, 19.89, -0.91

 

CMYK 0 / 22 / 19 / 15

HEX #D9A9B0

RGB 217 169 176

HSL 351.25, 0.39%, 0.76%

LAB 73.72, 18.64, 3.17

 

CMYK 0 / 22 / 5 / 15

HEX #D9A9CF

RGB 217 169 207

HSL 312.5, 0.39%, 0.76%

LAB 74.59, 23.8, -12.53

 

CMYK 0 / 23 / 8 / 95

HEX #0D0A0C

RGB 13 10 12

HSL 320, 0.13%, 0.05%

LAB 2.97, 1.15, -0.5

 

CMYK 0 / 22 / 5 / 75

HEX #40323D

RGB 64 50 61

HSL 312.86, 0.12%, 0.22%

LAB 22.68, 8.58, -4.52

 

CMYK 0 / 22 / 4 / 55

HEX #735A6E

RGB 115 90 110

HSL 312, 0.12%, 0.4%

LAB 41.35, 13.95, -7.47

 

CMYK 0 / 22 / 5 / 35

HEX #A6819E

RGB 166 129 158

HSL 312.97, 0.17%, 0.58%

LAB 58.3, 19.22, -10.01

 

CMYK 0 / 22 / 5 / 15

HEX #D9A9CF

RGB 217 169 207

HSL 312.5, 0.39%, 0.76%

LAB 74.59, 23.8, -12.53

 

CMYK 0 / 13 / 22 / 15

HEX #D9BDA9

RGB 217 189 169

HSL 25, 0.39%, 0.76%

LAB 78.47, 6.86, 13.77

 

CMYK 22 / 0 / 4 / 15

HEX #A9D9D0

RGB 169 217 208

HSL 168.75, 0.39%, 0.76%

LAB 83.24, -17.35, -0.68

 

CMYK 0 / 22 / 5 / 15

HEX #D9A9CF

RGB 217 169 207

HSL 312.5, 0.39%, 0.76%

LAB 74.59, 23.8, -12.53

 

CMYK 4 / 0 / 22 / 15

HEX #D0D9A9

RGB 208 217 169

HSL 71.25, 0.39%, 0.76%

LAB 84.95, -11.04, 22.68

 

CMYK 22 / 4 / 0 / 15

HEX #A9D0D9

RGB 169 208 217

HSL 191.25, 0.39%, 0.76%

LAB 81.05, -10.83, -8.71

 

CMYK 0 / 22 / 5 / 15

HEX #D9A9CF

RGB 217 169 207

HSL 312.5, 0.39%, 0.76%

LAB 74.59, 23.8, -12.53

 

CMYK 0 / 13 / 22 / 15

HEX #D9BDA9

RGB 217 189 169

HSL 25, 0.39%, 0.76%

LAB 78.47, 6.86, 13.77

 

CMYK 22 / 0 / 18 / 15

HEX #A9D9B3

RGB 169 217 179

HSL 132.5, 0.39%, 0.76%

LAB 82.55, -23.01, 13.7

 

CMYK 22 / 9 / 0 / 15

HEX #A9C6D9

RGB 169 198 217

HSL 203.75, 0.39%, 0.76%

LAB 78.36, -5.6, -12.71

 

CMYK 0 / 22 / 5 / 15

HEX #D9A9CF

RGB 217 169 207

HSL 312.5, 0.39%, 0.76%

LAB 74.59, 23.8, -12.53

 

CMYK 0 / 6 / 22 / 15

HEX #D9CBA9

RGB 217 203 169

HSL 42.5, 0.39%, 0.76%

LAB 82.02, -0.51, 18.74

 

CMYK 22 / 0 / 18 / 15

HEX #A9D9B3

RGB 169 217 179

HSL 132.5, 0.39%, 0.76%

LAB 82.55, -23.01, 13.7

 

CMYK 22 / 15 / 0 / 15

HEX #A9B8D9

RGB 169 184 217

HSL 221.25, 0.39%, 0.76%

LAB 74.65, 1.9, -18.29

 

Description

Color code: HEX #D9A9CF | qconv.com Color code: HEX #D9A9CF | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 217 red, 169 green and 207 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
217 169 207 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 22 magenta, 5 yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 22% 5% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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