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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D9A9A7 it is the complementary color #265658. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D9A9A7. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #D9A9A7: #DEA9A2, #EFBBB5, #FFCDC8, #FFDFDB and #FFF1EE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D9A9A7. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #D9A9A7: #D9A9A7, #C89794, #B78581, #A6736E and #95615B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 22 / 23 / 15

HEX #D9A9A7

RGB 217 169 167

HSL 2.4, 0.4%, 0.75%

LAB 73.49, 17.29, 7.79

 

Complementary color

CMYK 57 / 2 / 0 / 65

HEX #265658

RGB 38 86 88

HSL 182.4, 0.4%, 0.25%

LAB 33.5, -15.53, -6.14

 

CMYK 0 / 24 / 27 / 13

HEX #DEA9A2

RGB 222 169 162

HSL 7, 0.48%, 0.75%

LAB 73.88, 18.45, 11.15

 

CMYK 0 / 22 / 24 / 6

HEX #EFBBB5

RGB 239 187 181

HSL 6.21, 0.64%, 0.82%

LAB 80.31, 17.83, 10.21

 

CMYK 0 / 20 / 22 / 0

HEX #FFCDC8

RGB 255 205 200

HSL 5.45, 1%, 0.89%

LAB 86.55, 16.9, 9.18

 

CMYK 0 / 13 / 14 / 0

HEX #FFDFDB

RGB 255 223 219

HSL 6.67, 1%, 0.93%

LAB 91.3, 10.39, 6.01

 

CMYK 0 / 5 / 7 / 0

HEX #FFF1EE

RGB 255 241 238

HSL 10.59, 1%, 0.97%

LAB 96.14, 4.2, 3.12

 

CMYK 0 / 22 / 23 / 15

HEX #D9A9A7

RGB 217 169 167

HSL 2.4, 0.4%, 0.75%

LAB 73.49, 17.29, 7.79

 

CMYK 0 / 25 / 26 / 22

HEX #C89794

RGB 200 151 148

HSL 3.46, 0.32%, 0.68%

LAB 66.94, 17.92, 8.72

 

CMYK 0 / 27 / 30 / 28

HEX #B78581

RGB 183 133 129

HSL 4.44, 0.27%, 0.61%

LAB 60.27, 18.63, 9.73

 

CMYK 0 / 31 / 34 / 35

HEX #A6736E

RGB 166 115 110

HSL 5.36, 0.24%, 0.54%

LAB 53.49, 19.44, 10.86

 

CMYK 0 / 35 / 39 / 42

HEX #95615B

RGB 149 97 91

HSL 6.21, 0.24%, 0.47%

LAB 46.57, 20.36, 12.13

 

CMYK 0 / 22 / 23 / 15

HEX #D9A9A7

RGB 217 169 167

HSL 2.4, 0.4%, 0.75%

LAB 73.49, 17.29, 7.79

 

CMYK 0 / 19 / 24 / 15

HEX #D8AFA5

RGB 216 175 165

HSL 11.76, 0.4%, 0.75%

LAB 74.81, 13.39, 10.75

 

CMYK 0 / 15 / 24 / 15

HEX #D8B8A5

RGB 216 184 165

HSL 22.35, 0.4%, 0.75%

LAB 77.04, 8.57, 13.9

 

CMYK 0 / 11 / 24 / 15

HEX #D8C0A5

RGB 216 192 165

HSL 31.76, 0.4%, 0.75%

LAB 79.05, 4.32, 16.72

 

CMYK 0 / 7 / 24 / 15

HEX #D8C9A5

RGB 216 201 165

HSL 42.35, 0.4%, 0.75%

LAB 81.34, -0.41, 19.91

 

CMYK 0 / 22 / 23 / 15

HEX #D9A9A7

RGB 217 169 167

HSL 2.4, 0.4%, 0.75%

LAB 73.49, 17.29, 7.79

 

CMYK 0 / 23 / 23 / 95

HEX #0D0A0A

RGB 13 10 10

HSL 0, 0.13%, 0.05%

LAB 2.93, 0.85, 0.3

 

CMYK 0 / 22 / 23 / 75

HEX #403231

RGB 64 50 49

HSL 4, 0.13%, 0.22%

LAB 22.28, 6.12, 3.02

 

CMYK 0 / 22 / 23 / 55

HEX #735A59

RGB 115 90 89

HSL 2.31, 0.13%, 0.4%

LAB 40.7, 10.07, 4.48

 

CMYK 0 / 22 / 23 / 35

HEX #A68180

RGB 166 129 128

HSL 1.58, 0.18%, 0.58%

LAB 57.43, 14.08, 6.01

 

CMYK 0 / 22 / 23 / 15

HEX #D9A9A7

RGB 217 169 167

HSL 2.4, 0.4%, 0.75%

LAB 73.49, 17.29, 7.79

 

CMYK 6 / 0 / 24 / 15

HEX #CCD8A5

RGB 204 216 165

HSL 74.12, 0.4%, 0.75%

LAB 84.31, -12.59, 23.85

 

CMYK 24 / 15 / 0 / 15

HEX #A5B8D8

RGB 165 184 216

HSL 217.65, 0.4%, 0.75%

LAB 74.34, 0.44, -18.25

 

CMYK 0 / 22 / 23 / 15

HEX #D9A9A7

RGB 217 169 167

HSL 2.4, 0.4%, 0.75%

LAB 73.49, 17.29, 7.79

 

CMYK 24 / 0 / 23 / 15

HEX #A5D8A7

RGB 165 216 167

HSL 122.35, 0.4%, 0.75%

LAB 81.78, -25.96, 18.91

 

CMYK 23 / 24 / 0 / 15

HEX #A7A5D8

RGB 167 165 216

HSL 242.35, 0.4%, 0.75%

LAB 69.53, 11.53, -25.56

 

CMYK 0 / 22 / 23 / 15

HEX #D9A9A7

RGB 217 169 167

HSL 2.4, 0.4%, 0.75%

LAB 73.49, 17.29, 7.79

 

CMYK 6 / 0 / 24 / 15

HEX #CCD8A5

RGB 204 216 165

HSL 74.12, 0.4%, 0.75%

LAB 84.31, -12.59, 23.85

 

CMYK 24 / 0 / 0 / 15

HEX #A5D7D8

RGB 165 215 216

HSL 181.18, 0.4%, 0.75%

LAB 82.68, -15.84, -5.78

 

CMYK 18 / 24 / 0 / 15

HEX #B1A5D8

RGB 177 165 216

HSL 254.12, 0.4%, 0.75%

LAB 70.33, 14.64, -24.27

 

CMYK 0 / 22 / 23 / 15

HEX #D9A9A7

RGB 217 169 167

HSL 2.4, 0.4%, 0.75%

LAB 73.49, 17.29, 7.79

 

CMYK 13 / 0 / 24 / 15

HEX #BDD8A5

RGB 189 216 165

HSL 91.76, 0.4%, 0.75%

LAB 83.26, -18.02, 22.23

 

CMYK 24 / 0 / 0 / 15

HEX #A5D7D8

RGB 165 215 216

HSL 181.18, 0.4%, 0.75%

LAB 82.68, -15.84, -5.78

 

CMYK 11 / 24 / 0 / 15

HEX #C0A5D8

RGB 192 165 216

HSL 271.76, 0.4%, 0.75%

LAB 71.61, 19.42, -22.2

 

Description

Color code: HEX #D9A9A7 | qconv.com Color code: HEX #D9A9A7 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 217 red, 169 green and 167 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
217 169 167 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 22 magenta, 23 yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 22% 23% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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