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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D69F88 it is the complementary color #296077. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D69F88. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #D69F88: #DB9F83, #ECB196, #FDC3A9, #FFD5BC and #FFE7CF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D69F88. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #D69F88: #D69F88, #C58D75, #B47B62, #A3694F and #92573C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 26 / 36 / 16

HEX #D69F88

RGB 214 159 136

HSL 17.69, 0.49%, 0.69%

LAB 70.08, 17.41, 19.99

 

Complementary color

CMYK 66 / 19 / 0 / 53

HEX #296077

RGB 41 96 119

HSL 197.69, 0.49%, 0.31%

LAB 38.14, -10.43, -18.35

 

CMYK 0 / 27 / 40 / 14

HEX #DB9F83

RGB 219 159 131

HSL 19.09, 0.55%, 0.69%

LAB 70.52, 18.79, 23.41

 

CMYK 0 / 25 / 36 / 7

HEX #ECB196

RGB 236 177 150

HSL 18.84, 0.69%, 0.76%

LAB 76.97, 17.99, 22.19

 

CMYK 0 / 23 / 33 / 1

HEX #FDC3A9

RGB 253 195 169

HSL 18.57, 0.95%, 0.83%

LAB 83.33, 17.27, 21.06

 

CMYK 0 / 16 / 26 / 0

HEX #FFD5BC

RGB 255 213 188

HSL 22.39, 1%, 0.87%

LAB 88.2, 11.07, 17.84

 

CMYK 0 / 9 / 19 / 0

HEX #FFE7CF

RGB 255 231 207

HSL 30, 1%, 0.91%

LAB 92.98, 4.46, 14.65

 

CMYK 0 / 26 / 36 / 16

HEX #D69F88

RGB 214 159 136

HSL 17.69, 0.49%, 0.69%

LAB 70.08, 17.41, 19.99

 

CMYK 0 / 28 / 41 / 23

HEX #C58D75

RGB 197 141 117

HSL 18, 0.41%, 0.62%

LAB 63.51, 18.24, 21.24

 

CMYK 0 / 32 / 46 / 29

HEX #B47B62

RGB 180 123 98

HSL 18.29, 0.35%, 0.55%

LAB 56.83, 19.2, 22.62

 

CMYK 0 / 36 / 52 / 36

HEX #A3694F

RGB 163 105 79

HSL 18.57, 0.35%, 0.47%

LAB 50.04, 20.3, 24.17

 

CMYK 0 / 40 / 59 / 43

HEX #92573C

RGB 146 87 60

HSL 18.84, 0.42%, 0.4%

LAB 43.14, 21.6, 25.92

 

CMYK 0 / 26 / 36 / 16

HEX #D69F88

RGB 214 159 136

HSL 17.69, 0.49%, 0.69%

LAB 70.08, 17.41, 19.99

 

CMYK 0 / 20 / 36 / 16

HEX #D6AC89

RGB 214 172 137

HSL 27.27, 0.48%, 0.69%

LAB 73.29, 10.52, 23.82

 

CMYK 0 / 14 / 36 / 16

HEX #D6B889

RGB 214 184 137

HSL 36.62, 0.48%, 0.69%

LAB 76.3, 4.11, 27.87

 

CMYK 0 / 8 / 36 / 16

HEX #D6C589

RGB 214 197 137

HSL 46.75, 0.48%, 0.69%

LAB 79.63, -2.72, 32.29

 

CMYK 0 / 2 / 36 / 16

HEX #D6D289

RGB 214 210 137

HSL 56.88, 0.48%, 0.69%

LAB 83.02, -9.4, 36.71

 

CMYK 0 / 26 / 36 / 16

HEX #D69F88

RGB 214 159 136

HSL 17.69, 0.49%, 0.69%

LAB 70.08, 17.41, 19.99

 

CMYK 0 / 30 / 40 / 96

HEX #0A0706

RGB 10 7 6

HSL 15, 0.25%, 0.03%

LAB 2.07, 0.65, 0.65

 

CMYK 0 / 26 / 36 / 76

HEX #3D2D27

RGB 61 45 39

HSL 16.36, 0.22%, 0.2%

LAB 20.11, 6.31, 6.71

 

CMYK 0 / 26 / 37 / 56

HEX #705347

RGB 112 83 71

HSL 17.56, 0.22%, 0.36%

LAB 38, 10.27, 11.73

 

CMYK 0 / 26 / 36 / 36

HEX #A37968

RGB 163 121 104

HSL 17.29, 0.24%, 0.52%

LAB 54.51, 14.02, 15.72

 

CMYK 0 / 26 / 36 / 16

HEX #D69F88

RGB 214 159 136

HSL 17.69, 0.49%, 0.69%

LAB 70.08, 17.41, 19.99

 

CMYK 17 / 0 / 36 / 16

HEX #B1D689

RGB 177 214 137

HSL 88.83, 0.48%, 0.69%

LAB 81.43, -25.42, 34.12

 

CMYK 36 / 32 / 0 / 16

HEX #8992D6

RGB 137 146 214

HSL 232.99, 0.48%, 0.69%

LAB 62.28, 13.06, -35.84

 

CMYK 0 / 26 / 36 / 16

HEX #D69F88

RGB 214 159 136

HSL 17.69, 0.49%, 0.69%

LAB 70.08, 17.41, 19.99

 

CMYK 36 / 0 / 26 / 16

HEX #89D69F

RGB 137 214 159

HSL 137.14, 0.48%, 0.69%

LAB 79.57, -35.3, 19.81

 

CMYK 26 / 36 / 0 / 16

HEX #9F89D6

RGB 159 137 214

HSL 257.14, 0.48%, 0.69%

LAB 61.76, 24.53, -36.53

 

CMYK 0 / 26 / 36 / 16

HEX #D69F88

RGB 214 159 136

HSL 17.69, 0.49%, 0.69%

LAB 70.08, 17.41, 19.99

 

CMYK 17 / 0 / 36 / 16

HEX #B1D689

RGB 177 214 137

HSL 88.83, 0.48%, 0.69%

LAB 81.43, -25.42, 34.12

 

CMYK 36 / 10 / 0 / 16

HEX #89C0D6

RGB 137 192 214

HSL 197.14, 0.48%, 0.69%

LAB 74.74, -12.42, -16.72

 

CMYK 19 / 36 / 0 / 16

HEX #AE89D6

RGB 174 137 214

HSL 268.83, 0.48%, 0.69%

LAB 63.13, 28.99, -34.28

 

CMYK 0 / 26 / 36 / 16

HEX #D69F88

RGB 214 159 136

HSL 17.69, 0.49%, 0.69%

LAB 70.08, 17.41, 19.99

 

CMYK 28 / 0 / 36 / 16

HEX #9AD689

RGB 154 214 137

HSL 106.75, 0.48%, 0.69%

LAB 80.05, -33.51, 32.06

 

CMYK 36 / 10 / 0 / 16

HEX #89C0D6

RGB 137 192 214

HSL 197.14, 0.48%, 0.69%

LAB 74.74, -12.42, -16.72

 

CMYK 8 / 36 / 0 / 16

HEX #C589D6

RGB 197 137 214

HSL 286.75, 0.48%, 0.69%

LAB 65.45, 36.04, -30.5

 

Description

Color code: HEX #D69F88 | qconv.com Color code: HEX #D69F88 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 214 red, 159 green and 136 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
214 159 136 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 26 magenta, 36 yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 26% 36% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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