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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D3E4AB it is the complementary color #2C1B54. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D3E4AB. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D3E4AB shade: #D8E4A6, #E9F6B9, #FAFFCC, #FFFFDF and #FFFFF2

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D3E4AB. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D3E4AB shade: #D3E4AB, #C2D298, #B1C085, #A0AE72 and #8F9C5F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D3E4AB shade: #D2E4AA, #E2E4AA, #E4D6AA, #E4C6AA and #E4B7AA

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D3E4AB shade: #D2E4AA, #C3E4AA, #B4E4AA, #AAE4B0 and #AAE4C0

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D3E4AB shade matches the following richer shades: #D2E4AA, #D6EDA1, #DAF698 and #DDFF8F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D3E4AB shade: #D2E4AA, #CFDAB3, #CBD1BC, #C7C8C6 and #C4BFCF

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D3E4AB shade: #E4D5AA, #E3E4AA, #D3E4AA, #C4E4AA and #B5E4AA

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D3E4AB shade: #B2CF6C, #C2D98B, #D2E4AA, #E3EEC9 and #F3F8E9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D3E4AB shade: #D3E4AB, #AAE4C6 and #DDAAE4

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D3E4AB shade: #D3E4AB, #AAD3E4 and #E4AAD3

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D3E4AB shade: #D3E4AB, #AAE4C6, #BBAAE4 and #E4AAC8

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D3E4AB shade: #D3E4AB, #AAE4D7, #BBAAE4 and #E4AAB7

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 7 / 0 / 25 / 11

HEX #D3E4AB

RGB 211 228 171

HSL 77.89, 0.51%, 0.78%

LAB 88.1, -15.18, 26

 

Complementary color

CMYK 48 / 68 / 0 / 67

HEX #2C1B54

RGB 44 27 84

HSL 257.89, 0.51%, 0.22%

LAB 15.27, 23.76, -31.91

 

CMYK 5 / 0 / 27 / 11

HEX #D8E4A6

RGB 216 228 166

HSL 71.61, 0.53%, 0.77%

LAB 88.37, -14.05, 28.99

 

CMYK 5 / 0 / 25 / 4

HEX #E9F6B9

RGB 233 246 185

HSL 72.79, 0.77%, 0.85%

LAB 94.63, -14.15, 27.99

 

CMYK 2 / 0 / 20 / 0

HEX #FAFFCC

RGB 250 255 204

HSL 65.88, 1%, 0.9%

LAB 98.51, -9.83, 23.88

 

CMYK 0 / 0 / 13 / 0

HEX #FFFFDF

RGB 255 255 223

HSL 60, 1%, 0.94%

LAB 99.26, -5.26, 15.31

 

CMYK 0 / 0 / 5 / 0

HEX #FFFFF2

RGB 255 255 242

HSL 60, 1%, 0.97%

LAB 99.69, -2.22, 6.2

 

CMYK 7 / 0 / 25 / 11

HEX #D3E4AB

RGB 211 228 171

HSL 77.89, 0.51%, 0.78%

LAB 88.1, -15.18, 26

 

CMYK 8 / 0 / 28 / 18

HEX #C2D298

RGB 194 210 152

HSL 76.55, 0.39%, 0.71%

LAB 81.75, -15.12, 27.02

 

CMYK 8 / 0 / 31 / 25

HEX #B1C085

RGB 177 192 133

HSL 75.25, 0.32%, 0.64%

LAB 75.29, -15.04, 28.09

 

CMYK 8 / 0 / 34 / 32

HEX #A0AE72

RGB 160 174 114

HSL 74, 0.27%, 0.56%

LAB 68.72, -14.94, 29.22

 

CMYK 8 / 0 / 39 / 39

HEX #8F9C5F

RGB 143 156 95

HSL 72.79, 0.24%, 0.49%

LAB 62.03, -14.8, 30.41

 

CMYK 8 / 0 / 25 / 11

HEX #D2E4AA

RGB 210 228 170

HSL 78.62, 0.52%, 0.78%

LAB 88.01, -15.68, 26.38

 

CMYK 1 / 0 / 25 / 11

HEX #E2E4AA

RGB 226 228 170

HSL 62.07, 0.52%, 0.78%

LAB 89.19, -9.81, 28.17

 

CMYK 0 / 6 / 25 / 11

HEX #E4D6AA

RGB 228 214 170

HSL 45.52, 0.52%, 0.78%

LAB 85.75, -1.94, 23.51

 

CMYK 0 / 13 / 25 / 11

HEX #E4C6AA

RGB 228 198 170

HSL 28.97, 0.52%, 0.78%

LAB 81.72, 6.38, 17.94

 

CMYK 0 / 20 / 25 / 11

HEX #E4B7AA

RGB 228 183 170

HSL 13.45, 0.52%, 0.78%

LAB 78.03, 14.32, 12.76

 

CMYK 8 / 0 / 25 / 11

HEX #D2E4AA

RGB 210 228 170

HSL 78.62, 0.52%, 0.78%

LAB 88.01, -15.68, 26.38

 

CMYK 14 / 0 / 25 / 11

HEX #C3E4AA

RGB 195 228 170

HSL 94.14, 0.52%, 0.78%

LAB 86.99, -21.05, 24.82

 

CMYK 21 / 0 / 25 / 11

HEX #B4E4AA

RGB 180 228 170

HSL 109.66, 0.52%, 0.78%

LAB 86.05, -26.22, 23.38

 

CMYK 25 / 0 / 23 / 11

HEX #AAE4B0

RGB 170 228 176

HSL 126.21, 0.52%, 0.78%

LAB 85.59, -28.53, 19.54

 

CMYK 25 / 0 / 16 / 11

HEX #AAE4C0

RGB 170 228 192

HSL 142.76, 0.52%, 0.78%

LAB 85.93, -25.64, 11.65

 

CMYK 8 / 0 / 25 / 11

HEX #D2E4AA

RGB 210 228 170

HSL 78.62, 0.52%, 0.78%

LAB 88.01, -15.68, 26.38

 

CMYK 10 / 0 / 32 / 7

HEX #D6EDA1

RGB 214 237 161

HSL 78.16, 0.68%, 0.78%

LAB 90.52, -19.88, 34.39

 

CMYK 11 / 0 / 38 / 4

HEX #DAF698

RGB 218 246 152

HSL 77.87, 0.84%, 0.78%

LAB 93.05, -23.87, 42.22

 

CMYK 13 / 0 / 44 / 0

HEX #DDFF8F

RGB 221 255 143

HSL 78.21, 1%, 0.78%

LAB 95.53, -28.04, 49.74

 

CMYK 8 / 0 / 25 / 11

HEX #D2E4AA

RGB 210 228 170

HSL 78.62, 0.52%, 0.78%

LAB 88.01, -15.68, 26.38

 

CMYK 5 / 0 / 18 / 15

HEX #CFDAB3

RGB 207 218 179

HSL 76.92, 0.35%, 0.78%

LAB 85.33, -10.4, 17.97

 

CMYK 3 / 0 / 10 / 18

HEX #CBD1BC

RGB 203 209 188

HSL 77.14, 0.19%, 0.78%

LAB 82.88, -5.76, 9.71

 

CMYK 0 / 0 / 1 / 22

HEX #C7C8C6

RGB 199 200 198

HSL 90, 0.02%, 0.78%

LAB 80.48, -0.71, 0.87

 

CMYK 5 / 8 / 0 / 19

HEX #C4BFCF

RGB 196 191 207

HSL 258.75, 0.14%, 0.78%

LAB 78.17, 4.75, -7.4

 

CMYK 0 / 7 / 25 / 11

HEX #E4D5AA

RGB 228 213 170

HSL 44.48, 0.52%, 0.78%

LAB 85.5, -1.43, 23.16

 

CMYK 0 / 0 / 25 / 11

HEX #E3E4AA

RGB 227 228 170

HSL 61.03, 0.52%, 0.78%

LAB 89.26, -9.44, 28.29

 

CMYK 7 / 0 / 25 / 11

HEX #D3E4AA

RGB 211 228 170

HSL 77.59, 0.52%, 0.78%

LAB 88.08, -15.32, 26.49

 

CMYK 14 / 0 / 25 / 11

HEX #C4E4AA

RGB 196 228 170

HSL 93.1, 0.52%, 0.78%

LAB 87.06, -20.69, 24.92

 

CMYK 21 / 0 / 25 / 11

HEX #B5E4AA

RGB 181 228 170

HSL 108.62, 0.52%, 0.78%

LAB 86.11, -25.88, 23.48

 

CMYK 14 / 0 / 48 / 19

HEX #B2CF6C

RGB 178 207 108

HSL 77.58, 0.51%, 0.62%

LAB 79.14, -25.13, 45.71

 

CMYK 11 / 0 / 36 / 15

HEX #C2D98B

RGB 194 217 139

HSL 77.69, 0.51%, 0.7%

LAB 83.42, -20.33, 35.93

 

CMYK 8 / 0 / 25 / 11

HEX #D2E4AA

RGB 210 228 170

HSL 78.62, 0.52%, 0.78%

LAB 88.01, -15.68, 26.38

 

CMYK 5 / 0 / 16 / 7

HEX #E3EEC9

RGB 227 238 201

HSL 77.84, 0.52%, 0.86%

LAB 92.44, -9.95, 16.69

 

CMYK 2 / 0 / 6 / 3

HEX #F3F8E9

RGB 243 248 233

HSL 80, 0.52%, 0.94%

LAB 96.85, -4.25, 6.61

 

CMYK 7 / 0 / 25 / 11

HEX #D3E4AB

RGB 211 228 171

HSL 77.89, 0.51%, 0.78%

LAB 88.1, -15.18, 26

 

CMYK 25 / 0 / 13 / 11

HEX #AAE4C6

RGB 170 228 198

HSL 148.97, 0.52%, 0.78%

LAB 86.06, -24.49, 8.7

 

CMYK 3 / 25 / 0 / 11

HEX #DDAAE4

RGB 221 170 228

HSL 292.76, 0.52%, 0.78%

LAB 75.9, 28.46, -21.97

 

CMYK 7 / 0 / 25 / 11

HEX #D3E4AB

RGB 211 228 171

HSL 77.89, 0.51%, 0.78%

LAB 88.1, -15.18, 26

 

CMYK 25 / 7 / 0 / 11

HEX #AAD3E4

RGB 170 211 228

HSL 197.59, 0.52%, 0.78%

LAB 82.24, -9.64, -12.8

 

CMYK 0 / 25 / 7 / 11

HEX #E4AAD3

RGB 228 170 211

HSL 317.59, 0.52%, 0.78%

LAB 76.04, 27.7, -12.44

 

CMYK 7 / 0 / 25 / 11

HEX #D3E4AB

RGB 211 228 171

HSL 77.89, 0.51%, 0.78%

LAB 88.1, -15.18, 26

 

CMYK 25 / 0 / 13 / 11

HEX #AAE4C6

RGB 170 228 198

HSL 148.97, 0.52%, 0.78%

LAB 86.06, -24.49, 8.7

 

CMYK 18 / 25 / 0 / 11

HEX #BBAAE4

RGB 187 170 228

HSL 257.59, 0.52%, 0.78%

LAB 72.84, 17.65, -26.92

 

CMYK 0 / 25 / 12 / 11

HEX #E4AAC8

RGB 228 170 200

HSL 328.97, 0.52%, 0.78%

LAB 75.71, 25.85, -6.93

 

CMYK 7 / 0 / 25 / 11

HEX #D3E4AB

RGB 211 228 171

HSL 77.89, 0.51%, 0.78%

LAB 88.1, -15.18, 26

 

CMYK 25 / 0 / 6 / 11

HEX #AAE4D7

RGB 170 228 215

HSL 166.55, 0.52%, 0.78%

LAB 86.47, -21.07, 0.35

 

CMYK 18 / 25 / 0 / 11

HEX #BBAAE4

RGB 187 170 228

HSL 257.59, 0.52%, 0.78%

LAB 72.84, 17.65, -26.92

 

CMYK 0 / 25 / 20 / 11

HEX #E4AAB7

RGB 228 170 183

HSL 346.55, 0.52%, 0.78%

LAB 75.24, 23.17, 1.69

 

Description

Color code: HEX #D3E4AB | qconv.com Color code: HEX #D3E4AB | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 211 red, 228 green and 171 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
211 228 171 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 7 cyan, none magenta, 25 yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
7% 0% 25% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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