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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D2F4BD it is the complementary color #2D0B42. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D2F4BD. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #D2F4BD: #D7F4B8, #E8FFCB, #F9FFDE, #FFFFF1

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D2F4BD. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #D2F4BD: #D2F4BD, #C1E2AA, #B0D097, #9FBE84 and #8EAC71

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 14 / 0 / 23 / 4

HEX #D2F4BD

RGB 210 244 189

HSL 97.09, 0.71%, 0.85%

LAB 92.61, -20.7, 22.93

 

Complementary color

CMYK 32 / 83 / 0 / 74

HEX #2D0B42

RGB 45 11 66

HSL 277.09, 0.71%, 0.15%

LAB 10.49, 28, -27.21

 

CMYK 12 / 0 / 25 / 4

HEX #D7F4B8

RGB 215 244 184

HSL 89, 0.73%, 0.84%

LAB 92.84, -19.72, 25.86

 

CMYK 9 / 0 / 20 / 0

HEX #E8FFCB

RGB 232 255 203

HSL 86.54, 1%, 0.9%

LAB 97.22, -16.3, 22.4

 

CMYK 2 / 0 / 13 / 0

HEX #F9FFDE

RGB 249 255 222

HSL 70.91, 1%, 0.94%

LAB 98.8, -7.49, 15.1

 

CMYK 0 / 0 / 5 / 0

HEX #FFFFF1

RGB 255 255 241

HSL 60, 1%, 0.97%

LAB 99.66, -2.38, 6.67

 

CMYK 14 / 0 / 23 / 4

HEX #D2F4BD

RGB 210 244 189

HSL 97.09, 0.71%, 0.85%

LAB 92.61, -20.7, 22.93

 

CMYK 15 / 0 / 25 / 11

HEX #C1E2AA

RGB 193 226 170

HSL 95.36, 0.49%, 0.78%

LAB 86.32, -20.77, 23.88

 

CMYK 15 / 0 / 27 / 18

HEX #B0D097

RGB 176 208 151

HSL 93.68, 0.38%, 0.7%

LAB 79.94, -20.84, 24.89

 

CMYK 16 / 0 / 31 / 25

HEX #9FBE84

RGB 159 190 132

HSL 92.07, 0.31%, 0.63%

LAB 73.46, -20.92, 25.94

 

CMYK 17 / 0 / 34 / 33

HEX #8EAC71

RGB 142 172 113

HSL 90.51, 0.26%, 0.56%

LAB 66.86, -20.98, 27.06

 

CMYK 14 / 0 / 23 / 4

HEX #D2F4BD

RGB 210 244 189

HSL 97.09, 0.71%, 0.85%

LAB 92.61, -20.7, 22.93

 

CMYK 17 / 0 / 22 / 5

HEX #C9F3BD

RGB 201 243 189

HSL 106.67, 0.69%, 0.85%

LAB 91.77, -23.29, 21.68

 

CMYK 21 / 0 / 22 / 5

HEX #C0F3BD

RGB 192 243 189

HSL 116.67, 0.69%, 0.85%

LAB 91.23, -26.29, 20.84

 

CMYK 22 / 0 / 20 / 5

HEX #BDF3C3

RGB 189 243 195

HSL 126.67, 0.69%, 0.85%

LAB 91.17, -26.25, 17.65

 

CMYK 22 / 0 / 16 / 5

HEX #BDF3CC

RGB 189 243 204

HSL 136.67, 0.69%, 0.85%

LAB 91.36, -24.66, 13.27

 

CMYK 14 / 0 / 23 / 4

HEX #D2F4BD

RGB 210 244 189

HSL 97.09, 0.71%, 0.85%

LAB 92.61, -20.7, 22.93

 

CMYK 15 / 0 / 23 / 84

HEX #22281F

RGB 34 40 31

HSL 100, 0.13%, 0.14%

LAB 15.26, -4.86, 5.05

 

CMYK 14 / 0 / 23 / 64

HEX #4E5B46

RGB 78 91 70

HSL 97.14, 0.13%, 0.32%

LAB 37.01, -9.48, 10.46

 

CMYK 14 / 0 / 23 / 44

HEX #7A8E6E

RGB 122 142 110

HSL 97.5, 0.13%, 0.49%

LAB 56.69, -13.41, 14.72

 

CMYK 14 / 0 / 23 / 24

HEX #A6C195

RGB 166 193 149

HSL 96.82, 0.26%, 0.67%

LAB 75.09, -17.23, 19.19

 

CMYK 14 / 0 / 23 / 4

HEX #D2F4BD

RGB 210 244 189

HSL 97.09, 0.71%, 0.85%

LAB 92.61, -20.7, 22.93

 

CMYK 22 / 0 / 4 / 5

HEX #BDF3E9

RGB 189 243 233

HSL 168.89, 0.69%, 0.85%

LAB 92.04, -19.08, -0.8

 

CMYK 0 / 22 / 5 / 5

HEX #F3BDE8

RGB 243 189 232

HSL 312.22, 0.69%, 0.85%

LAB 82.53, 26.26, -13.92

 

CMYK 14 / 0 / 23 / 4

HEX #D2F4BD

RGB 210 244 189

HSL 97.09, 0.71%, 0.85%

LAB 92.61, -20.7, 22.93

 

CMYK 22 / 14 / 0 / 5

HEX #BDD2F3

RGB 189 210 243

HSL 216.67, 0.69%, 0.85%

LAB 83.64, -0.08, -18.54

 

CMYK 0 / 22 / 14 / 5

HEX #F3BDD2

RGB 243 189 210

HSL 336.67, 0.69%, 0.85%

LAB 81.89, 22.57, -3.05

 

CMYK 14 / 0 / 23 / 4

HEX #D2F4BD

RGB 210 244 189

HSL 97.09, 0.71%, 0.85%

LAB 92.61, -20.7, 22.93

 

CMYK 22 / 0 / 4 / 5

HEX #BDF3E9

RGB 189 243 233

HSL 168.89, 0.69%, 0.85%

LAB 92.04, -19.08, -0.8

 

CMYK 8 / 22 / 0 / 5

HEX #DFBDF3

RGB 223 189 243

HSL 277.78, 0.69%, 0.85%

LAB 81.05, 21.78, -22.22

 

CMYK 0 / 22 / 18 / 5

HEX #F3BDC7

RGB 243 189 199

HSL 348.89, 0.69%, 0.85%

LAB 81.61, 20.86, 2.44

 

CMYK 14 / 0 / 23 / 4

HEX #D2F4BD

RGB 210 244 189

HSL 97.09, 0.71%, 0.85%

LAB 92.61, -20.7, 22.93

 

CMYK 22 / 2 / 0 / 5

HEX #BDEDF3

RGB 189 237 243

HSL 186.67, 0.69%, 0.85%

LAB 90.72, -14, -7.96

 

CMYK 8 / 22 / 0 / 5

HEX #DFBDF3

RGB 223 189 243

HSL 277.78, 0.69%, 0.85%

LAB 81.05, 21.78, -22.22

 

CMYK 0 / 20 / 22 / 5

HEX #F3C3BD

RGB 243 195 189

HSL 6.67, 0.69%, 0.85%

LAB 82.79, 16.21, 9.5

 

Description

Color code: HEX #D2F4BD | qconv.com Color code: HEX #D2F4BD | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 210 red, 244 green and 189 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
210 244 189 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 14 cyan, none magenta, 23 yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
14% 0% 23% 4% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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