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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D2C733 it is the complementary color #2D38CC. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D2C733. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D2C733 shade: #D7C72E, #E8D941, #F9EB54, #FFFD67 and #FFFF7A

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D2C733. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D2C733 shade: #D2C733, #C1B520, #B0A30D, #9F9100 and #8E7F00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D2C733 shade: #D2C732, #D29C32, #D27132, #D24632 and #D23232

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D2C733 shade: #D2C732, #B2D232, #87D232, #5CD232 and #32D234

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D2C733 shade matches the following richer shades: #D2C732, #E6D81E and #FAEA0A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D2C733 shade: #D2C732, #BEB646, #AAA45B, #95936F and #818183

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D2C733 shade: #D26F32, #D29A32, #D2C532, #B5D232 and #8AD232

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D2C733 shade: #928A20, #B3AA27, #D2C732, #D9D054 and #E1D976

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D2C733 shade: #D2C733, #32D245 and #8532D2

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D2C733 shade: #D2C733, #32D2C5 and #C532D2

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D2C733 shade: #D2C733, #32D245, #323FD2 and #D232BF

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D2C733 shade: #D2C733, #32D275, #323FD2 and #D2328F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 5 / 76 / 18

HEX #D2C733

RGB 210 199 51

HSL 55.85, 0.64%, 0.51%

LAB 78.92, -12.07, 69.95

 

Complementary color

CMYK 78 / 73 / 0 / 20

HEX #2D38CC

RGB 45 56 204

HSL 235.85, 0.64%, 0.49%

LAB 33.45, 47.06, -76.79

 

CMYK 0 / 7 / 79 / 16

HEX #D7C72E

RGB 215 199 46

HSL 54.32, 0.68%, 0.51%

LAB 79.32, -10.12, 72.01

 

CMYK 0 / 6 / 72 / 9

HEX #E8D941

RGB 232 217 65

HSL 54.61, 0.78%, 0.58%

LAB 85.59, -11.24, 72.19

 

CMYK 0 / 6 / 66 / 2

HEX #F9EB54

RGB 249 235 84

HSL 54.91, 0.93%, 0.65%

LAB 91.77, -12.2, 71.83

 

CMYK 0 / 1 / 60 / 0

HEX #FFFD67

RGB 255 253 103

HSL 59.21, 1%, 0.7%

LAB 97.02, -17.42, 69.94

 

CMYK 0 / 0 / 52 / 0

HEX #FFFF7A

RGB 255 255 122

HSL 60, 1%, 0.74%

LAB 97.71, -17.02, 62.59

 

CMYK 0 / 5 / 76 / 18

HEX #D2C733

RGB 210 199 51

HSL 55.85, 0.64%, 0.51%

LAB 78.92, -12.07, 69.95

 

CMYK 0 / 6 / 83 / 24

HEX #C1B520

RGB 193 181 32

HSL 55.53, 0.72%, 0.44%

LAB 72.55, -10.86, 69.23

 

CMYK 0 / 7 / 93 / 31

HEX #B0A30D

RGB 176 163 13

HSL 55.21, 0.86%, 0.37%

LAB 66.1, -9.43, 67.24

 

CMYK 0 / 9 / 100 / 38

HEX #9F9100

RGB 159 145 0

HSL 54.72, 1%, 0.31%

LAB 59.55, -7.75, 63.52

 

CMYK 0 / 11 / 100 / 44

HEX #8E7F00

RGB 142 127 0

HSL 53.66, 1%, 0.28%

LAB 52.87, -5.83, 57.99

 

CMYK 0 / 5 / 76 / 18

HEX #D2C732

RGB 210 199 50

HSL 55.88, 0.64%, 0.51%

LAB 78.91, -12.11, 70.26

 

CMYK 0 / 26 / 76 / 18

HEX #D29C32

RGB 210 156 50

HSL 39.75, 0.64%, 0.51%

LAB 67.81, 10.45, 59.9

 

CMYK 0 / 46 / 76 / 18

HEX #D27132

RGB 210 113 50

HSL 23.63, 0.64%, 0.51%

LAB 57.79, 33.56, 50.1

 

CMYK 0 / 67 / 76 / 18

HEX #D24632

RGB 210 70 50

HSL 7.5, 0.64%, 0.51%

LAB 49.87, 54, 41.93

 

CMYK 0 / 76 / 76 / 18

HEX #D23232

RGB 210 50 50

HSL 0, 0.64%, 0.51%

LAB 47.25, 61.21, 39.12

 

CMYK 0 / 5 / 76 / 18

HEX #D2C732

RGB 210 199 50

HSL 55.88, 0.64%, 0.51%

LAB 78.91, -12.11, 70.26

 

CMYK 15 / 0 / 76 / 18

HEX #B2D232

RGB 178 210 50

HSL 72, 0.64%, 0.51%

LAB 79.49, -30.82, 69.9

 

CMYK 36 / 0 / 76 / 18

HEX #87D232

RGB 135 210 50

HSL 88.13, 0.64%, 0.51%

LAB 76.97, -47.13, 66.63

 

CMYK 56 / 0 / 76 / 18

HEX #5CD232

RGB 92 210 50

HSL 104.25, 0.64%, 0.51%

LAB 75.2, -60.27, 64.32

 

CMYK 76 / 0 / 75 / 18

HEX #32D234

RGB 50 210 52

HSL 120.75, 0.64%, 0.51%

LAB 74.2, -68.52, 62.35

 

CMYK 0 / 5 / 76 / 18

HEX #D2C732

RGB 210 199 50

HSL 55.88, 0.64%, 0.51%

LAB 78.91, -12.11, 70.26

 

CMYK 0 / 6 / 87 / 10

HEX #E6D81E

RGB 230 216 30

HSL 55.8, 0.8%, 0.51%

LAB 85.01, -12.7, 81.16

 

CMYK 0 / 6 / 96 / 2

HEX #FAEA0A

RGB 250 234 10

HSL 56, 0.96%, 0.51%

LAB 91.32, -13.43, 89.3

 

CMYK 0 / 5 / 76 / 18

HEX #D2C732

RGB 210 199 50

HSL 55.88, 0.64%, 0.51%

LAB 78.91, -12.11, 70.26

 

CMYK 0 / 4 / 63 / 25

HEX #BEB646

RGB 190 182 70

HSL 56, 0.48%, 0.51%

LAB 72.79, -10.95, 56.17

 

CMYK 0 / 4 / 46 / 33

HEX #AAA45B

RGB 170 164 91

HSL 55.44, 0.32%, 0.51%

LAB 66.41, -8.31, 38.46

 

CMYK 0 / 1 / 26 / 42

HEX #95936F

RGB 149 147 111

HSL 56.84, 0.15%, 0.51%

LAB 60.25, -5.36, 19.38

 

CMYK 2 / 2 / 0 / 49

HEX #818183

RGB 129 129 131

HSL 240, 0.01%, 0.51%

LAB 54.03, 0.4, -1.09

 

CMYK 0 / 47 / 76 / 18

HEX #D26F32

RGB 210 111 50

HSL 22.88, 0.64%, 0.51%

LAB 57.37, 34.61, 49.67

 

CMYK 0 / 27 / 76 / 18

HEX #D29A32

RGB 210 154 50

HSL 39, 0.64%, 0.51%

LAB 67.31, 11.53, 59.43

 

CMYK 0 / 6 / 76 / 18

HEX #D2C532

RGB 210 197 50

HSL 55.13, 0.64%, 0.51%

LAB 78.38, -11.1, 69.78

 

CMYK 14 / 0 / 76 / 18

HEX #B5D232

RGB 181 210 50

HSL 70.88, 0.64%, 0.51%

LAB 79.7, -29.61, 70.17

 

CMYK 34 / 0 / 76 / 18

HEX #8AD232

RGB 138 210 50

HSL 87, 0.64%, 0.51%

LAB 77.12, -46.07, 66.83

 

CMYK 0 / 5 / 78 / 43

HEX #928A20

RGB 146 138 32

HSL 55.79, 0.64%, 0.35%

LAB 56.48, -9.16, 53.55

 

CMYK 0 / 5 / 78 / 30

HEX #B3AA27

RGB 179 170 39

HSL 56.14, 0.64%, 0.43%

LAB 68.37, -11.08, 63.16

 

CMYK 0 / 5 / 76 / 18

HEX #D2C732

RGB 210 199 50

HSL 55.88, 0.64%, 0.51%

LAB 78.91, -12.11, 70.26

 

CMYK 0 / 4 / 61 / 15

HEX #D9D054

RGB 217 208 84

HSL 55.94, 0.64%, 0.59%

LAB 82.11, -11.94, 60.87

 

CMYK 0 / 4 / 48 / 12

HEX #E1D976

RGB 225 217 118

HSL 55.51, 0.64%, 0.67%

LAB 85.47, -10.54, 49.39

 

CMYK 0 / 5 / 76 / 18

HEX #D2C733

RGB 210 199 51

HSL 55.85, 0.64%, 0.51%

LAB 78.92, -12.07, 69.95

 

CMYK 76 / 0 / 67 / 18

HEX #32D245

RGB 50 210 69

HSL 127.13, 0.64%, 0.51%

LAB 74.32, -67.09, 56.24

 

CMYK 37 / 76 / 0 / 18

HEX #8532D2

RGB 133 50 210

HSL 271.13, 0.64%, 0.51%

LAB 41.09, 62.98, -67.42

 

CMYK 0 / 5 / 76 / 18

HEX #D2C733

RGB 210 199 51

HSL 55.85, 0.64%, 0.51%

LAB 78.92, -12.07, 69.95

 

CMYK 76 / 0 / 6 / 18

HEX #32D2C5

RGB 50 210 197

HSL 175.13, 0.64%, 0.51%

LAB 76.56, -42.5, -5.12

 

CMYK 6 / 76 / 0 / 18

HEX #C532D2

RGB 197 50 210

HSL 295.13, 0.64%, 0.51%

LAB 50.46, 74.63, -51.82

 

CMYK 0 / 5 / 76 / 18

HEX #D2C733

RGB 210 199 51

HSL 55.85, 0.64%, 0.51%

LAB 78.92, -12.07, 69.95

 

CMYK 76 / 0 / 67 / 18

HEX #32D245

RGB 50 210 69

HSL 127.13, 0.64%, 0.51%

LAB 74.32, -67.09, 56.24

 

CMYK 76 / 70 / 0 / 18

HEX #323FD2

RGB 50 63 210

HSL 235.13, 0.64%, 0.51%

LAB 35.76, 45.42, -76.44

 

CMYK 0 / 76 / 9 / 18

HEX #D232BF

RGB 210 50 191

HSL 307.13, 0.64%, 0.51%

LAB 51.55, 74.34, -39.01

 

CMYK 0 / 5 / 76 / 18

HEX #D2C733

RGB 210 199 51

HSL 55.85, 0.64%, 0.51%

LAB 78.92, -12.07, 69.95

 

CMYK 76 / 0 / 44 / 18

HEX #32D275

RGB 50 210 117

HSL 145.13, 0.64%, 0.51%

LAB 74.86, -60.65, 34.76

 

CMYK 76 / 70 / 0 / 18

HEX #323FD2

RGB 50 63 210

HSL 235.13, 0.64%, 0.51%

LAB 35.76, 45.42, -76.44

 

CMYK 0 / 76 / 32 / 18

HEX #D2328F

RGB 210 50 143

HSL 325.13, 0.64%, 0.51%

LAB 49.45, 68.14, -13.92

 

Description

Color code: HEX #D2C733 | qconv.com Color code: HEX #D2C733 | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 210 red, 199 green and 51 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
210 199 51 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 5 magenta, 76 yellow and 18 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 5% 76% 18% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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