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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CF9F06 it is the complementary color #3060F9. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CF9F06. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #CF9F06 shade: #D49F01, #E5B114, #F6C327, #FFD53A and #FFE74D

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CF9F06. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #CF9F06 shade: #CF9F06, #BE8D00, #AD7B00, #9C6900 and #8B5700

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #CF9F06 shade: #D0A006, #D06906, #D03306 and #D00606

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #CF9F06 shade: #D0A006, #CAD006, #93D006, #5DD006 and #27D006

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #CF9F06 shade matches the following richer shades: #D0A006

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #CF9F06 shade: #D0A006, #BE9718, #AD8E29, #9C853A and #8A7B4C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #CF9F06 shade: #D03206, #D06806, #D09D06, #CCD006 and #97D006

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #CF9F06 shade: #806204, #A88105, #D0A006, #F7BE08 and #F9C930

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #CF9F06 shade: #CF9F06, #10D006 and #4D06D0

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #CF9F06 shade: #CF9F06, #06D09D and #9D06D0

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #CF9F06 shade: #CF9F06, #10D006, #0639D0 and #C606D0

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #CF9F06 shade: #CF9F06, #06D039, #0639D0 and #D0069D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 23 / 97 / 19

HEX #CF9F06

RGB 207 159 6

HSL 45.67, 0.94%, 0.42%

LAB 68.08, 6.47, 70.98

 

Complementary color

CMYK 81 / 61 / 0 / 2

HEX #3060F9

RGB 48 96 249

HSL 225.67, 0.94%, 0.58%

LAB 46.76, 38.81, -80.53

 

CMYK 0 / 25 / 100 / 17

HEX #D49F01

RGB 212 159 1

HSL 44.93, 0.99%, 0.42%

LAB 68.6, 8.63, 72.24

 

CMYK 0 / 23 / 91 / 10

HEX #E5B114

RGB 229 177 20

HSL 45.07, 0.84%, 0.49%

LAB 74.92, 6.72, 75.08

 

CMYK 0 / 21 / 84 / 4

HEX #F6C327

RGB 246 195 39

HSL 45.22, 0.92%, 0.56%

LAB 81.16, 5.01, 76.66

 

CMYK 0 / 16 / 77 / 0

HEX #FFD53A

RGB 255 213 58

HSL 47.21, 1%, 0.61%

LAB 86.58, 0.16, 76.2

 

CMYK 0 / 9 / 70 / 0

HEX #FFE74D

RGB 255 231 77

HSL 51.91, 1%, 0.65%

LAB 91.21, -8.11, 74.05

 

CMYK 0 / 23 / 97 / 19

HEX #CF9F06

RGB 207 159 6

HSL 45.67, 0.94%, 0.42%

LAB 68.08, 6.47, 70.98

 

CMYK 0 / 26 / 100 / 25

HEX #BE8D00

RGB 190 141 0

HSL 44.53, 1%, 0.37%

LAB 61.65, 8.58, 66.47

 

CMYK 0 / 29 / 100 / 32

HEX #AD7B00

RGB 173 123 0

HSL 42.66, 1%, 0.34%

LAB 55.12, 10.84, 61.12

 

CMYK 0 / 33 / 100 / 39

HEX #9C6900

RGB 156 105 0

HSL 40.38, 1%, 0.31%

LAB 48.47, 13.22, 55.67

 

CMYK 0 / 37 / 100 / 45

HEX #8B5700

RGB 139 87 0

HSL 37.55, 1%, 0.27%

LAB 41.7, 15.71, 50.14

 

CMYK 0 / 23 / 97 / 18

HEX #D0A006

RGB 208 160 6

HSL 45.74, 0.94%, 0.42%

LAB 68.43, 6.38, 71.29

 

CMYK 0 / 50 / 97 / 18

HEX #D06906

RGB 208 105 6

HSL 29.41, 0.94%, 0.42%

LAB 55.61, 35.87, 62.56

 

CMYK 0 / 75 / 97 / 18

HEX #D03306

RGB 208 51 6

HSL 13.37, 0.94%, 0.42%

LAB 46.7, 59.36, 57.29

 

CMYK 0 / 97 / 97 / 18

HEX #D00606

RGB 208 6 6

HSL 0, 0.94%, 0.42%

LAB 43.59, 68.2, 55.74

 

CMYK 0 / 23 / 97 / 18

HEX #D0A006

RGB 208 160 6

HSL 45.74, 0.94%, 0.42%

LAB 68.43, 6.38, 71.29

 

CMYK 3 / 0 / 97 / 18

HEX #CAD006

RGB 202 208 6

HSL 61.78, 0.94%, 0.42%

LAB 80.56, -20.98, 79.91

 

CMYK 29 / 0 / 97 / 18

HEX #93D006

RGB 147 208 6

HSL 78.12, 0.94%, 0.42%

LAB 76.88, -43.25, 75.49

 

CMYK 55 / 0 / 97 / 18

HEX #5DD006

RGB 93 208 6

HSL 94.16, 0.94%, 0.42%

LAB 74.48, -60.89, 72.57

 

CMYK 81 / 0 / 97 / 18

HEX #27D006

RGB 39 208 6

HSL 110.2, 0.94%, 0.42%

LAB 73.26, -71.24, 71.07

 

CMYK 0 / 23 / 97 / 18

HEX #D0A006

RGB 208 160 6

HSL 45.74, 0.94%, 0.42%

LAB 68.43, 6.38, 71.29

 

CMYK 0 / 23 / 97 / 18

HEX #D0A006

RGB 208 160 6

HSL 45.74, 0.94%, 0.42%

LAB 68.43, 6.38, 71.29

 

CMYK 0 / 21 / 87 / 25

HEX #BE9718

RGB 190 151 24

HSL 45.9, 0.78%, 0.42%

LAB 64.28, 3.49, 64.25

 

CMYK 0 / 18 / 76 / 32

HEX #AD8E29

RGB 173 142 41

HSL 45.91, 0.62%, 0.42%

LAB 60.24, 1.3, 54.76

 

CMYK 0 / 15 / 63 / 39

HEX #9C853A

RGB 156 133 58

HSL 45.92, 0.46%, 0.42%

LAB 56.24, -0.41, 42.71

 

CMYK 0 / 11 / 45 / 46

HEX #8A7B4C

RGB 138 123 76

HSL 45.48, 0.29%, 0.42%

LAB 51.94, -1.17, 27.75

 

CMYK 0 / 76 / 97 / 18

HEX #D03206

RGB 208 50 6

HSL 13.07, 0.94%, 0.42%

LAB 46.58, 59.68, 57.23

 

CMYK 0 / 50 / 97 / 18

HEX #D06806

RGB 208 104 6

HSL 29.11, 0.94%, 0.42%

LAB 55.4, 36.38, 62.43

 

CMYK 0 / 25 / 97 / 18

HEX #D09D06

RGB 208 157 6

HSL 44.85, 0.94%, 0.42%

LAB 67.68, 7.99, 70.75

 

CMYK 2 / 0 / 97 / 18

HEX #CCD006

RGB 204 208 6

HSL 61.19, 0.94%, 0.42%

LAB 80.72, -20.13, 80.1

 

CMYK 27 / 0 / 97 / 18

HEX #97D006

RGB 151 208 6

HSL 76.93, 0.94%, 0.42%

LAB 77.1, -41.73, 75.76

 

CMYK 0 / 23 / 97 / 50

HEX #806204

RGB 128 98 4

HSL 45.48, 0.94%, 0.26%

LAB 43.26, 4.09, 49.51

 

CMYK 0 / 23 / 97 / 34

HEX #A88105

RGB 168 129 5

HSL 45.64, 0.94%, 0.34%

LAB 56.12, 5.26, 60.66

 

CMYK 0 / 23 / 97 / 18

HEX #D0A006

RGB 208 160 6

HSL 45.74, 0.94%, 0.42%

LAB 68.43, 6.38, 71.29

 

CMYK 0 / 23 / 97 / 3

HEX #F7BE08

RGB 247 190 8

HSL 45.69, 0.94%, 0.5%

LAB 79.96, 7.55, 81.12

 

CMYK 0 / 19 / 81 / 2

HEX #F9C930

RGB 249 201 48

HSL 45.67, 0.94%, 0.58%

LAB 82.98, 3.43, 75.84

 

CMYK 0 / 23 / 97 / 19

HEX #CF9F06

RGB 207 159 6

HSL 45.67, 0.94%, 0.42%

LAB 68.08, 6.47, 70.98

 

CMYK 92 / 0 / 97 / 18

HEX #10D006

RGB 16 208 6

HSL 117.03, 0.94%, 0.42%

LAB 73.05, -73.14, 70.82

 

CMYK 63 / 97 / 0 / 18

HEX #4D06D0

RGB 77 6 208

HSL 261.09, 0.94%, 0.42%

LAB 30.06, 68.68, -84.66

 

CMYK 0 / 23 / 97 / 19

HEX #CF9F06

RGB 207 159 6

HSL 45.67, 0.94%, 0.42%

LAB 68.08, 6.47, 70.98

 

CMYK 97 / 0 / 25 / 18

HEX #06D09D

RGB 6 208 157

HSL 164.85, 0.94%, 0.42%

LAB 74.56, -54.85, 13.42

 

CMYK 25 / 97 / 0 / 18

HEX #9D06D0

RGB 157 6 208

HSL 284.85, 0.94%, 0.42%

LAB 40.98, 76.26, -66.29

 

CMYK 0 / 23 / 97 / 19

HEX #CF9F06

RGB 207 159 6

HSL 45.67, 0.94%, 0.42%

LAB 68.08, 6.47, 70.98

 

CMYK 92 / 0 / 97 / 18

HEX #10D006

RGB 16 208 6

HSL 117.03, 0.94%, 0.42%

LAB 73.05, -73.14, 70.82

 

CMYK 97 / 73 / 0 / 18

HEX #0639D0

RGB 6 57 208

HSL 224.85, 0.94%, 0.42%

LAB 32.96, 46.07, -79.96

 

CMYK 5 / 97 / 0 / 18

HEX #C606D0

RGB 198 6 208

HSL 297.03, 0.94%, 0.42%

LAB 47.87, 82.2, -54.82

 

CMYK 0 / 23 / 97 / 19

HEX #CF9F06

RGB 207 159 6

HSL 45.67, 0.94%, 0.42%

LAB 68.08, 6.47, 70.98

 

CMYK 97 / 0 / 73 / 18

HEX #06D039

RGB 6 208 57

HSL 135.15, 0.94%, 0.42%

LAB 73.18, -71.18, 59.47

 

CMYK 97 / 73 / 0 / 18

HEX #0639D0

RGB 6 57 208

HSL 224.85, 0.94%, 0.42%

LAB 32.96, 46.07, -79.96

 

CMYK 0 / 97 / 25 / 18

HEX #D0069D

RGB 208 6 157

HSL 315.15, 0.94%, 0.42%

LAB 46.94, 77.13, -26.21

 

Description

Color code: HEX #CF9F06 | qconv.com Color code: HEX #CF9F06 | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 207 red, 159 green and 6 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
207 159 6 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 23 magenta, 97 yellow and 19 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 23% 97% 19% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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