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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CF9085 it is the complementary color #306F7A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CF9085. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #CF9085: #D49080, #E5A293, #F6B4A6, #FFC6B9 and #FFD8CC

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CF9085. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #CF9085: #CF9085, #BE7E72, #AD6C5F, #9C5A4C and #8B4839

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 30 / 36 / 19

HEX #CF9085

RGB 207 144 133

HSL 8.92, 0.44%, 0.67%

LAB 65.67, 22.46, 15.44

 

Complementary color

CMYK 61 / 9 / 0 / 52

HEX #306F7A

RGB 48 111 122

HSL 188.92, 0.44%, 0.33%

LAB 43.36, -16.6, -12.19

 

CMYK 0 / 32 / 40 / 17

HEX #D49080

RGB 212 144 128

HSL 11.43, 0.49%, 0.67%

LAB 66.14, 23.81, 18.96

 

CMYK 0 / 29 / 36 / 10

HEX #E5A293

RGB 229 162 147

HSL 10.98, 0.61%, 0.74%

LAB 72.63, 22.94, 17.72

 

CMYK 0 / 27 / 33 / 4

HEX #F6B4A6

RGB 246 180 166

HSL 10.5, 0.82%, 0.81%

LAB 79.03, 22.15, 16.59

 

CMYK 0 / 22 / 27 / 0

HEX #FFC6B9

RGB 255 198 185

HSL 11.14, 1%, 0.86%

LAB 84.56, 18.49, 14.32

 

CMYK 0 / 15 / 20 / 0

HEX #FFD8CC

RGB 255 216 204

HSL 14.12, 1%, 0.9%

LAB 89.27, 11.76, 10.95

 

CMYK 0 / 30 / 36 / 19

HEX #CF9085

RGB 207 144 133

HSL 8.92, 0.44%, 0.67%

LAB 65.67, 22.46, 15.44

 

CMYK 0 / 34 / 40 / 25

HEX #BE7E72

RGB 190 126 114

HSL 9.47, 0.37%, 0.6%

LAB 59.05, 23.37, 16.71

 

CMYK 0 / 38 / 45 / 32

HEX #AD6C5F

RGB 173 108 95

HSL 10, 0.32%, 0.53%

LAB 52.33, 24.4, 18.15

 

CMYK 0 / 42 / 51 / 39

HEX #9C5A4C

RGB 156 90 76

HSL 10.5, 0.34%, 0.45%

LAB 45.5, 25.57, 19.79

 

CMYK 0 / 48 / 59 / 45

HEX #8B4839

RGB 139 72 57

HSL 10.98, 0.42%, 0.38%

LAB 38.58, 26.9, 21.74

 

CMYK 0 / 30 / 36 / 19

HEX #CF9085

RGB 207 144 133

HSL 8.92, 0.44%, 0.67%

LAB 65.67, 22.46, 15.44

 

CMYK 0 / 25 / 36 / 19

HEX #CF9C85

RGB 207 156 133

HSL 18.65, 0.44%, 0.67%

LAB 68.56, 15.92, 19.43

 

CMYK 0 / 19 / 36 / 19

HEX #CFA885

RGB 207 168 133

HSL 28.38, 0.44%, 0.67%

LAB 71.53, 9.41, 23.48

 

CMYK 0 / 13 / 36 / 19

HEX #CFB485

RGB 207 180 133

HSL 38.11, 0.44%, 0.67%

LAB 74.57, 2.98, 27.57

 

CMYK 0 / 7 / 36 / 19

HEX #CFC185

RGB 207 193 133

HSL 48.65, 0.44%, 0.67%

LAB 77.93, -3.87, 32.02

 

CMYK 0 / 30 / 36 / 19

HEX #CF9085

RGB 207 144 133

HSL 8.92, 0.44%, 0.67%

LAB 65.67, 22.46, 15.44

 

CMYK 0 / 33 / 33 / 99

HEX #030202

RGB 3 2 2

HSL 0, 0.2%, 0.01%

LAB 0.61, 0.26, 0.09

 

CMYK 0 / 30 / 35 / 79

HEX #362623

RGB 54 38 35

HSL 9.47, 0.21%, 0.17%

LAB 16.95, 7.02, 4.94

 

CMYK 0 / 30 / 36 / 59

HEX #694943

RGB 105 73 67

HSL 9.47, 0.22%, 0.34%

LAB 34.34, 12.76, 9.03

 

CMYK 0 / 30 / 36 / 39

HEX #9C6D64

RGB 156 109 100

HSL 9.64, 0.22%, 0.5%

LAB 50.6, 17.49, 12.51

 

CMYK 0 / 30 / 36 / 19

HEX #CF9085

RGB 207 144 133

HSL 8.92, 0.44%, 0.67%

LAB 65.67, 22.46, 15.44

 

CMYK 12 / 0 / 36 / 19

HEX #B7CF85

RGB 183 207 133

HSL 79.46, 0.44%, 0.67%

LAB 79.83, -20.3, 34.16

 

CMYK 36 / 26 / 0 / 19

HEX #8599CF

RGB 133 153 207

HSL 223.78, 0.44%, 0.67%

LAB 63.57, 6.05, -29.96

 

CMYK 0 / 30 / 36 / 19

HEX #CF9085

RGB 207 144 133

HSL 8.92, 0.44%, 0.67%

LAB 65.67, 22.46, 15.44

 

CMYK 36 / 0 / 31 / 19

HEX #85CF8F

RGB 133 207 143

HSL 128.11, 0.44%, 0.67%

LAB 77.04, -36.13, 24.73

 

CMYK 31 / 36 / 0 / 19

HEX #8F85CF

RGB 143 133 207

HSL 248.11, 0.44%, 0.67%

LAB 59.08, 20.45, -36.88

 

CMYK 0 / 30 / 36 / 19

HEX #CF9085

RGB 207 144 133

HSL 8.92, 0.44%, 0.67%

LAB 65.67, 22.46, 15.44

 

CMYK 12 / 0 / 36 / 19

HEX #B7CF85

RGB 183 207 133

HSL 79.46, 0.44%, 0.67%

LAB 79.83, -20.3, 34.16

 

CMYK 36 / 4 / 0 / 19

HEX #85C6CF

RGB 133 198 207

HSL 187.3, 0.44%, 0.67%

LAB 76, -18.34, -11.07

 

CMYK 24 / 36 / 0 / 19

HEX #9E85CF

RGB 158 133 207

HSL 260.27, 0.44%, 0.67%

LAB 60.38, 24.83, -34.76

 

CMYK 0 / 30 / 36 / 19

HEX #CF9085

RGB 207 144 133

HSL 8.92, 0.44%, 0.67%

LAB 65.67, 22.46, 15.44

 

CMYK 23 / 0 / 36 / 19

HEX #A0CF85

RGB 160 207 133

HSL 98.11, 0.44%, 0.67%

LAB 78.34, -28.72, 31.92

 

CMYK 36 / 4 / 0 / 19

HEX #85C6CF

RGB 133 198 207

HSL 187.3, 0.44%, 0.67%

LAB 76, -18.34, -11.07

 

CMYK 13 / 36 / 0 / 19

HEX #B485CF

RGB 180 133 207

HSL 278.11, 0.44%, 0.67%

LAB 62.49, 31.53, -31.31

 

Description

Color code: HEX #CF9085 | qconv.com Color code: HEX #CF9085 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 207 red, 144 green and 133 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
207 144 133 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 30 magenta, 36 yellow and 19 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 30% 36% 19% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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