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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CDC181 it is the complementary color #323E7E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CDC181. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #CDC181: #D2C17C, #E3D38F, #F4E5A2, #FFF7B5 and #FFFFC8

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CDC181. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #CDC181: #CDC181, #BCAF6E, #AB9D5B, #9A8B48 and #897935

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 6 / 37 / 20

HEX #CDC181

RGB 205 193 129

HSL 50.53, 0.43%, 0.65%

LAB 77.7, -5.13, 33.76

 

Complementary color

CMYK 60 / 51 / 0 / 51

HEX #323E7E

RGB 50 62 126

HSL 230.53, 0.43%, 0.35%

LAB 28.46, 15.98, -37.91

 

CMYK 0 / 8 / 41 / 18

HEX #D2C17C

RGB 210 193 124

HSL 48.14, 0.49%, 0.65%

LAB 78.05, -3.69, 36.88

 

CMYK 0 / 7 / 37 / 11

HEX #E3D38F

RGB 227 211 143

HSL 48.57, 0.6%, 0.73%

LAB 84.43, -4.15, 35.7

 

CMYK 0 / 6 / 34 / 4

HEX #F4E5A2

RGB 244 229 162

HSL 49.02, 0.79%, 0.8%

LAB 90.73, -4.55, 34.56

 

CMYK 0 / 3 / 29 / 0

HEX #FFF7B5

RGB 255 247 181

HSL 53.51, 1%, 0.85%

LAB 96.46, -7.13, 32.76

 

CMYK 0 / 0 / 22 / 0

HEX #FFFFC8

RGB 255 255 200

HSL 60, 1%, 0.89%

LAB 98.81, -8.6, 26.37

 

CMYK 0 / 6 / 37 / 20

HEX #CDC181

RGB 205 193 129

HSL 50.53, 0.43%, 0.65%

LAB 77.7, -5.13, 33.76

 

CMYK 0 / 7 / 41 / 26

HEX #BCAF6E

RGB 188 175 110

HSL 50, 0.37%, 0.58%

LAB 71.2, -4.68, 34.97

 

CMYK 0 / 8 / 47 / 33

HEX #AB9D5B

RGB 171 157 91

HSL 49.5, 0.32%, 0.51%

LAB 64.59, -4.14, 36.23

 

CMYK 0 / 10 / 53 / 40

HEX #9A8B48

RGB 154 139 72

HSL 49.02, 0.36%, 0.44%

LAB 57.85, -3.48, 37.51

 

CMYK 0 / 12 / 61 / 46

HEX #897935

RGB 137 121 53

HSL 48.57, 0.44%, 0.37%

LAB 50.98, -2.66, 38.76

 

CMYK 0 / 6 / 37 / 20

HEX #CDC181

RGB 205 193 129

HSL 50.53, 0.43%, 0.65%

LAB 77.7, -5.13, 33.76

 

CMYK 0 / 0 / 38 / 20

HEX #CCCC7F

RGB 204 204 127

HSL 60, 0.43%, 0.65%

LAB 80.49, -11.41, 38.37

 

CMYK 6 / 0 / 38 / 20

HEX #BFCC7F

RGB 191 204 127

HSL 70.13, 0.43%, 0.65%

LAB 79.5, -16.49, 36.9

 

CMYK 13 / 0 / 38 / 20

HEX #B2CC7F

RGB 178 204 127

HSL 80.26, 0.43%, 0.65%

LAB 78.57, -21.47, 35.52

 

CMYK 19 / 0 / 38 / 20

HEX #A5CC7F

RGB 165 204 127

HSL 90.39, 0.43%, 0.65%

LAB 77.71, -26.3, 34.24

 

CMYK 0 / 6 / 37 / 20

HEX #CDC181

RGB 205 193 129

HSL 50.53, 0.43%, 0.65%

LAB 77.7, -5.13, 33.76

 

CMYK 0 / 0 / 0 / 100

HEX #010101

RGB 1 1 1

HSL 0, 0%, 0%

LAB 0.27, 0, -0

 

CMYK 0 / 6 / 37 / 80

HEX #343121

RGB 52 49 33

HSL 50.53, 0.22%, 0.17%

LAB 20.19, -1.77, 10.72

 

CMYK 0 / 6 / 37 / 60

HEX #676141

RGB 103 97 65

HSL 50.53, 0.23%, 0.33%

LAB 40.92, -3, 19.14

 

CMYK 0 / 6 / 37 / 40

HEX #9A9161

RGB 154 145 97

HSL 50.53, 0.23%, 0.49%

LAB 59.87, -4.1, 26.7

 

CMYK 0 / 6 / 37 / 20

HEX #CDC181

RGB 205 193 129

HSL 50.53, 0.43%, 0.65%

LAB 77.7, -5.13, 33.76

 

CMYK 38 / 0 / 37 / 20

HEX #7FCC81

RGB 127 204 129

HSL 121.56, 0.43%, 0.65%

LAB 75.63, -38.94, 30.08

 

CMYK 22 / 38 / 0 / 20

HEX #A07FCC

RGB 160 127 204

HSL 265.71, 0.43%, 0.65%

LAB 58.99, 28.16, -35.23

 

CMYK 0 / 6 / 37 / 20

HEX #CDC181

RGB 205 193 129

HSL 50.53, 0.43%, 0.65%

LAB 77.7, -5.13, 33.76

 

CMYK 38 / 0 / 6 / 20

HEX #7FCCBF

RGB 127 204 191

HSL 169.87, 0.43%, 0.65%

LAB 76.96, -26.76, -1.04

 

CMYK 6 / 38 / 0 / 20

HEX #BF7FCC

RGB 191 127 204

HSL 289.87, 0.43%, 0.65%

LAB 62.18, 37.63, -30.02

 

CMYK 0 / 6 / 37 / 20

HEX #CDC181

RGB 205 193 129

HSL 50.53, 0.43%, 0.65%

LAB 77.7, -5.13, 33.76

 

CMYK 38 / 0 / 37 / 20

HEX #7FCC81

RGB 127 204 129

HSL 121.56, 0.43%, 0.65%

LAB 75.63, -38.94, 30.08

 

CMYK 38 / 31 / 0 / 20

HEX #7F8CCC

RGB 127 140 204

HSL 229.87, 0.43%, 0.65%

LAB 59.55, 11.07, -34.55

 

CMYK 0 / 38 / 1 / 20

HEX #CC7FC9

RGB 204 127 201

HSL 302.34, 0.43%, 0.65%

LAB 63.54, 41.11, -26.12

 

CMYK 0 / 6 / 37 / 20

HEX #CDC181

RGB 205 193 129

HSL 50.53, 0.43%, 0.65%

LAB 77.7, -5.13, 33.76

 

CMYK 38 / 0 / 25 / 20

HEX #7FCC98

RGB 127 204 152

HSL 139.48, 0.43%, 0.65%

LAB 76.05, -34.95, 18.57

 

CMYK 38 / 31 / 0 / 20

HEX #7F8CCC

RGB 127 140 204

HSL 229.87, 0.43%, 0.65%

LAB 59.55, 11.07, -34.55

 

CMYK 0 / 38 / 13 / 20

HEX #CC7FB2

RGB 204 127 178

HSL 320.26, 0.43%, 0.65%

LAB 62.7, 37.1, -14.39

 

Description

Color code: HEX #CDC181 | qconv.com Color code: HEX #CDC181 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 205 red, 193 green and 129 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
205 193 129 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 6 magenta, 37 yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 6% 37% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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