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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CD3E66 it is the complementary color #32C199. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CD3E66. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #CD3E66 shade: #D23E61, #E35074, #F46287, #FF749A and #FF86AD

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CD3E66. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #CD3E66 shade: #CD3E66, #BC2C53, #AB1A40, #9A082D and #89001A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #CD3E66 shade: #CD3C65, #CD3C3E and #CD3C3C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #CD3E66 shade: #CD3C65, #CD3C8C, #CD3CB3, #C03CCD and #993CCD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #CD3E66 shade matches the following richer shades: #CD3C65, #E1295C and #F41553

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #CD3E66 shade: #CD3C65, #B9506E, #A56476, #91787F and #7E8C88

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #CD3E66 shade: #CD3CB2, #CD3C8C, #CD3C65, #CD3C3F and #CD603C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #CD3E66 shade: #912544, #B22E53, #CD3C65, #D55D7F and #DE7E99

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #CD3E66 shade: #CD3E66, #CDC13C and #3C9FCD

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #CD3E66 shade: #CD3E66, #65CD3C and #3C65CD

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #CD3E66 shade: #CD3E66, #CDC13C, #3CCDA4 and #3C48CD

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #CD3E66 shade: #CD3E66, #AECD3C, #3CCDA4 and #5C3CCD

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 70 / 50 / 20

HEX #CD3E66

RGB 205 62 102

HSL 343.22, 0.59%, 0.52%

LAB 48.74, 58.7, 9.77

 

Complementary color

CMYK 74 / 0 / 21 / 24

HEX #32C199

RGB 50 193 153

HSL 163.22, 0.59%, 0.48%

LAB 70.26, -46.67, 9.54

 

CMYK 0 / 70 / 54 / 18

HEX #D23E61

RGB 210 62 97

HSL 345.81, 0.62%, 0.53%

LAB 49.51, 59.8, 14.01

 

CMYK 0 / 65 / 49 / 11

HEX #E35074

RGB 227 80 116

HSL 345.31, 0.72%, 0.6%

LAB 55.41, 59.57, 11.28

 

CMYK 0 / 60 / 45 / 4

HEX #F46287

RGB 244 98 135

HSL 344.79, 0.87%, 0.67%

LAB 61.41, 59.04, 9.02

 

CMYK 0 / 55 / 40 / 0

HEX #FF749A

RGB 255 116 154

HSL 343.6, 1%, 0.73%

LAB 66.58, 56.4, 5.74

 

CMYK 0 / 47 / 32 / 0

HEX #FF86AD

RGB 255 134 173

HSL 340.66, 1%, 0.76%

LAB 70.4, 49.97, 0.56

 

CMYK 0 / 70 / 50 / 20

HEX #CD3E66

RGB 205 62 102

HSL 343.22, 0.59%, 0.52%

LAB 48.74, 58.7, 9.77

 

CMYK 0 / 77 / 56 / 26

HEX #BC2C53

RGB 188 44 83

HSL 343.75, 0.62%, 0.45%

LAB 42.94, 58.43, 12.94

 

CMYK 0 / 85 / 63 / 33

HEX #AB1A40

RGB 171 26 64

HSL 344.28, 0.74%, 0.39%

LAB 37.42, 57.34, 16.93

 

CMYK 0 / 95 / 71 / 40

HEX #9A082D

RGB 154 8 45

HSL 344.79, 0.9%, 0.32%

LAB 32.33, 55.02, 21.95

 

CMYK 0 / 100 / 81 / 46

HEX #89001A

RGB 137 0 26

HSL 348.61, 1%, 0.27%

LAB 27.83, 51.03, 28

 

CMYK 0 / 71 / 51 / 20

HEX #CD3C65

RGB 205 60 101

HSL 343.03, 0.59%, 0.52%

LAB 48.45, 59.36, 9.97

 

CMYK 0 / 71 / 70 / 20

HEX #CD3C3E

RGB 205 60 62

HSL 359.17, 0.59%, 0.52%

LAB 47.7, 56.78, 32.49

 

CMYK 0 / 71 / 71 / 20

HEX #CD3C3C

RGB 205 60 60

HSL 0, 0.59%, 0.52%

LAB 47.67, 56.69, 33.62

 

CMYK 0 / 71 / 51 / 20

HEX #CD3C65

RGB 205 60 101

HSL 343.03, 0.59%, 0.52%

LAB 48.45, 59.36, 9.97

 

CMYK 0 / 71 / 32 / 20

HEX #CD3C8C

RGB 205 60 140

HSL 326.9, 0.59%, 0.52%

LAB 49.62, 63.26, -11.95

 

CMYK 0 / 71 / 13 / 20

HEX #CD3CB3

RGB 205 60 179

HSL 310.76, 0.59%, 0.52%

LAB 51.23, 68.37, -32.58

 

CMYK 6 / 71 / 0 / 20

HEX #C03CCD

RGB 192 60 205

HSL 294.62, 0.59%, 0.52%

LAB 50.51, 69.57, -48.92

 

CMYK 25 / 71 / 0 / 20

HEX #993CCD

RGB 153 60 205

HSL 278.48, 0.59%, 0.52%

LAB 44.82, 61.48, -58.36

 

CMYK 0 / 71 / 51 / 20

HEX #CD3C65

RGB 205 60 101

HSL 343.03, 0.59%, 0.52%

LAB 48.45, 59.36, 9.97

 

CMYK 0 / 82 / 59 / 12

HEX #E1295C

RGB 225 41 92

HSL 343.37, 0.75%, 0.52%

LAB 49.94, 69.94, 18.09

 

CMYK 0 / 91 / 66 / 4

HEX #F41553

RGB 244 21 83

HSL 343.32, 0.91%, 0.52%

LAB 52.28, 77.67, 27.32

 

CMYK 0 / 71 / 51 / 20

HEX #CD3C65

RGB 205 60 101

HSL 343.03, 0.59%, 0.52%

LAB 48.45, 59.36, 9.97

 

CMYK 0 / 57 / 41 / 27

HEX #B9506E

RGB 185 80 110

HSL 342.86, 0.43%, 0.52%

LAB 48.48, 45.34, 4.09

 

CMYK 0 / 39 / 28 / 35

HEX #A56476

RGB 165 100 118

HSL 343.38, 0.27%, 0.52%

LAB 50, 28.63, 1.13

 

CMYK 0 / 17 / 12 / 43

HEX #91787F

RGB 145 120 127

HSL 343.2, 0.1%, 0.52%

LAB 52.93, 10.91, -0.19

 

CMYK 10 / 0 / 3 / 45

HEX #7E8C88

RGB 126 140 136

HSL 162.86, 0.06%, 0.52%

LAB 57.05, -5.89, 0.4

 

CMYK 0 / 71 / 13 / 20

HEX #CD3CB2

RGB 205 60 178

HSL 311.17, 0.59%, 0.52%

LAB 51.18, 68.22, -32.07

 

CMYK 0 / 71 / 32 / 20

HEX #CD3C8C

RGB 205 60 140

HSL 326.9, 0.59%, 0.52%

LAB 49.62, 63.26, -11.95

 

CMYK 0 / 71 / 51 / 20

HEX #CD3C65

RGB 205 60 101

HSL 343.03, 0.59%, 0.52%

LAB 48.45, 59.36, 9.97

 

CMYK 0 / 71 / 69 / 20

HEX #CD3C3F

RGB 205 60 63

HSL 358.76, 0.59%, 0.52%

LAB 47.71, 56.83, 31.92

 

CMYK 0 / 53 / 71 / 20

HEX #CD603C

RGB 205 96 60

HSL 14.9, 0.59%, 0.52%

LAB 53.68, 40.77, 40.52

 

CMYK 0 / 74 / 53 / 43

HEX #912544

RGB 145 37 68

HSL 342.78, 0.59%, 0.36%

LAB 33.48, 46.85, 8.11

 

CMYK 0 / 74 / 53 / 30

HEX #B22E53

RGB 178 46 83

HSL 343.18, 0.59%, 0.44%

LAB 41.29, 54.86, 10.35

 

CMYK 0 / 71 / 51 / 20

HEX #CD3C65

RGB 205 60 101

HSL 343.03, 0.59%, 0.52%

LAB 48.45, 59.36, 9.97

 

CMYK 0 / 56 / 40 / 16

HEX #D55D7F

RGB 213 93 127

HSL 343, 0.59%, 0.6%

LAB 55.59, 50.43, 4.73

 

CMYK 0 / 43 / 31 / 13

HEX #DE7E99

RGB 222 126 153

HSL 343.13, 0.59%, 0.68%

LAB 63.96, 40.18, 1.94

 

CMYK 0 / 70 / 50 / 20

HEX #CD3E66

RGB 205 62 102

HSL 343.22, 0.59%, 0.52%

LAB 48.74, 58.7, 9.77

 

CMYK 0 / 6 / 71 / 20

HEX #CDC13C

RGB 205 193 60

HSL 55.03, 0.59%, 0.52%

LAB 76.95, -10.76, 64.82

 

CMYK 71 / 22 / 0 / 20

HEX #3C9FCD

RGB 60 159 205

HSL 199.03, 0.59%, 0.52%

LAB 61.8, -13.77, -31.86

 

CMYK 0 / 70 / 50 / 20

HEX #CD3E66

RGB 205 62 102

HSL 343.22, 0.59%, 0.52%

LAB 48.74, 58.7, 9.77

 

CMYK 51 / 0 / 71 / 20

HEX #65CD3C

RGB 101 205 60

HSL 103.03, 0.59%, 0.52%

LAB 74.03, -55.33, 59.81

 

CMYK 71 / 51 / 0 / 20

HEX #3C65CD

RGB 60 101 205

HSL 223.03, 0.59%, 0.52%

LAB 45.19, 20.91, -58.17

 

CMYK 0 / 70 / 50 / 20

HEX #CD3E66

RGB 205 62 102

HSL 343.22, 0.59%, 0.52%

LAB 48.74, 58.7, 9.77

 

CMYK 0 / 6 / 71 / 20

HEX #CDC13C

RGB 205 193 60

HSL 55.03, 0.59%, 0.52%

LAB 76.95, -10.76, 64.82

 

CMYK 71 / 0 / 20 / 20

HEX #3CCDA4

RGB 60 205 164

HSL 163.03, 0.59%, 0.52%

LAB 74.38, -47.66, 9.5

 

CMYK 71 / 65 / 0 / 20

HEX #3C48CD

RGB 60 72 205

HSL 235.03, 0.59%, 0.52%

LAB 37.85, 39.29, -70.11

 

CMYK 0 / 70 / 50 / 20

HEX #CD3E66

RGB 205 62 102

HSL 343.22, 0.59%, 0.52%

LAB 48.74, 58.7, 9.77

 

CMYK 15 / 0 / 71 / 20

HEX #AECD3C

RGB 174 205 60

HSL 72.83, 0.59%, 0.52%

LAB 77.87, -29.59, 64.93

 

CMYK 71 / 0 / 20 / 20

HEX #3CCDA4

RGB 60 205 164

HSL 163.03, 0.59%, 0.52%

LAB 74.38, -47.66, 9.5

 

CMYK 55 / 71 / 0 / 20

HEX #5C3CCD

RGB 92 60 205

HSL 253.24, 0.59%, 0.52%

LAB 37.69, 50.56, -70.28

 

Description

Color code: HEX #CD3E66 | qconv.com Color code: HEX #CD3E66 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 205 red, 62 green and 102 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
205 62 102 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 70 magenta, 50 yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 70% 50% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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