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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CCBAB5 it is the complementary color #33454A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CCBAB5. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #CCBAB5 shade: #D1BAB0, #E2CCC3, #F3DED6, #FFF0E9 and #FFFFFC

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CCBAB5. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #CCBAB5 shade: #CCBAB5, #BBA8A2, #AA968F, #99847C and #887269

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #CCBAB5 shade: #CBB9B4 and #CBB4B4

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #CCBAB5 shade: #CBB9B4, #CBBFB4, #CBC5B4, #CACBB4 and #C4CBB4

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #CCBAB5 shade matches the following richer shades: #CBB9B4, #D5B3A9, #DFAD9F, #EAA795 and #F4A18B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #CCBAB5 shade: #CBB9B4, #C0BFBE, #B6C4C8, #ACCAD3 and #A1D0DD

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #CCBAB5 shade: #CBB4BB, #CBB4B5, #CBB9B4, #CBBFB4 and #CBC5B4

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #CCBAB5 shade: #A98B83, #BAA29B, #CBB9B4, #DCCFCC and #EDE6E4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #CCBAB5 shade: #CCBAB5, #C1CBB4 and #B4B8CB

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #CCBAB5 shade: #CCBAB5, #B4CBB9 and #B9B4CB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #CCBAB5 shade: #CCBAB5, #C1CBB4, #B4C6CB and #BDB4CB

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #CCBAB5 shade: #CCBAB5, #BACBB4, #B4C6CB and #C4B4CB

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 9 / 11 / 20

HEX #CCBAB5

RGB 204 186 181

HSL 13.04, 0.18%, 0.75%

LAB 76.86, 5.53, 4.84

 

Complementary color

CMYK 31 / 7 / 0 / 71

HEX #33454A

RGB 51 69 74

HSL 193.04, 0.18%, 0.25%

LAB 27.99, -5.72, -5.33

 

CMYK 0 / 11 / 16 / 18

HEX #D1BAB0

RGB 209 186 176

HSL 18.18, 0.26%, 0.75%

LAB 77.17, 6.55, 8.05

 

CMYK 0 / 10 / 14 / 11

HEX #E2CCC3

RGB 226 204 195

HSL 17.42, 0.35%, 0.83%

LAB 83.6, 6.21, 7.26

 

CMYK 0 / 9 / 12 / 5

HEX #F3DED6

RGB 243 222 214

HSL 16.55, 0.55%, 0.9%

LAB 89.93, 5.9, 6.52

 

CMYK 0 / 6 / 9 / 0

HEX #FFF0E9

RGB 255 240 233

HSL 19.09, 1%, 0.96%

LAB 95.77, 3.89, 5.18

 

CMYK 0 / 0 / 1 / 0

HEX #FFFFFC

RGB 255 255 252

HSL 60, 1%, 0.99%

LAB 99.93, -0.52, 1.42

HEX #FFFFFC

CMYK 0 / 9 / 11 / 20

HEX #CCBAB5

RGB 204 186 181

HSL 13.04, 0.18%, 0.75%

LAB 76.86, 5.53, 4.84

 

CMYK 0 / 10 / 13 / 27

HEX #BBA8A2

RGB 187 168 162

HSL 14.4, 0.16%, 0.68%

LAB 70.3, 5.86, 5.59

 

CMYK 0 / 12 / 16 / 33

HEX #AA968F

RGB 170 150 143

HSL 15.56, 0.14%, 0.61%

LAB 63.62, 6.22, 6.4

 

CMYK 0 / 14 / 19 / 40

HEX #99847C

RGB 153 132 124

HSL 16.55, 0.12%, 0.54%

LAB 56.81, 6.63, 7.25

 

CMYK 0 / 16 / 23 / 47

HEX #887269

RGB 136 114 105

HSL 17.42, 0.13%, 0.47%

LAB 49.84, 7.1, 8.19

 

CMYK 0 / 9 / 11 / 20

HEX #CBB9B4

RGB 203 185 180

HSL 13.04, 0.18%, 0.75%

LAB 76.49, 5.54, 4.84

 

CMYK 0 / 11 / 11 / 20

HEX #CBB4B4

RGB 203 180 180

HSL 0, 0.18%, 0.75%

LAB 75.22, 8.23, 3.01

 

CMYK 0 / 9 / 11 / 20

HEX #CBB9B4

RGB 203 185 180

HSL 13.04, 0.18%, 0.75%

LAB 76.49, 5.54, 4.84

 

CMYK 0 / 6 / 11 / 20

HEX #CBBFB4

RGB 203 191 180

HSL 28.7, 0.18%, 0.75%

LAB 78.02, 2.34, 7.05

 

CMYK 0 / 3 / 11 / 20

HEX #CBC5B4

RGB 203 197 180

HSL 44.35, 0.18%, 0.75%

LAB 79.57, -0.83, 9.26

 

CMYK 0 / 0 / 11 / 20

HEX #CACBB4

RGB 202 203 180

HSL 62.61, 0.18%, 0.75%

LAB 81.05, -4.33, 11.36

 

CMYK 3 / 0 / 11 / 20

HEX #C4CBB4

RGB 196 203 180

HSL 78.26, 0.18%, 0.75%

LAB 80.6, -6.48, 10.65

 

CMYK 0 / 9 / 11 / 20

HEX #CBB9B4

RGB 203 185 180

HSL 13.04, 0.18%, 0.75%

LAB 76.49, 5.54, 4.84

 

CMYK 0 / 16 / 21 / 16

HEX #D5B3A9

RGB 213 179 169

HSL 13.64, 0.34%, 0.75%

LAB 75.61, 10.7, 9.67

 

CMYK 0 / 22 / 29 / 13

HEX #DFAD9F

RGB 223 173 159

HSL 13.13, 0.5%, 0.75%

LAB 74.87, 16.27, 14.21

 

CMYK 0 / 29 / 36 / 8

HEX #EAA795

RGB 234 167 149

HSL 12.71, 0.67%, 0.75%

LAB 74.38, 22.42, 19.14

 

CMYK 0 / 34 / 43 / 4

HEX #F4A18B

RGB 244 161 139

HSL 12.57, 0.83%, 0.75%

LAB 73.92, 28.32, 24.13

 

CMYK 0 / 9 / 11 / 20

HEX #CBB9B4

RGB 203 185 180

HSL 13.04, 0.18%, 0.75%

LAB 76.49, 5.54, 4.84

 

CMYK 0 / 1 / 1 / 25

HEX #C0BFBE

RGB 192 191 190

HSL 30, 0.02%, 0.75%

LAB 77.39, 0.17, 0.62

 

CMYK 9 / 2 / 0 / 22

HEX #B6C4C8

RGB 182 196 200

HSL 193.33, 0.14%, 0.75%

LAB 78.23, -3.98, -3.65

 

CMYK 18 / 4 / 0 / 17

HEX #ACCAD3

RGB 172 202 211

HSL 193.85, 0.31%, 0.75%

LAB 79.45, -8.09, -7.84

 

CMYK 27 / 6 / 0 / 13

HEX #A1D0DD

RGB 161 208 221

HSL 193, 0.47%, 0.75%

LAB 80.69, -12.31, -11.43

 

CMYK 0 / 11 / 8 / 20

HEX #CBB4BB

RGB 203 180 187

HSL 341.74, 0.18%, 0.75%

LAB 75.41, 9.42, -0.54

 

CMYK 0 / 11 / 11 / 20

HEX #CBB4B5

RGB 203 180 181

HSL 357.39, 0.18%, 0.75%

LAB 75.25, 8.39, 2.5

 

CMYK 0 / 9 / 11 / 20

HEX #CBB9B4

RGB 203 185 180

HSL 13.04, 0.18%, 0.75%

LAB 76.49, 5.54, 4.84

 

CMYK 0 / 6 / 11 / 20

HEX #CBBFB4

RGB 203 191 180

HSL 28.7, 0.18%, 0.75%

LAB 78.02, 2.34, 7.05

 

CMYK 0 / 3 / 11 / 20

HEX #CBC5B4

RGB 203 197 180

HSL 44.35, 0.18%, 0.75%

LAB 79.57, -0.83, 9.26

 

CMYK 0 / 18 / 22 / 34

HEX #A98B83

RGB 169 139 131

HSL 12.63, 0.18%, 0.59%

LAB 60.37, 10.07, 8.53

 

CMYK 0 / 13 / 17 / 27

HEX #BAA29B

RGB 186 162 155

HSL 13.55, 0.18%, 0.67%

LAB 68.49, 7.62, 6.86

 

CMYK 0 / 9 / 11 / 20

HEX #CBB9B4

RGB 203 185 180

HSL 13.04, 0.18%, 0.75%

LAB 76.49, 5.54, 4.84

 

CMYK 0 / 6 / 7 / 14

HEX #DCCFCC

RGB 220 207 204

HSL 11.25, 0.19%, 0.83%

LAB 84.07, 3.98, 3.09

 

CMYK 0 / 3 / 4 / 7

HEX #EDE6E4

RGB 237 230 228

HSL 13.33, 0.2%, 0.91%

LAB 91.77, 2.02, 1.8

 

CMYK 0 / 9 / 11 / 20

HEX #CCBAB5

RGB 204 186 181

HSL 13.04, 0.18%, 0.75%

LAB 76.86, 5.53, 4.84

 

CMYK 5 / 0 / 11 / 20

HEX #C1CBB4

RGB 193 203 180

HSL 86.09, 0.18%, 0.75%

LAB 80.37, -7.55, 10.3

 

CMYK 11 / 9 / 0 / 20

HEX #B4B8CB

RGB 180 184 203

HSL 229.57, 0.18%, 0.75%

LAB 75.01, 2.37, -10.06

 

CMYK 0 / 9 / 11 / 20

HEX #CCBAB5

RGB 204 186 181

HSL 13.04, 0.18%, 0.75%

LAB 76.86, 5.53, 4.84

 

CMYK 11 / 0 / 9 / 20

HEX #B4CBB9

RGB 180 203 185

HSL 133.04, 0.18%, 0.75%

LAB 79.57, -11.19, 6.35

 

CMYK 9 / 11 / 0 / 20

HEX #B9B4CB

RGB 185 180 203

HSL 253.04, 0.18%, 0.75%

LAB 74.36, 6.2, -10.99

 

CMYK 0 / 9 / 11 / 20

HEX #CCBAB5

RGB 204 186 181

HSL 13.04, 0.18%, 0.75%

LAB 76.86, 5.53, 4.84

 

CMYK 5 / 0 / 11 / 20

HEX #C1CBB4

RGB 193 203 180

HSL 86.09, 0.18%, 0.75%

LAB 80.37, -7.55, 10.3

 

CMYK 11 / 2 / 0 / 20

HEX #B4C6CB

RGB 180 198 203

HSL 193.04, 0.18%, 0.75%

LAB 78.7, -5.1, -4.59

 

CMYK 7 / 11 / 0 / 20

HEX #BDB4CB

RGB 189 180 203

HSL 263.48, 0.18%, 0.75%

LAB 74.68, 7.54, -10.47

 

CMYK 0 / 9 / 11 / 20

HEX #CCBAB5

RGB 204 186 181

HSL 13.04, 0.18%, 0.75%

LAB 76.86, 5.53, 4.84

 

CMYK 8 / 0 / 11 / 20

HEX #BACBB4

RGB 186 203 180

HSL 104.35, 0.18%, 0.75%

LAB 79.87, -10.01, 9.51

 

CMYK 11 / 2 / 0 / 20

HEX #B4C6CB

RGB 180 198 203

HSL 193.04, 0.18%, 0.75%

LAB 78.7, -5.1, -4.59

 

CMYK 3 / 11 / 0 / 20

HEX #C4B4CB

RGB 196 180 203

HSL 281.74, 0.18%, 0.75%

LAB 75.26, 9.91, -9.55

 

Description

Color code: HEX #CCBAB5 | qconv.com Color code: HEX #CCBAB5 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 204 red, 186 green and 181 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
204 186 181 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 9 magenta, 11 yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 9% 11% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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