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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CBBBAB it is the complementary color #344454. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CBBBAB. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #CBBBAB: #D0BBA6, #E1CDB9, #F2DFCC, #FFF1DF and #FFFFF2

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CBBBAB. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #CBBBAB: #CBBBAB, #BAA998, #A99785, #988572 and #87735F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 8 / 16 / 20

HEX #CBBBAB

RGB 203 187 171

HSL 30, 0.24%, 0.73%

LAB 76.79, 3.01, 10.14

 

Complementary color

CMYK 38 / 19 / 0 / 67

HEX #344454

RGB 52 68 84

HSL 210, 0.24%, 0.27%

LAB 28.13, -1.81, -11.63

 

CMYK 0 / 10 / 20 / 18

HEX #D0BBA6

RGB 208 187 166

HSL 30, 0.31%, 0.73%

LAB 77.1, 4.1, 13.35

 

CMYK 0 / 9 / 18 / 12

HEX #E1CDB9

RGB 225 205 185

HSL 30, 0.4%, 0.8%

LAB 83.53, 3.77, 12.48

 

CMYK 0 / 8 / 16 / 5

HEX #F2DFCC

RGB 242 223 204

HSL 30, 0.59%, 0.87%

LAB 89.87, 3.46, 11.65

 

CMYK 0 / 5 / 13 / 0

HEX #FFF1DF

RGB 255 241 223

HSL 33.75, 1%, 0.94%

LAB 95.79, 1.79, 10.37

 

CMYK 0 / 0 / 5 / 0

HEX #FFFFF2

RGB 255 255 242

HSL 60, 1%, 0.97%

LAB 99.69, -2.22, 6.2

 

CMYK 0 / 8 / 16 / 20

HEX #CBBBAB

RGB 203 187 171

HSL 30, 0.24%, 0.73%

LAB 76.79, 3.01, 10.14

 

CMYK 0 / 9 / 18 / 27

HEX #BAA998

RGB 186 169 152

HSL 30, 0.2%, 0.66%

LAB 70.23, 3.33, 11

 

CMYK 0 / 11 / 21 / 34

HEX #A99785

RGB 169 151 133

HSL 30, 0.17%, 0.59%

LAB 63.56, 3.68, 11.91

 

CMYK 0 / 13 / 25 / 40

HEX #988572

RGB 152 133 114

HSL 30, 0.16%, 0.52%

LAB 56.75, 4.09, 12.89

 

CMYK 0 / 15 / 30 / 47

HEX #87735F

RGB 135 115 95

HSL 30, 0.17%, 0.45%

LAB 49.78, 4.58, 13.97

 

CMYK 0 / 8 / 16 / 20

HEX #CBBBAB

RGB 203 187 171

HSL 30, 0.24%, 0.73%

LAB 76.79, 3.01, 10.14

 

CMYK 0 / 5 / 16 / 21

HEX #CABFA9

RGB 202 191 169

HSL 40, 0.24%, 0.73%

LAB 77.69, 0.2, 12.49

 

CMYK 0 / 2 / 16 / 21

HEX #CAC5A9

RGB 202 197 169

HSL 50.91, 0.24%, 0.73%

LAB 79.24, -2.95, 14.68

 

CMYK 0 / 0 / 16 / 21

HEX #CACAA9

RGB 202 202 169

HSL 60, 0.24%, 0.73%

LAB 80.55, -5.56, 16.51

 

CMYK 2 / 0 / 16 / 21

HEX #C5CAA9

RGB 197 202 169

HSL 69.09, 0.24%, 0.73%

LAB 80.17, -7.39, 15.92

 

CMYK 0 / 8 / 16 / 20

HEX #CBBBAB

RGB 203 187 171

HSL 30, 0.24%, 0.73%

LAB 76.79, 3.01, 10.14

 

CMYK 0 / 8 / 16 / 0

HEX #FEEAD6

RGB 254 234 214

HSL 30, 0.95%, 0.92%

LAB 93.78, 3.61, 12.16

 

CMYK 0 / 8 / 16 / 80

HEX #322E2A

RGB 50 46 42

HSL 30, 0.09%, 0.18%

LAB 19.22, 0.94, 3.22

 

CMYK 0 / 8 / 16 / 60

HEX #655D55

RGB 101 93 85

HSL 30, 0.09%, 0.36%

LAB 40, 1.69, 5.75

 

CMYK 0 / 8 / 16 / 40

HEX #988C80

RGB 152 140 128

HSL 30, 0.1%, 0.55%

LAB 58.97, 2.38, 8.02

 

CMYK 0 / 8 / 16 / 20

HEX #CBBBAB

RGB 203 187 171

HSL 30, 0.24%, 0.73%

LAB 76.79, 3.01, 10.14

 

CMYK 11 / 0 / 16 / 21

HEX #B3CAA9

RGB 179 202 169

HSL 101.82, 0.24%, 0.73%

LAB 78.86, -13.86, 13.9

 

CMYK 15 / 16 / 0 / 21

HEX #ACA9CA

RGB 172 169 202

HSL 245.45, 0.24%, 0.73%

LAB 70.46, 7.74, -16.4

 

CMYK 0 / 8 / 16 / 20

HEX #CBBBAB

RGB 203 187 171

HSL 30, 0.24%, 0.73%

LAB 76.79, 3.01, 10.14

 

CMYK 16 / 0 / 8 / 21

HEX #A9CABA

RGB 169 202 186

HSL 150.91, 0.24%, 0.73%

LAB 78.59, -14.17, 4.31

 

CMYK 8 / 16 / 0 / 21

HEX #BAA9CA

RGB 186 169 202

HSL 270.91, 0.24%, 0.73%

LAB 71.61, 12.36, -14.56

 

CMYK 0 / 8 / 16 / 20

HEX #CBBBAB

RGB 203 187 171

HSL 30, 0.24%, 0.73%

LAB 76.79, 3.01, 10.14

 

CMYK 11 / 0 / 16 / 21

HEX #B3CAA9

RGB 179 202 169

HSL 101.82, 0.24%, 0.73%

LAB 78.86, -13.86, 13.9

 

CMYK 16 / 8 / 0 / 21

HEX #A9BACA

RGB 169 186 202

HSL 209.09, 0.24%, 0.73%

LAB 74.71, -2.5, -10.05

 

CMYK 5 / 16 / 0 / 21

HEX #C0A9CA

RGB 192 169 202

HSL 281.82, 0.24%, 0.73%

LAB 72.13, 14.37, -13.73

 

CMYK 0 / 8 / 16 / 20

HEX #CBBBAB

RGB 203 187 171

HSL 30, 0.24%, 0.73%

LAB 76.79, 3.01, 10.14

 

CMYK 16 / 0 / 16 / 21

HEX #A9CAA9

RGB 169 202 169

HSL 120, 0.24%, 0.73%

LAB 78.19, -17.34, 12.86

 

CMYK 16 / 8 / 0 / 21

HEX #A9BACA

RGB 169 186 202

HSL 209.09, 0.24%, 0.73%

LAB 74.71, -2.5, -10.05

 

CMYK 0 / 16 / 0 / 21

HEX #CAA9CA

RGB 202 169 202

HSL 300, 0.24%, 0.73%

LAB 73.02, 17.77, -12.29

 

Description

Color code: HEX #CBBBAB | qconv.com Color code: HEX #CBBBAB | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 203 red, 187 green and 171 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
203 187 171 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 8 magenta, 16 yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 8% 16% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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