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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CBA6B8 it is the complementary color #345947. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CBA6B8. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #CBA6B8 shade: #D0A6B3, #E1B8C6, #F2CAD9, #FFDCEC and #FFEEFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CBA6B8. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #CBA6B8 shade: #CBA6B8, #BA94A5, #A98292, #98707F and #875E6C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #CBA6B8 shade: #CAA5B7, #CAA5AD and #CAA5A5

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #CBA6B8 shade: #CAA5B7, #CAA5C1, #C9A5CA, #BFA5CA and #B5A5CA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #CBA6B8 shade matches the following richer shades: #CAA5B7, #D699B7, #E18EB6, #ED82B6 and #F877B6

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #CBA6B8 shade: #CAA5B7, #BFB1B7, #B3BCB8, #A8C8B8 and #9CD3B8

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #CBA6B8 shade: #C9A5CA, #CAA5C2, #CAA5B8, #CAA5AE and #CAA6A5

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #CBA6B8 shade: #AC718E, #BB8BA2, #CAA5B7, #D9BFCC and #E9D9E1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #CBA6B8 shade: #CBA6B8, #CABFA5 and #A5C6CA

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #CBA6B8 shade: #CBA6B8, #B8CAA5 and #A5B8CA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #CBA6B8 shade: #CBA6B8, #CABFA5, #A5CAB8 and #A5B0CA

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #CBA6B8 shade: #CBA6B8, #CACAA5, #A5CAB8 and #A5A5CA

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 18 / 9 / 20

HEX #CBA6B8

RGB 203 166 184

HSL 330.81, 0.26%, 0.72%

LAB 71.85, 16.51, -4.13

 

Complementary color

CMYK 42 / 0 / 20 / 65

HEX #345947

RGB 52 89 71

HSL 150.81, 0.26%, 0.28%

LAB 34.66, -17.9, 6.3

 

CMYK 0 / 20 / 14 / 18

HEX #D0A6B3

RGB 208 166 179

HSL 341.43, 0.31%, 0.73%

LAB 72.19, 17.46, -0.81

 

CMYK 0 / 18 / 12 / 12

HEX #E1B8C6

RGB 225 184 198

HSL 339.51, 0.41%, 0.8%

LAB 78.67, 16.95, -1.5

 

CMYK 0 / 17 / 10 / 5

HEX #F2CAD9

RGB 242 202 217

HSL 337.5, 0.61%, 0.87%

LAB 85.06, 16.49, -2.15

 

CMYK 0 / 14 / 7 / 0

HEX #FFDCEC

RGB 255 220 236

HSL 332.57, 1%, 0.93%

LAB 91.01, 14.69, -3.33

 

CMYK 0 / 7 / 0 / 0

HEX #FFEEFF

RGB 255 238 255

HSL 300, 1%, 0.97%

LAB 95.84, 8.66, -6.11

 

CMYK 0 / 18 / 9 / 20

HEX #CBA6B8

RGB 203 166 184

HSL 330.81, 0.26%, 0.72%

LAB 71.85, 16.51, -4.13

 

CMYK 0 / 20 / 11 / 27

HEX #BA94A5

RGB 186 148 165

HSL 333.16, 0.22%, 0.65%

LAB 65.23, 17.03, -3.48

 

CMYK 0 / 23 / 14 / 34

HEX #A98292

RGB 169 130 146

HSL 335.38, 0.18%, 0.59%

LAB 58.49, 17.6, -2.79

 

CMYK 0 / 26 / 16 / 40

HEX #98707F

RGB 152 112 127

HSL 337.5, 0.16%, 0.52%

LAB 51.61, 18.24, -2.05

 

CMYK 0 / 30 / 20 / 47

HEX #875E6C

RGB 135 94 108

HSL 339.51, 0.18%, 0.45%

LAB 44.57, 18.96, -1.22

 

CMYK 0 / 18 / 9 / 21

HEX #CAA5B7

RGB 202 165 183

HSL 330.81, 0.26%, 0.72%

LAB 71.48, 16.53, -4.13

 

CMYK 0 / 18 / 14 / 21

HEX #CAA5AD

RGB 202 165 173

HSL 347.03, 0.26%, 0.72%

LAB 71.2, 14.84, 1

 

CMYK 0 / 18 / 18 / 21

HEX #CAA5A5

RGB 202 165 165

HSL 0, 0.26%, 0.72%

LAB 71, 13.56, 5.12

 

CMYK 0 / 18 / 9 / 21

HEX #CAA5B7

RGB 202 165 183

HSL 330.81, 0.26%, 0.72%

LAB 71.48, 16.53, -4.13

 

CMYK 0 / 18 / 4 / 21

HEX #CAA5C1

RGB 202 165 193

HSL 314.59, 0.26%, 0.72%

LAB 71.77, 18.29, -9.21

 

CMYK 0 / 18 / 0 / 21

HEX #C9A5CA

RGB 201 165 202

HSL 298.38, 0.26%, 0.72%

LAB 71.95, 19.62, -13.9

 

CMYK 5 / 18 / 0 / 21

HEX #BFA5CA

RGB 191 165 202

HSL 282.16, 0.26%, 0.72%

LAB 71.04, 16.24, -15.36

 

CMYK 10 / 18 / 0 / 21

HEX #B5A5CA

RGB 181 165 202

HSL 265.95, 0.26%, 0.72%

LAB 70.17, 12.9, -16.76

 

CMYK 0 / 18 / 9 / 21

HEX #CAA5B7

RGB 202 165 183

HSL 330.81, 0.26%, 0.72%

LAB 71.48, 16.53, -4.13

 

CMYK 0 / 29 / 14 / 16

HEX #D699B7

RGB 214 153 183

HSL 330.49, 0.43%, 0.72%

LAB 69.82, 27.33, -6.44

 

CMYK 0 / 37 / 19 / 12

HEX #E18EB6

RGB 225 142 182

HSL 331.08, 0.58%, 0.72%

LAB 68.56, 36.91, -7.62

 

CMYK 0 / 45 / 23 / 7

HEX #ED82B6

RGB 237 130 182

HSL 330.84, 0.75%, 0.72%

LAB 67.54, 47.16, -8.98

 

CMYK 0 / 52 / 27 / 3

HEX #F877B6

RGB 248 119 182

HSL 330.7, 0.9%, 0.72%

LAB 66.92, 56.06, -9.75

 

CMYK 0 / 18 / 9 / 21

HEX #CAA5B7

RGB 202 165 183

HSL 330.81, 0.26%, 0.72%

LAB 71.48, 16.53, -4.13

 

CMYK 0 / 7 / 4 / 25

HEX #BFB1B7

RGB 191 177 183

HSL 334.29, 0.1%, 0.72%

LAB 73.51, 6.06, -1.26

 

CMYK 5 / 0 / 2 / 26

HEX #B3BCB8

RGB 179 188 184

HSL 153.33, 0.06%, 0.72%

LAB 75.46, -3.87, 0.93

 

CMYK 16 / 0 / 8 / 22

HEX #A8C8B8

RGB 168 200 184

HSL 150, 0.23%, 0.72%

LAB 77.93, -13.87, 4.43

 

CMYK 26 / 0 / 13 / 17

HEX #9CD3B8

RGB 156 211 184

HSL 150.55, 0.38%, 0.72%

LAB 80.25, -23.27, 7.66

 

CMYK 0 / 18 / 0 / 21

HEX #C9A5CA

RGB 201 165 202

HSL 298.38, 0.26%, 0.72%

LAB 71.95, 19.62, -13.9

 

CMYK 0 / 18 / 4 / 21

HEX #CAA5C2

RGB 202 165 194

HSL 312.97, 0.26%, 0.72%

LAB 71.8, 18.48, -9.72

 

CMYK 0 / 18 / 9 / 21

HEX #CAA5B8

RGB 202 165 184

HSL 329.19, 0.26%, 0.72%

LAB 71.51, 16.7, -4.64

 

CMYK 0 / 18 / 14 / 21

HEX #CAA5AE

RGB 202 165 174

HSL 345.41, 0.26%, 0.72%

LAB 71.23, 15.01, 0.48

 

CMYK 0 / 18 / 18 / 21

HEX #CAA6A5

RGB 202 166 165

HSL 1.62, 0.26%, 0.72%

LAB 71.25, 13.02, 5.47

 

CMYK 0 / 34 / 17 / 33

HEX #AC718E

RGB 172 113 142

HSL 330.51, 0.26%, 0.56%

LAB 54.59, 27.64, -6.19

 

CMYK 0 / 26 / 13 / 27

HEX #BB8BA2

RGB 187 139 162

HSL 331.25, 0.26%, 0.64%

LAB 63.04, 21.89, -5

 

CMYK 0 / 18 / 9 / 21

HEX #CAA5B7

RGB 202 165 183

HSL 330.81, 0.26%, 0.72%

LAB 71.48, 16.53, -4.13

 

CMYK 0 / 12 / 6 / 15

HEX #D9BFCC

RGB 217 191 204

HSL 330, 0.25%, 0.8%

LAB 79.83, 11.41, -3.14

 

CMYK 0 / 7 / 3 / 9

HEX #E9D9E1

RGB 233 217 225

HSL 330, 0.27%, 0.88%

LAB 88.15, 6.87, -1.95

 

CMYK 0 / 18 / 9 / 20

HEX #CBA6B8

RGB 203 166 184

HSL 330.81, 0.26%, 0.72%

LAB 71.85, 16.51, -4.13

 

CMYK 0 / 5 / 18 / 21

HEX #CABFA5

RGB 202 191 165

HSL 42.16, 0.26%, 0.72%

LAB 77.6, -0.41, 14.51

 

CMYK 18 / 2 / 0 / 21

HEX #A5C6CA

RGB 165 198 202

HSL 186.49, 0.26%, 0.72%

LAB 77.67, -10.13, -5.68

 

CMYK 0 / 18 / 9 / 20

HEX #CBA6B8

RGB 203 166 184

HSL 330.81, 0.26%, 0.72%

LAB 71.85, 16.51, -4.13

 

CMYK 9 / 0 / 18 / 21

HEX #B8CAA5

RGB 184 202 165

HSL 89.19, 0.26%, 0.72%

LAB 79.13, -12.74, 16.45

 

CMYK 18 / 9 / 0 / 21

HEX #A5B8CA

RGB 165 184 202

HSL 209.19, 0.26%, 0.72%

LAB 73.9, -2.71, -11.29

 

CMYK 0 / 18 / 9 / 20

HEX #CBA6B8

RGB 203 166 184

HSL 330.81, 0.26%, 0.72%

LAB 71.85, 16.51, -4.13

 

CMYK 0 / 5 / 18 / 21

HEX #CABFA5

RGB 202 191 165

HSL 42.16, 0.26%, 0.72%

LAB 77.6, -0.41, 14.51

 

CMYK 18 / 0 / 9 / 21

HEX #A5CAB8

RGB 165 202 184

HSL 150.81, 0.26%, 0.72%

LAB 78.29, -15.88, 4.92

 

CMYK 18 / 13 / 0 / 21

HEX #A5B0CA

RGB 165 176 202

HSL 222.16, 0.26%, 0.72%

LAB 71.77, 1.63, -14.48

 

CMYK 0 / 18 / 9 / 20

HEX #CBA6B8

RGB 203 166 184

HSL 330.81, 0.26%, 0.72%

LAB 71.85, 16.51, -4.13

 

CMYK 0 / 0 / 18 / 21

HEX #CACAA5

RGB 202 202 165

HSL 60, 0.26%, 0.72%

LAB 80.47, -6.17, 18.52

 

CMYK 18 / 0 / 9 / 21

HEX #A5CAB8

RGB 165 202 184

HSL 150.81, 0.26%, 0.72%

LAB 78.29, -15.88, 4.92

 

CMYK 18 / 18 / 0 / 21

HEX #A5A5CA

RGB 165 165 202

HSL 240, 0.26%, 0.72%

LAB 68.88, 7.7, -18.85

 

Description

Color code: HEX #CBA6B8 | qconv.com Color code: HEX #CBA6B8 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 203 red, 166 green and 184 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
203 166 184 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 18 magenta, 9 yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 18% 9% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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