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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C9F0E8 it is the complementary color #360F17. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C9F0E8. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C9F0E8 shade: #CEF0E3, #DFFFF6, #F0FFFF and #FFFFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C9F0E8. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C9F0E8 shade: #C9F0E8, #B8DED5, #A7CCC2, #96BAAF and #85A89C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C9F0E8 shade: #C7F0E7, #C7F0DC, #C7F0D1, #C8F0C7 and #D3F0C7

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C9F0E8 shade: #C7F0E7, #C7EDF0, #C7E2F0, #C7D7F0 and #C7CCF0

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C9F0E8 shade matches the following richer shades: #C7F0E7, #C1F5EB and #BBFBEE

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C9F0E8 shade: #C7F0E7, #CDEAE4, #D3E4E0, #D8DEDD and #DED9DA

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C9F0E8 shade: #C7F0D1, #C7F0DC, #C7F0E7, #C7EEF0 and #C7E3F0

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C9F0E8 shade: #86DECC, #A7E7DA, #C7F0E7, #E7F9F5 and #FFFFFF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C9F0E8 shade: #C9F0E8, #C7C8F0 and #F0D7C7

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C9F0E8 shade: #C9F0E8, #E7C7F0 and #F0E7C7

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C9F0E8 shade: #C9F0E8, #C7C8F0, #F0C7D0 and #F0EFC7

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C9F0E8 shade: #C9F0E8, #D2C7F0, #F0C7D0 and #E4F0C7

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 16 / 0 / 3 / 6

HEX #C9F0E8

RGB 201 240 232

HSL 167.69, 0.57%, 0.86%

LAB 91.94, -14.12, -0.35

 

Complementary color

CMYK 0 / 72 / 57 / 79

HEX #360F17

RGB 54 15 23

HSL 347.69, 0.57%, 0.14%

LAB 10.47, 20.34, 4.56

 

CMYK 14 / 0 / 5 / 6

HEX #CEF0E3

RGB 206 240 227

HSL 157.06, 0.53%, 0.87%

LAB 92.13, -13.5, 2.57

 

CMYK 13 / 0 / 4 / 0

HEX #DFFFF6

RGB 223 255 246

HSL 163.13, 1%, 0.94%

LAB 97.58, -11.97, 0.81

 

CMYK 6 / 0 / 0 / 0

HEX #F0FFFF

RGB 240 255 255

HSL 180, 1%, 0.97%

LAB 98.93, -4.88, -1.7

 

CMYK 16 / 0 / 3 / 6

HEX #C9F0E8

RGB 201 240 232

HSL 167.69, 0.57%, 0.86%

LAB 91.94, -14.12, -0.35

 

CMYK 17 / 0 / 4 / 13

HEX #B8DED5

RGB 184 222 213

HSL 165.79, 0.37%, 0.8%

LAB 85.62, -14.18, 0.27

 

CMYK 18 / 0 / 5 / 20

HEX #A7CCC2

RGB 167 204 194

HSL 163.78, 0.27%, 0.73%

LAB 79.21, -14.26, 0.9

 

CMYK 19 / 0 / 6 / 27

HEX #96BAAF

RGB 150 186 175

HSL 161.67, 0.21%, 0.66%

LAB 72.69, -14.36, 1.56

 

CMYK 21 / 0 / 7 / 34

HEX #85A89C

RGB 133 168 156

HSL 159.43, 0.17%, 0.59%

LAB 66.05, -14.47, 2.26

 

CMYK 17 / 0 / 4 / 6

HEX #C7F0E7

RGB 199 240 231

HSL 166.83, 0.58%, 0.86%

LAB 91.79, -14.94, -0.06

 

CMYK 17 / 0 / 8 / 6

HEX #C7F0DC

RGB 199 240 220

HSL 150.73, 0.58%, 0.86%

LAB 91.52, -17.06, 5.27

 

CMYK 17 / 0 / 13 / 6

HEX #C7F0D1

RGB 199 240 209

HSL 134.63, 0.58%, 0.86%

LAB 91.26, -19.09, 10.62

 

CMYK 17 / 0 / 17 / 6

HEX #C8F0C7

RGB 200 240 199

HSL 118.54, 0.58%, 0.86%

LAB 91.11, -20.51, 15.59

 

CMYK 12 / 0 / 17 / 6

HEX #D3F0C7

RGB 211 240 199

HSL 102.44, 0.58%, 0.86%

LAB 91.82, -16.8, 16.69

 

CMYK 17 / 0 / 4 / 6

HEX #C7F0E7

RGB 199 240 231

HSL 166.83, 0.58%, 0.86%

LAB 91.79, -14.94, -0.06

 

CMYK 17 / 1 / 0 / 6

HEX #C7EDF0

RGB 199 237 240

HSL 184.39, 0.58%, 0.86%

LAB 91.24, -11.62, -5.56

 

CMYK 17 / 6 / 0 / 6

HEX #C7E2F0

RGB 199 226 240

HSL 200.49, 0.58%, 0.86%

LAB 88.36, -6.02, -9.81

 

CMYK 17 / 10 / 0 / 6

HEX #C7D7F0

RGB 199 215 240

HSL 216.59, 0.58%, 0.86%

LAB 85.52, -0.3, -14.06

 

CMYK 17 / 15 / 0 / 6

HEX #C7CCF0

RGB 199 204 240

HSL 232.68, 0.58%, 0.86%

LAB 82.71, 5.52, -18.28

 

CMYK 17 / 0 / 4 / 6

HEX #C7F0E7

RGB 199 240 231

HSL 166.83, 0.58%, 0.86%

LAB 91.79, -14.94, -0.06

 

CMYK 21 / 0 / 4 / 4

HEX #C1F5EB

RGB 193 245 235

HSL 168.46, 0.72%, 0.86%

LAB 92.86, -18.45, -0.62

 

CMYK 25 / 0 / 5 / 2

HEX #BBFBEE

RGB 187 251 238

HSL 167.81, 0.89%, 0.86%

LAB 94.2, -22.55, -0.26

 

CMYK 17 / 0 / 4 / 6

HEX #C7F0E7

RGB 199 240 231

HSL 166.83, 0.58%, 0.86%

LAB 91.79, -14.94, -0.06

 

CMYK 12 / 0 / 3 / 8

HEX #CDEAE4

RGB 205 234 228

HSL 167.59, 0.41%, 0.86%

LAB 90.52, -10.62, -0.31

 

CMYK 7 / 0 / 2 / 11

HEX #D3E4E0

RGB 211 228 224

HSL 165.88, 0.24%, 0.86%

LAB 89.26, -6.38, -0

 

CMYK 3 / 0 / 0 / 13

HEX #D8DEDD

RGB 216 222 221

HSL 170, 0.08%, 0.86%

LAB 88, -2.2, -0.22

 

CMYK 0 / 2 / 2 / 13

HEX #DED9DA

RGB 222 217 218

HSL 348, 0.07%, 0.86%

LAB 87.1, 1.88, 0.1

 

CMYK 17 / 0 / 13 / 6

HEX #C7F0D1

RGB 199 240 209

HSL 134.63, 0.58%, 0.86%

LAB 91.26, -19.09, 10.62

 

CMYK 17 / 0 / 8 / 6

HEX #C7F0DC

RGB 199 240 220

HSL 150.73, 0.58%, 0.86%

LAB 91.52, -17.06, 5.27

 

CMYK 17 / 0 / 4 / 6

HEX #C7F0E7

RGB 199 240 231

HSL 166.83, 0.58%, 0.86%

LAB 91.79, -14.94, -0.06

 

CMYK 17 / 1 / 0 / 6

HEX #C7EEF0

RGB 199 238 240

HSL 182.93, 0.58%, 0.86%

LAB 91.5, -12.13, -5.18

 

CMYK 17 / 5 / 0 / 6

HEX #C7E3F0

RGB 199 227 240

HSL 199.02, 0.58%, 0.86%

LAB 88.62, -6.53, -9.43

 

CMYK 40 / 0 / 8 / 13

HEX #86DECC

RGB 134 222 204

HSL 167.73, 0.57%, 0.7%

LAB 82.74, -30.62, 0.5

 

CMYK 28 / 0 / 6 / 9

HEX #A7E7DA

RGB 167 231 218

HSL 167.81, 0.57%, 0.78%

LAB 87.21, -22.8, -0.17

 

CMYK 17 / 0 / 4 / 6

HEX #C7F0E7

RGB 199 240 231

HSL 166.83, 0.58%, 0.86%

LAB 91.79, -14.94, -0.06

 

CMYK 7 / 0 / 2 / 2

HEX #E7F9F5

RGB 231 249 245

HSL 166.67, 0.6%, 0.94%

LAB 96.55, -6.6, -0.12

 

CMYK 16 / 0 / 3 / 6

HEX #C9F0E8

RGB 201 240 232

HSL 167.69, 0.57%, 0.86%

LAB 91.94, -14.12, -0.35

 

CMYK 17 / 17 / 0 / 6

HEX #C7C8F0

RGB 199 200 240

HSL 238.54, 0.58%, 0.86%

LAB 81.7, 7.65, -19.81

 

CMYK 0 / 10 / 17 / 6

HEX #F0D7C7

RGB 240 215 199

HSL 23.41, 0.58%, 0.86%

LAB 87.61, 6.12, 11.04

 

CMYK 16 / 0 / 3 / 6

HEX #C9F0E8

RGB 201 240 232

HSL 167.69, 0.57%, 0.86%

LAB 91.94, -14.12, -0.35

 

CMYK 4 / 17 / 0 / 6

HEX #E7C7F0

RGB 231 199 240

HSL 286.83, 0.58%, 0.86%

LAB 84.03, 18.43, -16.04

 

CMYK 0 / 4 / 17 / 6

HEX #F0E7C7

RGB 240 231 199

HSL 46.83, 0.58%, 0.86%

LAB 91.6, -2.11, 16.68

 

CMYK 16 / 0 / 3 / 6

HEX #C9F0E8

RGB 201 240 232

HSL 167.69, 0.57%, 0.86%

LAB 91.94, -14.12, -0.35

 

CMYK 17 / 17 / 0 / 6

HEX #C7C8F0

RGB 199 200 240

HSL 238.54, 0.58%, 0.86%

LAB 81.7, 7.65, -19.81

 

CMYK 0 / 17 / 13 / 6

HEX #F0C7D0

RGB 240 199 208

HSL 346.83, 0.58%, 0.86%

LAB 83.93, 15.91, 0.96

 

CMYK 0 / 0 / 17 / 6

HEX #F0EFC7

RGB 240 239 199

HSL 58.54, 0.58%, 0.86%

LAB 93.62, -6.15, 19.51

 

CMYK 16 / 0 / 3 / 6

HEX #C9F0E8

RGB 201 240 232

HSL 167.69, 0.57%, 0.86%

LAB 91.94, -14.12, -0.35

 

CMYK 13 / 17 / 0 / 6

HEX #D2C7F0

RGB 210 199 240

HSL 256.1, 0.58%, 0.86%

LAB 82.29, 11.65, -18.83

 

CMYK 0 / 17 / 13 / 6

HEX #F0C7D0

RGB 240 199 208

HSL 346.83, 0.58%, 0.86%

LAB 83.93, 15.91, 0.96

 

CMYK 5 / 0 / 17 / 6

HEX #E4F0C7

RGB 228 240 199

HSL 77.56, 0.58%, 0.86%

LAB 92.99, -10.91, 18.5

 

Description

Color code: HEX #C9F0E8 | qconv.com Color code: HEX #C9F0E8 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 201 red, 240 green and 232 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
201 240 232 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 16 cyan, none magenta, 3 yellow and 6 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
16% 0% 3% 6% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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