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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C8F58E it is the complementary color #370A71. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C8F58E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C8F58E shade: #CDF589, #DEFF9C, #EFFFAF, #FFFFC2 and #FFFFD5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C8F58E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C8F58E shade: #C8F58E, #B7E37B, #A6D168, #95BF55 and #84AD42

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C8F58E shade: #C8F58E, #E4F58E, #F5EB8E, #F5CF8E and #F5B38E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C8F58E shade: #C8F58E, #ADF58E, #91F58E, #8EF5A8 and #8EF5C3

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C8F58E shade matches the following richer shades: #C8F58E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C8F58E shade: #C8F58E, #C7EB98, #C6E1A2, #C5D8AC and #C3CEB6

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C8F58E shade: #F5EB8E, #E4F58E, #C9F58E, #ADF58E and #92F58E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C8F58E shade: #A3EF42, #B6F268, #C8F58E, #DBF9B4 and #EDFCDA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C8F58E shade: #C8F58E, #8EF5D0 and #F58EF2

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C8F58E shade: #C8F58E, #8EC9F5 and #F58EC9

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C8F58E shade: #C8F58E, #8EF5D0, #BB8EF5 and #F58EB4

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C8F58E shade: #C8F58E, #8EF5EE, #BB8EF5 and #F58E95

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 18 / 0 / 42 / 4

HEX #C8F58E

RGB 200 245 142

HSL 86.21, 0.84%, 0.76%

LAB 91.48, -31.14, 44.85

 

Complementary color

CMYK 51 / 91 / 0 / 56

HEX #370A71

RGB 55 10 113

HSL 266.21, 0.84%, 0.24%

LAB 16.61, 42.5, -48.89

 

CMYK 16 / 0 / 44 / 4

HEX #CDF589

RGB 205 245 137

HSL 82.22, 0.84%, 0.75%

LAB 91.73, -29.9, 47.64

 

CMYK 13 / 0 / 39 / 0

HEX #DEFF9C

RGB 222 255 156

HSL 80, 1%, 0.81%

LAB 95.77, -26.21, 43.81

 

CMYK 6 / 0 / 31 / 0

HEX #EFFFAF

RGB 239 255 175

HSL 72, 1%, 0.84%

LAB 97.21, -17.69, 36.56

 

CMYK 0 / 0 / 24 / 0

HEX #FFFFC2

RGB 255 255 194

HSL 60, 1%, 0.88%

LAB 98.7, -9.41, 29.25

 

CMYK 0 / 0 / 16 / 0

HEX #FFFFD5

RGB 255 255 213

HSL 60, 1%, 0.92%

LAB 99.06, -6.76, 20.12

 

CMYK 18 / 0 / 42 / 4

HEX #C8F58E

RGB 200 245 142

HSL 86.21, 0.84%, 0.76%

LAB 91.48, -31.14, 44.85

 

CMYK 19 / 0 / 46 / 11

HEX #B7E37B

RGB 183 227 123

HSL 85.38, 0.65%, 0.69%

LAB 85.22, -31.12, 45.99

 

CMYK 21 / 0 / 50 / 18

HEX #A6D168

RGB 166 209 104

HSL 84.57, 0.53%, 0.61%

LAB 78.87, -31.06, 47.12

 

CMYK 22 / 0 / 55 / 25

HEX #95BF55

RGB 149 191 85

HSL 83.77, 0.45%, 0.54%

LAB 72.43, -30.95, 48.21

 

CMYK 24 / 0 / 62 / 32

HEX #84AD42

RGB 132 173 66

HSL 82.99, 0.45%, 0.47%

LAB 65.89, -30.75, 49.18

 

CMYK 18 / 0 / 42 / 4

HEX #C8F58E

RGB 200 245 142

HSL 86.21, 0.84%, 0.76%

LAB 91.48, -31.14, 44.85

 

CMYK 7 / 0 / 42 / 4

HEX #E4F58E

RGB 228 245 142

HSL 69.9, 0.84%, 0.76%

LAB 93.34, -20.78, 47.6

 

CMYK 0 / 4 / 42 / 4

HEX #F5EB8E

RGB 245 235 142

HSL 54.17, 0.84%, 0.76%

LAB 92.03, -9.35, 46.23

 

CMYK 0 / 16 / 42 / 4

HEX #F5CF8E

RGB 245 207 142

HSL 37.86, 0.84%, 0.76%

LAB 84.99, 4.87, 37.24

 

CMYK 0 / 27 / 42 / 4

HEX #F5B38E

RGB 245 179 142

HSL 21.55, 0.84%, 0.76%

LAB 78.23, 19.53, 28.33

 

CMYK 18 / 0 / 42 / 4

HEX #C8F58E

RGB 200 245 142

HSL 86.21, 0.84%, 0.76%

LAB 91.48, -31.14, 44.85

 

CMYK 29 / 0 / 42 / 4

HEX #ADF58E

RGB 173 245 142

HSL 101.94, 0.84%, 0.76%

LAB 89.93, -40.5, 42.56

 

CMYK 41 / 0 / 42 / 4

HEX #91F58E

RGB 145 245 142

HSL 118.25, 0.84%, 0.76%

LAB 88.58, -49.28, 40.57

 

CMYK 42 / 0 / 31 / 4

HEX #8EF5A8

RGB 142 245 168

HSL 135.15, 0.84%, 0.76%

LAB 88.87, -46.04, 27.93

 

CMYK 42 / 0 / 20 / 4

HEX #8EF5C3

RGB 142 245 195

HSL 150.87, 0.84%, 0.76%

LAB 89.39, -41.03, 14.81

 

CMYK 18 / 0 / 42 / 4

HEX #C8F58E

RGB 200 245 142

HSL 86.21, 0.84%, 0.76%

LAB 91.48, -31.14, 44.85

 

CMYK 18 / 0 / 42 / 4

HEX #C8F58E

RGB 200 245 142

HSL 86.21, 0.84%, 0.76%

LAB 91.48, -31.14, 44.85

 

CMYK 15 / 0 / 35 / 8

HEX #C7EB98

RGB 199 235 152

HSL 86.02, 0.67%, 0.76%

LAB 88.84, -25.55, 36.51

 

CMYK 12 / 0 / 28 / 12

HEX #C6E1A2

RGB 198 225 162

HSL 85.71, 0.51%, 0.76%

LAB 86.24, -19.69, 27.95

 

CMYK 9 / 0 / 20 / 15

HEX #C5D8AC

RGB 197 216 172

HSL 85.91, 0.36%, 0.76%

LAB 83.95, -14.07, 19.6

 

CMYK 5 / 0 / 12 / 19

HEX #C3CEB6

RGB 195 206 182

HSL 87.5, 0.2%, 0.76%

LAB 81.36, -8.05, 10.66

 

CMYK 0 / 4 / 42 / 4

HEX #F5EB8E

RGB 245 235 142

HSL 54.17, 0.84%, 0.76%

LAB 92.03, -9.35, 46.23

 

CMYK 7 / 0 / 42 / 4

HEX #E4F58E

RGB 228 245 142

HSL 69.9, 0.84%, 0.76%

LAB 93.34, -20.78, 47.6

 

CMYK 18 / 0 / 42 / 4

HEX #C9F58E

RGB 201 245 142

HSL 85.63, 0.84%, 0.76%

LAB 91.54, -30.78, 44.94

 

CMYK 29 / 0 / 42 / 4

HEX #ADF58E

RGB 173 245 142

HSL 101.94, 0.84%, 0.76%

LAB 89.93, -40.5, 42.56

 

CMYK 40 / 0 / 42 / 4

HEX #92F58E

RGB 146 245 142

HSL 117.67, 0.84%, 0.76%

LAB 88.62, -48.99, 40.63

 

CMYK 32 / 0 / 72 / 6

HEX #A3EF42

RGB 163 239 66

HSL 86.36, 0.84%, 0.6%

LAB 86.95, -48.51, 71.59

 

CMYK 25 / 0 / 57 / 5

HEX #B6F268

RGB 182 242 104

HSL 86.09, 0.84%, 0.68%

LAB 89.13, -40.22, 59.38

 

CMYK 18 / 0 / 42 / 4

HEX #C8F58E

RGB 200 245 142

HSL 86.21, 0.84%, 0.76%

LAB 91.48, -31.14, 44.85

 

CMYK 12 / 0 / 28 / 2

HEX #DBF9B4

RGB 219 249 180

HSL 86.09, 0.85%, 0.84%

LAB 94.36, -21.31, 29.99

 

CMYK 6 / 0 / 13 / 1

HEX #EDFCDA

RGB 237 252 218

HSL 86.47, 0.85%, 0.92%

LAB 97.1, -10.76, 14.62

 

CMYK 18 / 0 / 42 / 4

HEX #C8F58E

RGB 200 245 142

HSL 86.21, 0.84%, 0.76%

LAB 91.48, -31.14, 44.85

 

CMYK 42 / 0 / 15 / 4

HEX #8EF5D0

RGB 142 245 208

HSL 158.45, 0.84%, 0.76%

LAB 89.68, -38.36, 8.48

 

CMYK 0 / 42 / 1 / 4

HEX #F58EF2

RGB 245 142 242

HSL 301.75, 0.84%, 0.76%

LAB 73, 53.14, -33.81

 

CMYK 18 / 0 / 42 / 4

HEX #C8F58E

RGB 200 245 142

HSL 86.21, 0.84%, 0.76%

LAB 91.48, -31.14, 44.85

 

CMYK 42 / 18 / 0 / 4

HEX #8EC9F5

RGB 142 201 245

HSL 205.63, 0.84%, 0.76%

LAB 78.53, -7.84, -27.64

 

CMYK 0 / 42 / 18 / 4

HEX #F58EC9

RGB 245 142 201

HSL 325.63, 0.84%, 0.76%

LAB 71.54, 46.47, -13.5

 

CMYK 18 / 0 / 42 / 4

HEX #C8F58E

RGB 200 245 142

HSL 86.21, 0.84%, 0.76%

LAB 91.48, -31.14, 44.85

 

CMYK 42 / 0 / 15 / 4

HEX #8EF5D0

RGB 142 245 208

HSL 158.45, 0.84%, 0.76%

LAB 89.68, -38.36, 8.48

 

CMYK 24 / 42 / 0 / 4

HEX #BB8EF5

RGB 187 142 245

HSL 266.21, 0.84%, 0.76%

LAB 66.9, 37.06, -45.44

 

CMYK 0 / 42 / 27 / 4

HEX #F58EB4

RGB 245 142 180

HSL 337.86, 0.84%, 0.76%

LAB 70.91, 43.48, -2.76

 

CMYK 18 / 0 / 42 / 4

HEX #C8F58E

RGB 200 245 142

HSL 86.21, 0.84%, 0.76%

LAB 91.48, -31.14, 44.85

 

CMYK 42 / 0 / 3 / 4

HEX #8EF5EE

RGB 142 245 238

HSL 175.92, 0.84%, 0.76%

LAB 90.43, -31.64, -6.04

 

CMYK 24 / 42 / 0 / 4

HEX #BB8EF5

RGB 187 142 245

HSL 266.21, 0.84%, 0.76%

LAB 66.9, 37.06, -45.44

 

CMYK 0 / 42 / 39 / 4

HEX #F58E95

RGB 245 142 149

HSL 355.92, 0.84%, 0.76%

LAB 70.13, 39.67, 13.4

 

Description

Color code: HEX #C8F58E | qconv.com Color code: HEX #C8F58E | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 200 red, 245 green and 142 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
200 245 142 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 18 cyan, none magenta, 42 yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
18% 0% 42% 4% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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