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Color name
HEX #C8C2AD

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C8C2AD it is the complementary color #373D52. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C8C2AD. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C8C2AD shade: #CDC2A8, #DED4BB, #EFE6CE, #FFF8E1 and #FFFFF4

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C8C2AD. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C8C2AD shade: #C8C2AD, #B7B09A, #A69E87, #958C74 and #847A61

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C8C2AD shade: #C8C2AC, #C8BAAC, #C8B3AC and #C8ACAC

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C8C2AD shade: #C8C2AC, #C7C8AC, #BFC8AC, #B8C8AC and #B0C8AC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C8C2AD shade matches the following richer shades: #C8C2AC, #D3C8A1, #DECE96, #E9D48B and #F4DB80

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C8C2AD shade: #C8C2AC, #BDBCB8, #B2B5C3, #A7AFCE and #9BA9D9

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C8C2AD shade: #C8B3AC, #C8BAAC, #C8C1AC, #C7C8AC and #C0C8AC

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C8C2AD shade: #A79D7B, #B7AF94, #C8C2AC, #D8D4C5 and #E9E6DE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C8C2AD shade: #C8C2AD, #ADC8AC and #B6ACC8

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C8C2AD shade: #C8C2AD, #ACC8C1 and #C1ACC8

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C8C2AD shade: #C8C2AD, #ADC8AC, #ACB3C8 and #C7ACC8

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C8C2AD shade: #C8C2AD, #ACC8B4, #ACB3C8 and #C8ACC1

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 3 / 14 / 22

HEX #C8C2AD

RGB 200 194 173

HSL 46.67, 0.2%, 0.73%

LAB 78.39, -1.48, 11.31

 

Complementary color

CMYK 33 / 26 / 0 / 68

HEX #373D52

RGB 55 61 82

HSL 226.67, 0.2%, 0.27%

LAB 26.04, 3.2, -13.5

 

CMYK 0 / 5 / 18 / 20

HEX #CDC2A8

RGB 205 194 168

HSL 42.16, 0.27%, 0.73%

LAB 78.69, -0.42, 14.47

 

CMYK 0 / 5 / 16 / 13

HEX #DED4BB

RGB 222 212 187

HSL 42.86, 0.35%, 0.8%

LAB 85.1, -0.67, 13.6

 

CMYK 0 / 4 / 14 / 6

HEX #EFE6CE

RGB 239 230 206

HSL 43.64, 0.51%, 0.87%

LAB 91.42, -0.89, 12.78

 

CMYK 0 / 3 / 12 / 0

HEX #FFF8E1

RGB 255 248 225

HSL 46, 1%, 0.94%

LAB 97.56, -1.44, 11.87

 

CMYK 0 / 0 / 4 / 0

HEX #FFFFF4

RGB 255 255 244

HSL 60, 1%, 0.98%

LAB 99.73, -1.88, 5.24

 

CMYK 0 / 3 / 14 / 22

HEX #C8C2AD

RGB 200 194 173

HSL 46.67, 0.2%, 0.73%

LAB 78.39, -1.48, 11.31

 

CMYK 0 / 4 / 16 / 28

HEX #B7B09A

RGB 183 176 154

HSL 45.52, 0.17%, 0.66%

LAB 71.86, -1.26, 12.16

 

CMYK 0 / 5 / 19 / 35

HEX #A69E87

RGB 166 158 135

HSL 44.52, 0.15%, 0.59%

LAB 65.21, -1.02, 13.07

 

CMYK 0 / 6 / 22 / 42

HEX #958C74

RGB 149 140 116

HSL 43.64, 0.13%, 0.52%

LAB 58.42, -0.74, 14.05

 

CMYK 0 / 8 / 27 / 48

HEX #847A61

RGB 132 122 97

HSL 42.86, 0.15%, 0.45%

LAB 51.48, -0.41, 15.1

 

CMYK 0 / 3 / 14 / 22

HEX #C8C2AC

RGB 200 194 172

HSL 47.14, 0.2%, 0.73%

LAB 78.37, -1.64, 11.82

 

CMYK 0 / 7 / 14 / 22

HEX #C8BAAC

RGB 200 186 172

HSL 30, 0.2%, 0.73%

LAB 76.3, 2.6, 8.87

 

CMYK 0 / 11 / 14 / 22

HEX #C8B3AC

RGB 200 179 172

HSL 15, 0.2%, 0.73%

LAB 74.51, 6.35, 6.3

 

CMYK 0 / 14 / 14 / 22

HEX #C8ACAC

RGB 200 172 172

HSL 0, 0.2%, 0.73%

LAB 72.74, 10.13, 3.75

 

CMYK 0 / 3 / 14 / 22

HEX #C8C2AC

RGB 200 194 172

HSL 47.14, 0.2%, 0.73%

LAB 78.37, -1.64, 11.82

 

CMYK 0 / 0 / 14 / 22

HEX #C7C8AC

RGB 199 200 172

HSL 62.14, 0.2%, 0.73%

LAB 79.86, -5.15, 13.91

 

CMYK 5 / 0 / 14 / 22

HEX #BFC8AC

RGB 191 200 172

HSL 79.29, 0.2%, 0.73%

LAB 79.25, -8.05, 12.96

 

CMYK 8 / 0 / 14 / 22

HEX #B8C8AC

RGB 184 200 172

HSL 94.29, 0.2%, 0.73%

LAB 78.74, -10.55, 12.17

 

CMYK 12 / 0 / 14 / 22

HEX #B0C8AC

RGB 176 200 172

HSL 111.43, 0.2%, 0.73%

LAB 78.18, -13.37, 11.3

 

CMYK 0 / 3 / 14 / 22

HEX #C8C2AC

RGB 200 194 172

HSL 47.14, 0.2%, 0.73%

LAB 78.37, -1.64, 11.82

 

CMYK 0 / 5 / 24 / 17

HEX #D3C8A1

RGB 211 200 161

HSL 46.8, 0.36%, 0.73%

LAB 80.59, -2.34, 20.92

 

CMYK 0 / 7 / 32 / 13

HEX #DECE96

RGB 222 206 150

HSL 46.67, 0.52%, 0.73%

LAB 82.85, -2.7, 29.92

 

CMYK 0 / 9 / 40 / 9

HEX #E9D48B

RGB 233 212 139

HSL 46.6, 0.68%, 0.73%

LAB 85.14, -2.75, 38.74

 

CMYK 0 / 10 / 48 / 4

HEX #F4DB80

RGB 244 219 128

HSL 47.07, 0.84%, 0.73%

LAB 87.71, -3.05, 47.65

 

CMYK 0 / 3 / 14 / 22

HEX #C8C2AC

RGB 200 194 172

HSL 47.14, 0.2%, 0.73%

LAB 78.37, -1.64, 11.82

 

CMYK 0 / 1 / 3 / 26

HEX #BDBCB8

RGB 189 188 184

HSL 48, 0.04%, 0.73%

LAB 76.22, -0.38, 2.13

 

CMYK 9 / 7 / 0 / 24

HEX #B2B5C3

RGB 178 181 195

HSL 229.41, 0.12%, 0.73%

LAB 73.84, 1.69, -7.45

 

CMYK 19 / 15 / 0 / 19

HEX #A7AFCE

RGB 167 175 206

HSL 227.69, 0.28%, 0.73%

LAB 71.78, 3.7, -16.64

 

CMYK 29 / 22 / 0 / 15

HEX #9BA9D9

RGB 155 169 217

HSL 226.45, 0.45%, 0.73%

LAB 69.72, 5.92, -25.89

 

CMYK 0 / 11 / 14 / 22

HEX #C8B3AC

RGB 200 179 172

HSL 15, 0.2%, 0.73%

LAB 74.51, 6.35, 6.3

 

CMYK 0 / 7 / 14 / 22

HEX #C8BAAC

RGB 200 186 172

HSL 30, 0.2%, 0.73%

LAB 76.3, 2.6, 8.87

 

CMYK 0 / 4 / 14 / 22

HEX #C8C1AC

RGB 200 193 172

HSL 45, 0.2%, 0.73%

LAB 78.11, -1.11, 11.45

 

CMYK 0 / 0 / 14 / 22

HEX #C7C8AC

RGB 199 200 172

HSL 62.14, 0.2%, 0.73%

LAB 79.86, -5.15, 13.91

 

CMYK 4 / 0 / 14 / 22

HEX #C0C8AC

RGB 192 200 172

HSL 77.14, 0.2%, 0.73%

LAB 79.32, -7.69, 13.08

 

CMYK 0 / 6 / 26 / 35

HEX #A79D7B

RGB 167 157 123

HSL 46.36, 0.2%, 0.57%

LAB 64.77, -1.89, 19.14

 

CMYK 0 / 4 / 19 / 28

HEX #B7AF94

RGB 183 175 148

HSL 46.29, 0.2%, 0.65%

LAB 71.46, -1.67, 14.88

 

CMYK 0 / 3 / 14 / 22

HEX #C8C2AC

RGB 200 194 172

HSL 47.14, 0.2%, 0.73%

LAB 78.37, -1.64, 11.82

 

CMYK 0 / 2 / 9 / 15

HEX #D8D4C5

RGB 216 212 197

HSL 47.37, 0.2%, 0.81%

LAB 84.85, -1.21, 7.9

 

CMYK 0 / 1 / 5 / 9

HEX #E9E6DE

RGB 233 230 222

HSL 43.64, 0.2%, 0.89%

LAB 91.32, -0.38, 4.24

 

CMYK 0 / 3 / 14 / 22

HEX #C8C2AD

RGB 200 194 173

HSL 46.67, 0.2%, 0.73%

LAB 78.39, -1.48, 11.31

 

CMYK 14 / 0 / 14 / 22

HEX #ADC8AC

RGB 173 200 172

HSL 117.86, 0.2%, 0.73%

LAB 77.98, -14.41, 10.98

 

CMYK 9 / 14 / 0 / 22

HEX #B6ACC8

RGB 182 172 200

HSL 261.43, 0.2%, 0.73%

LAB 71.97, 8.96, -12.94

 

CMYK 0 / 3 / 14 / 22

HEX #C8C2AD

RGB 200 194 173

HSL 46.67, 0.2%, 0.73%

LAB 78.39, -1.48, 11.31

 

CMYK 14 / 0 / 4 / 22

HEX #ACC8C1

RGB 172 200 193

HSL 165, 0.2%, 0.73%

LAB 78.42, -10.78, 0.33

 

CMYK 4 / 14 / 0 / 22

HEX #C1ACC8

RGB 193 172 200

HSL 285, 0.2%, 0.73%

LAB 72.9, 12.67, -11.46

 

CMYK 0 / 3 / 14 / 22

HEX #C8C2AD

RGB 200 194 173

HSL 46.67, 0.2%, 0.73%

LAB 78.39, -1.48, 11.31

 

CMYK 14 / 0 / 14 / 22

HEX #ADC8AC

RGB 173 200 172

HSL 117.86, 0.2%, 0.73%

LAB 77.98, -14.41, 10.98

 

CMYK 14 / 11 / 0 / 22

HEX #ACB3C8

RGB 172 179 200

HSL 225, 0.2%, 0.73%

LAB 73.01, 1.82, -11.47

 

CMYK 0 / 14 / 0 / 22

HEX #C7ACC8

RGB 199 172 200

HSL 297.86, 0.2%, 0.73%

LAB 73.43, 14.72, -10.62

 

CMYK 0 / 3 / 14 / 22

HEX #C8C2AD

RGB 200 194 173

HSL 46.67, 0.2%, 0.73%

LAB 78.39, -1.48, 11.31

 

CMYK 14 / 0 / 10 / 22

HEX #ACC8B4

RGB 172 200 180

HSL 137.14, 0.2%, 0.73%

LAB 78.1, -13.29, 6.85

 

CMYK 14 / 11 / 0 / 22

HEX #ACB3C8

RGB 172 179 200

HSL 225, 0.2%, 0.73%

LAB 73.01, 1.82, -11.47

 

CMYK 0 / 14 / 4 / 22

HEX #C8ACC1

RGB 200 172 193

HSL 315, 0.2%, 0.73%

LAB 73.31, 13.77, -6.95

 

Description

Color code: HEX #C8C2AD | qconv.com Color code: HEX #C8C2AD | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 200 red, 194 green and 173 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
200 194 173 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 3 magenta, 14 yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 3% 14% 22% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

35% - V-TELL Telecom (engl...
Link: http://v-tell.com

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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