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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C82A8C it is the complementary color #37D573. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C82A8C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C82A8C shade: #CD2A87, #DE3C9A, #EF4EAD, #FF60C0 and #FF72D3

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C82A8C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C82A8C shade: #C82A8C, #B71879, #A60666, #950053 and #840040

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C82A8C shade: #C62A8B, #C62A61, #C62A37 and #C62A2A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C82A8C shade: #C62A8B, #C62AB5, #AD2AC6, #832AC6 and #592AC6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C82A8C shade matches the following richer shades: #C62A8B, #D9178F and #ED0394

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C82A8C shade: #C62A8B, #B23D86, #9F5181, #8C647D and #787878

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C82A8C shade: #AC2AC6, #C62AB6, #C62A8D, #C62A63 and #C62A3A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C82A8C shade: #821C5B, #A42373, #C62A8B, #D7429E and #DE64B0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C82A8C shade: #C82A8C, #C6822A and #2AC6C1

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C82A8C shade: #C82A8C, #8DC62A and #2A8DC6

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C82A8C shade: #C82A8C, #C6822A, #2AC663 and #2A6DC6

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C82A8C shade: #C82A8C, #C6B12A, #2AC663 and #2A3FC6

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 79 / 30 / 22

HEX #C82A8C

RGB 200 42 140

HSL 322.78, 0.65%, 0.47%

LAB 46.75, 67.6, -16.4

 

Complementary color

CMYK 74 / 0 / 46 / 16

HEX #37D573

RGB 55 213 115

HSL 142.78, 0.65%, 0.53%

LAB 75.85, -61.37, 37.04

 

CMYK 0 / 80 / 34 / 20

HEX #CD2A87

RGB 205 42 135

HSL 325.77, 0.66%, 0.48%

LAB 47.47, 68.26, -12.18

 

CMYK 0 / 73 / 31 / 13

HEX #DE3C9A

RGB 222 60 154

HSL 325.19, 0.71%, 0.55%

LAB 53.05, 69.32, -14.83

 

CMYK 0 / 67 / 28 / 6

HEX #EF4EAD

RGB 239 78 173

HSL 324.6, 0.83%, 0.62%

LAB 58.8, 69.74, -16.95

 

CMYK 0 / 62 / 25 / 0

HEX #FF60C0

RGB 255 96 192

HSL 323.77, 1%, 0.69%

LAB 64.51, 69.48, -18.94

 

CMYK 0 / 55 / 17 / 0

HEX #FF72D3

RGB 255 114 211

HSL 318.72, 1%, 0.72%

LAB 68.02, 64.41, -24.27

 

CMYK 0 / 79 / 30 / 22

HEX #C82A8C

RGB 200 42 140

HSL 322.78, 0.65%, 0.47%

LAB 46.75, 67.6, -16.4

 

CMYK 0 / 87 / 34 / 28

HEX #B71879

RGB 183 24 121

HSL 323.4, 0.77%, 0.41%

LAB 41.38, 65.64, -13.22

 

CMYK 0 / 96 / 39 / 35

HEX #A60666

RGB 166 6 102

HSL 324, 0.93%, 0.34%

LAB 36.36, 62.45, -9.17

 

CMYK 0 / 100 / 44 / 42

HEX #950053

RGB 149 0 83

HSL 326.58, 1%, 0.29%

LAB 31.84, 57.58, -4

 

CMYK 0 / 100 / 52 / 48

HEX #840040

RGB 132 0 64

HSL 330.91, 1%, 0.26%

LAB 27.51, 51.94, 1.9

 

CMYK 0 / 79 / 30 / 22

HEX #C62A8B

RGB 198 42 139

HSL 322.69, 0.65%, 0.47%

LAB 46.35, 67.01, -16.44

 

CMYK 0 / 79 / 51 / 22

HEX #C62A61

RGB 198 42 97

HSL 338.85, 0.65%, 0.47%

LAB 44.98, 62.88, 7.34

 

CMYK 0 / 79 / 72 / 22

HEX #C62A37

RGB 198 42 55

HSL 355, 0.65%, 0.47%

LAB 44.14, 60.29, 32.09

 

CMYK 0 / 79 / 79 / 22

HEX #C62A2A

RGB 198 42 42

HSL 0, 0.65%, 0.47%

LAB 43.99, 59.8, 39.43

 

CMYK 0 / 79 / 30 / 22

HEX #C62A8B

RGB 198 42 139

HSL 322.69, 0.65%, 0.47%

LAB 46.35, 67.01, -16.44

 

CMYK 0 / 79 / 9 / 22

HEX #C62AB5

RGB 198 42 181

HSL 306.54, 0.65%, 0.47%

LAB 48.26, 72.51, -38.5

 

CMYK 13 / 79 / 0 / 22

HEX #AD2AC6

RGB 173 42 198

HSL 290.38, 0.65%, 0.47%

LAB 45.11, 70.31, -53.69

 

CMYK 34 / 79 / 0 / 22

HEX #832AC6

RGB 131 42 198

HSL 274.23, 0.65%, 0.47%

LAB 38.83, 62.95, -64.16

 

CMYK 55 / 79 / 0 / 22

HEX #592AC6

RGB 89 42 198

HSL 258.08, 0.65%, 0.47%

LAB 33.68, 56.89, -72.79

 

CMYK 0 / 79 / 30 / 22

HEX #C62A8B

RGB 198 42 139

HSL 322.69, 0.65%, 0.47%

LAB 46.35, 67.01, -16.44

 

CMYK 0 / 89 / 34 / 15

HEX #D9178F

RGB 217 23 143

HSL 322.89, 0.81%, 0.47%

LAB 48.7, 75.66, -14.95

 

CMYK 0 / 99 / 38 / 7

HEX #ED0394

RGB 237 3 148

HSL 322.82, 0.98%, 0.47%

LAB 52.07, 82.23, -12.48

 

CMYK 0 / 79 / 30 / 22

HEX #C62A8B

RGB 198 42 139

HSL 322.69, 0.65%, 0.47%

LAB 46.35, 67.01, -16.44

 

CMYK 0 / 66 / 25 / 30

HEX #B23D86

RGB 178 61 134

HSL 322.56, 0.49%, 0.47%

LAB 44.97, 54.66, -15.81

 

CMYK 0 / 49 / 19 / 38

HEX #9F5181

RGB 159 81 129

HSL 323.08, 0.33%, 0.47%

LAB 45.42, 38.52, -12.38

 

CMYK 0 / 29 / 11 / 45

HEX #8C647D

RGB 140 100 125

HSL 322.5, 0.17%, 0.47%

LAB 47.2, 20.33, -7.53

 

CMYK 0 / 0 / 0 / 53

HEX #787878

RGB 120 120 120

HSL 0, 0%, 0.47%

LAB 50.43, 0, -0.01

 

CMYK 13 / 79 / 0 / 22

HEX #AC2AC6

RGB 172 42 198

HSL 290, 0.65%, 0.47%

LAB 44.95, 70.13, -53.96

 

CMYK 0 / 79 / 8 / 22

HEX #C62AB6

RGB 198 42 182

HSL 306.15, 0.65%, 0.47%

LAB 48.31, 72.66, -39.01

 

CMYK 0 / 79 / 29 / 22

HEX #C62A8D

RGB 198 42 141

HSL 321.92, 0.65%, 0.47%

LAB 46.42, 67.24, -17.53

 

CMYK 0 / 79 / 50 / 22

HEX #C62A63

RGB 198 42 99

HSL 338.08, 0.65%, 0.47%

LAB 45.03, 63.05, 6.17

 

CMYK 0 / 79 / 71 / 22

HEX #C62A3A

RGB 198 42 58

HSL 353.85, 0.65%, 0.47%

LAB 44.19, 60.43, 30.34

 

CMYK 0 / 78 / 30 / 49

HEX #821C5B

RGB 130 28 91

HSL 322.94, 0.65%, 0.31%

LAB 30.23, 48.08, -12.04

 

CMYK 0 / 79 / 30 / 36

HEX #A42373

RGB 164 35 115

HSL 322.79, 0.65%, 0.39%

LAB 38.43, 57.76, -14.29

 

CMYK 0 / 79 / 30 / 22

HEX #C62A8B

RGB 198 42 139

HSL 322.69, 0.65%, 0.47%

LAB 46.35, 67.01, -16.44

 

CMYK 0 / 69 / 27 / 16

HEX #D7429E

RGB 215 66 158

HSL 322.95, 0.65%, 0.55%

LAB 52.74, 65.94, -17.77

 

CMYK 0 / 55 / 21 / 13

HEX #DE64B0

RGB 222 100 176

HSL 322.62, 0.65%, 0.63%

LAB 59.69, 56.15, -17.58

 

CMYK 0 / 79 / 30 / 22

HEX #C82A8C

RGB 200 42 140

HSL 322.78, 0.65%, 0.47%

LAB 46.75, 67.6, -16.4

 

CMYK 0 / 34 / 79 / 22

HEX #C6822A

RGB 198 130 42

HSL 33.85, 0.65%, 0.47%

LAB 60.01, 19.06, 55.16

 

CMYK 79 / 0 / 3 / 22

HEX #2AC6C1

RGB 42 198 193

HSL 178.08, 0.65%, 0.47%

LAB 72.71, -39.05, -8.67

 

CMYK 0 / 79 / 30 / 22

HEX #C82A8C

RGB 200 42 140

HSL 322.78, 0.65%, 0.47%

LAB 46.75, 67.6, -16.4

 

CMYK 29 / 0 / 79 / 22

HEX #8DC62A

RGB 141 198 42

HSL 81.92, 0.65%, 0.47%

LAB 73.69, -40.21, 66.09

 

CMYK 79 / 29 / 0 / 22

HEX #2A8DC6

RGB 42 141 198

HSL 201.92, 0.65%, 0.47%

LAB 55.7, -8.38, -37.46

 

CMYK 0 / 79 / 30 / 22

HEX #C82A8C

RGB 200 42 140

HSL 322.78, 0.65%, 0.47%

LAB 46.75, 67.6, -16.4

 

CMYK 0 / 34 / 79 / 22

HEX #C6822A

RGB 198 130 42

HSL 33.85, 0.65%, 0.47%

LAB 60.01, 19.06, 55.16

 

CMYK 79 / 0 / 50 / 22

HEX #2AC663

RGB 42 198 99

HSL 141.92, 0.65%, 0.47%

LAB 70.72, -60.41, 38.47

 

CMYK 79 / 45 / 0 / 22

HEX #2A6DC6

RGB 42 109 198

HSL 214.23, 0.65%, 0.47%

LAB 46.32, 10.96, -52.35

 

CMYK 0 / 79 / 30 / 22

HEX #C82A8C

RGB 200 42 140

HSL 322.78, 0.65%, 0.47%

LAB 46.75, 67.6, -16.4

 

CMYK 0 / 11 / 79 / 22

HEX #C6B12A

RGB 198 177 42

HSL 51.92, 0.65%, 0.47%

LAB 71.97, -6.29, 66.09

 

CMYK 79 / 0 / 50 / 22

HEX #2AC663

RGB 42 198 99

HSL 141.92, 0.65%, 0.47%

LAB 70.72, -60.41, 38.47

 

CMYK 79 / 68 / 0 / 22

HEX #2A3FC6

RGB 42 63 198

HSL 231.92, 0.65%, 0.47%

LAB 34.24, 40.57, -71.99

 

Description

Color code: HEX #C82A8C | qconv.com Color code: HEX #C82A8C | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 200 red, 42 green and 140 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
200 42 140 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 79 magenta, 30 yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 79% 30% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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