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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C7DBF7 it is the complementary color #382408. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C7DBF7. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #C7DBF7: #CCDBF2, #DDEDFF, #EEFFFF, #FFFFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C7DBF7. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #C7DBF7: #C7DBF7, #B6C9E4, #A5B7D1, #94A5BE and #8393AB

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 19 / 11 / 0 / 3

HEX #C7DBF7

RGB 199 219 247

HSL 215, 0.75%, 0.87%

LAB 86.76, -0.9, -15.9

 

Complementary color

CMYK 0 / 36 / 86 / 78

HEX #382408

RGB 56 36 8

HSL 35, 0.75%, 0.13%

LAB 16.1, 6.36, 20.37

 

CMYK 16 / 10 / 0 / 5

HEX #CCDBF2

RGB 204 219 242

HSL 216.32, 0.59%, 0.87%

LAB 86.95, -0.42, -12.94

 

CMYK 13 / 7 / 0 / 0

HEX #DDEDFF

RGB 221 237 255

HSL 211.76, 1%, 0.93%

LAB 93.08, -1.77, -10.48

 

CMYK 7 / 0 / 0 / 0

HEX #EEFFFF

RGB 238 255 255

HSL 180, 1%, 0.97%

LAB 98.8, -5.52, -1.92

 

CMYK 0 / 0 / 0 / 0

HEX #FFFFFF

RGB 255 255 255

HSL 0, 0%, 1%

LAB 100, 0.01, -0.01

RAL® 9010

CMYK 19 / 11 / 0 / 3

HEX #C7DBF7

RGB 199 219 247

HSL 215, 0.75%, 0.87%

LAB 86.76, -0.9, -15.9

 

CMYK 20 / 12 / 0 / 11

HEX #B6C9E4

RGB 182 201 228

HSL 215.22, 0.46%, 0.8%

LAB 80.36, -0.76, -15.53

 

CMYK 21 / 12 / 0 / 18

HEX #A5B7D1

RGB 165 183 209

HSL 215.45, 0.32%, 0.73%

LAB 73.85, -0.61, -15.18

 

CMYK 22 / 13 / 0 / 25

HEX #94A5BE

RGB 148 165 190

HSL 215.71, 0.24%, 0.66%

LAB 67.22, -0.45, -14.83

 

CMYK 23 / 14 / 0 / 33

HEX #8393AB

RGB 131 147 171

HSL 216, 0.19%, 0.59%

LAB 60.46, -0.28, -14.48

 

CMYK 19 / 11 / 0 / 3

HEX #C7DBF7

RGB 199 219 247

HSL 215, 0.75%, 0.87%

LAB 86.76, -0.9, -15.9

 

CMYK 20 / 15 / 0 / 4

HEX #C4D1F6

RGB 196 209 246

HSL 224.4, 0.74%, 0.87%

LAB 83.96, 3.23, -19.61

 

CMYK 20 / 18 / 0 / 4

HEX #C4C9F6

RGB 196 201 246

HSL 234, 0.74%, 0.87%

LAB 81.93, 7.5, -22.69

 

CMYK 18 / 20 / 0 / 4

HEX #C9C4F6

RGB 201 196 246

HSL 246, 0.74%, 0.87%

LAB 81.04, 11.72, -24

 

CMYK 15 / 20 / 0 / 4

HEX #D1C4F6

RGB 209 196 246

HSL 255.6, 0.74%, 0.87%

LAB 81.67, 14.2, -22.99

 

CMYK 19 / 11 / 0 / 3

HEX #C7DBF7

RGB 199 219 247

HSL 215, 0.75%, 0.87%

LAB 86.76, -0.9, -15.9

 

CMYK 19 / 12 / 0 / 83

HEX #23262B

RGB 35 38 43

HSL 217.5, 0.1%, 0.15%

LAB 15.05, -0.02, -3.76

 

CMYK 19 / 12 / 0 / 63

HEX #4C535E

RGB 76 83 94

HSL 216.67, 0.11%, 0.33%

LAB 35.07, -0.13, -7.34

 

CMYK 19 / 11 / 0 / 43

HEX #758191

RGB 117 129 145

HSL 214.29, 0.11%, 0.51%

LAB 53.52, -0.8, -10.09

 

CMYK 19 / 11 / 0 / 23

HEX #9EAEC4

RGB 158 174 196

HSL 214.74, 0.24%, 0.69%

LAB 70.54, -0.85, -13.08

 

CMYK 19 / 11 / 0 / 3

HEX #C7DBF7

RGB 199 219 247

HSL 215, 0.75%, 0.87%

LAB 86.76, -0.9, -15.9

 

CMYK 4 / 20 / 0 / 4

HEX #EBC4F6

RGB 235 196 246

HSL 286.8, 0.74%, 0.87%

LAB 83.86, 22.47, -19.46

 

CMYK 4 / 0 / 20 / 4

HEX #EDF6C4

RGB 237 246 196

HSL 70.8, 0.74%, 0.87%

LAB 95.12, -11.16, 23.11

 

CMYK 19 / 11 / 0 / 3

HEX #C7DBF7

RGB 199 219 247

HSL 215, 0.75%, 0.87%

LAB 86.76, -0.9, -15.9

 

CMYK 0 / 20 / 12 / 4

HEX #F6C4D9

RGB 246 196 217

HSL 334.8, 0.74%, 0.87%

LAB 84.01, 21.04, -3.66

 

CMYK 12 / 0 / 20 / 4

HEX #D9F6C4

RGB 217 246 196

HSL 94.8, 0.74%, 0.87%

LAB 93.73, -18.17, 20.97

 

CMYK 19 / 11 / 0 / 3

HEX #C7DBF7

RGB 199 219 247

HSL 215, 0.75%, 0.87%

LAB 86.76, -0.9, -15.9

 

CMYK 4 / 20 / 0 / 4

HEX #EBC4F6

RGB 235 196 246

HSL 286.8, 0.74%, 0.87%

LAB 83.86, 22.47, -19.46

 

CMYK 0 / 9 / 20 / 4

HEX #F6E1C4

RGB 246 225 196

HSL 34.8, 0.74%, 0.87%

LAB 90.52, 2.69, 16.8

 

CMYK 16 / 0 / 20 / 4

HEX #CFF6C4

RGB 207 246 196

HSL 106.8, 0.74%, 0.87%

LAB 93.09, -21.58, 19.97

 

CMYK 19 / 11 / 0 / 3

HEX #C7DBF7

RGB 199 219 247

HSL 215, 0.75%, 0.87%

LAB 86.76, -0.9, -15.9

 

CMYK 0 / 20 / 2 / 4

HEX #F6C4F2

RGB 246 196 242

HSL 304.8, 0.74%, 0.87%

LAB 84.73, 25.31, -15.92

 

CMYK 0 / 9 / 20 / 4

HEX #F6E1C4

RGB 246 225 196

HSL 34.8, 0.74%, 0.87%

LAB 90.52, 2.69, 16.8

 

CMYK 20 / 0 / 18 / 4

HEX #C4F6C9

RGB 196 246 201

HSL 126, 0.74%, 0.87%

LAB 92.51, -24.39, 16.5

 

Description

Color code: HEX #C7DBF7 | qconv.com Color code: HEX #C7DBF7 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 199 red, 219 green and 247 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
199 219 247 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 19 cyan, 11 magenta, none yellow and 3 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
19% 11% 0% 3% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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