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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C77B05 it is the complementary color #3884FA. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C77B05. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C77B05 shade: #CC7B00, #DD8D13, #EE9F26, #FFB139 and #FFC34C

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C77B05. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C77B05 shade: #C77B05, #B66900, #A55700, #944500 and #833300

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C77B05 shade: #C77B05, #C74705, #C71205 and #C70505

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C77B05 shade: #C77B05, #C7AF05, #AAC705, #76C705 and #42C705

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C77B05 shade matches the following richer shades: #C77B05

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C77B05 shade: #C77B05, #B67716, #A67426, #957037 and #856D47

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C77B05 shade: #C71205, #C74605, #C77905, #C7AD05 and #ADC705

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C77B05 shade: #764903, #9F6204, #C77B05, #EF9406 and #F9A625

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C77B05 shade: #C77B05, #2CC705 and #2C05C7

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C77B05 shade: #C77B05, #05C779 and #7905C7

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C77B05 shade: #C77B05, #2CC705, #0553C7 and #A005C7

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C77B05 shade: #C77B05, #05C718, #0553C7 and #C705B4

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 38 / 97 / 22

HEX #C77B05

RGB 199 123 5

HSL 36.49, 0.95%, 0.4%

LAB 58.34, 22.5, 63.93

 

Complementary color

CMYK 78 / 47 / 0 / 2

HEX #3884FA

RGB 56 132 250

HSL 216.49, 0.95%, 0.6%

LAB 56.33, 17.46, -65.52

 

CMYK 0 / 40 / 100 / 20

HEX #CC7B00

RGB 204 123 0

HSL 36.18, 1%, 0.4%

LAB 58.98, 24.6, 65.52

 

CMYK 0 / 36 / 91 / 13

HEX #DD8D13

RGB 221 141 19

HSL 36.24, 0.84%, 0.47%

LAB 65.33, 22.43, 67.72

 

CMYK 0 / 33 / 84 / 7

HEX #EE9F26

RGB 238 159 38

HSL 36.3, 0.85%, 0.54%

LAB 71.63, 20.47, 68.65

 

CMYK 0 / 31 / 78 / 0

HEX #FFB139

RGB 255 177 57

HSL 36.36, 1%, 0.61%

LAB 77.87, 18.73, 68.54

 

CMYK 0 / 24 / 70 / 0

HEX #FFC34C

RGB 255 195 76

HSL 39.89, 1%, 0.65%

LAB 82.28, 10.16, 65.46

 

CMYK 0 / 38 / 97 / 22

HEX #C77B05

RGB 199 123 5

HSL 36.49, 0.95%, 0.4%

LAB 58.34, 22.5, 63.93

 

CMYK 0 / 42 / 100 / 29

HEX #B66900

RGB 182 105 0

HSL 34.62, 1%, 0.36%

LAB 51.89, 24.89, 59.56

 

CMYK 0 / 47 / 100 / 35

HEX #A55700

RGB 165 87 0

HSL 31.64, 1%, 0.32%

LAB 45.38, 27.4, 54.3

 

CMYK 0 / 53 / 100 / 42

HEX #944500

RGB 148 69 0

HSL 27.97, 1%, 0.29%

LAB 38.82, 29.91, 49.02

 

CMYK 0 / 61 / 100 / 49

HEX #833300

RGB 131 51 0

HSL 23.36, 1%, 0.26%

LAB 32.24, 32.31, 43.68

 

CMYK 0 / 38 / 97 / 22

HEX #C77B05

RGB 199 123 5

HSL 36.49, 0.95%, 0.4%

LAB 58.34, 22.5, 63.93

 

CMYK 0 / 64 / 97 / 22

HEX #C74705

RGB 199 71 5

HSL 20.41, 0.95%, 0.4%

LAB 47.83, 48.76, 57.3

 

CMYK 0 / 91 / 97 / 22

HEX #C71205

RGB 199 18 5

HSL 4.02, 0.95%, 0.4%

LAB 42.13, 64.57, 54.3

 

CMYK 0 / 97 / 97 / 22

HEX #C70505

RGB 199 5 5

HSL 0, 0.95%, 0.4%

LAB 41.63, 66.02, 54.07

 

CMYK 0 / 38 / 97 / 22

HEX #C77B05

RGB 199 123 5

HSL 36.49, 0.95%, 0.4%

LAB 58.34, 22.5, 63.93

 

CMYK 0 / 12 / 97 / 22

HEX #C7AF05

RGB 199 175 5

HSL 52.58, 0.95%, 0.4%

LAB 71.43, -5.58, 73.15

 

CMYK 15 / 0 / 97 / 22

HEX #AAC705

RGB 170 199 5

HSL 68.97, 0.95%, 0.4%

LAB 75.7, -30.09, 75.3

 

CMYK 41 / 0 / 97 / 22

HEX #76C705

RGB 118 199 5

HSL 85.05, 0.95%, 0.4%

LAB 72.7, -49.94, 71.68

 

CMYK 67 / 0 / 97 / 22

HEX #42C705

RGB 66 199 5

HSL 101.13, 0.95%, 0.4%

LAB 70.88, -64.29, 69.46

 

CMYK 0 / 38 / 97 / 22

HEX #C77B05

RGB 199 123 5

HSL 36.49, 0.95%, 0.4%

LAB 58.34, 22.5, 63.93

 

CMYK 0 / 38 / 97 / 22

HEX #C77B05

RGB 199 123 5

HSL 36.49, 0.95%, 0.4%

LAB 58.34, 22.5, 63.93

 

CMYK 0 / 35 / 88 / 29

HEX #B67716

RGB 182 119 22

HSL 36.38, 0.78%, 0.4%

LAB 55.27, 17.5, 57.16

 

CMYK 0 / 30 / 77 / 35

HEX #A67426

RGB 166 116 38

HSL 36.56, 0.63%, 0.4%

LAB 52.66, 12.53, 48.42

 

CMYK 0 / 25 / 63 / 42

HEX #957037

RGB 149 112 55

HSL 36.38, 0.46%, 0.4%

LAB 49.8, 8.1, 36.75

 

CMYK 0 / 18 / 47 / 48

HEX #856D47

RGB 133 109 71

HSL 36.77, 0.3%, 0.4%

LAB 47.47, 4.1, 24.75

 

CMYK 0 / 91 / 97 / 22

HEX #C71205

RGB 199 18 5

HSL 4.02, 0.95%, 0.4%

LAB 42.13, 64.57, 54.3

 

CMYK 0 / 65 / 97 / 22

HEX #C74605

RGB 199 70 5

HSL 20.1, 0.95%, 0.4%

LAB 47.67, 49.19, 57.21

 

CMYK 0 / 39 / 97 / 22

HEX #C77905

RGB 199 121 5

HSL 35.88, 0.95%, 0.4%

LAB 57.87, 23.59, 63.62

 

CMYK 0 / 13 / 97 / 22

HEX #C7AD05

RGB 199 173 5

HSL 51.96, 0.95%, 0.4%

LAB 70.9, -4.53, 72.77

 

CMYK 13 / 0 / 97 / 22

HEX #ADC705

RGB 173 199 5

HSL 68.04, 0.95%, 0.4%

LAB 75.91, -28.85, 75.55

 

CMYK 0 / 38 / 97 / 54

HEX #764903

RGB 118 73 3

HSL 36.52, 0.95%, 0.24%

LAB 35.25, 14.12, 43.48

 

CMYK 0 / 38 / 97 / 38

HEX #9F6204

RGB 159 98 4

HSL 36.39, 0.95%, 0.32%

LAB 47.13, 18.65, 54.03

 

CMYK 0 / 38 / 97 / 22

HEX #C77B05

RGB 199 123 5

HSL 36.49, 0.95%, 0.4%

LAB 58.34, 22.5, 63.93

 

CMYK 0 / 38 / 97 / 6

HEX #EF9406

RGB 239 148 6

HSL 36.57, 0.95%, 0.48%

LAB 69.14, 26.19, 73.46

 

CMYK 0 / 33 / 85 / 2

HEX #F9A625

RGB 249 166 37

HSL 36.51, 0.95%, 0.56%

LAB 74.54, 21.39, 71.87

 

CMYK 0 / 38 / 97 / 22

HEX #C77B05

RGB 199 123 5

HSL 36.49, 0.95%, 0.4%

LAB 58.34, 22.5, 63.93

 

CMYK 78 / 0 / 97 / 22

HEX #2CC705

RGB 44 199 5

HSL 107.94, 0.95%, 0.4%

LAB 70.45, -68.03, 68.93

 

CMYK 78 / 97 / 0 / 22

HEX #2C05C7

RGB 44 5 199

HSL 252.06, 0.95%, 0.4%

LAB 26.06, 65.29, -86.13

 

CMYK 0 / 38 / 97 / 22

HEX #C77B05

RGB 199 123 5

HSL 36.49, 0.95%, 0.4%

LAB 58.34, 22.5, 63.93

 

CMYK 97 / 0 / 39 / 22

HEX #05C779

RGB 5 199 121

HSL 155.88, 0.95%, 0.4%

LAB 71.05, -59.46, 27.64

 

CMYK 39 / 97 / 0 / 22

HEX #7905C7

RGB 121 5 199

HSL 275.88, 0.95%, 0.4%

LAB 34.59, 70.37, -71.73

 

CMYK 0 / 38 / 97 / 22

HEX #C77B05

RGB 199 123 5

HSL 36.49, 0.95%, 0.4%

LAB 58.34, 22.5, 63.93

 

CMYK 78 / 0 / 97 / 22

HEX #2CC705

RGB 44 199 5

HSL 107.94, 0.95%, 0.4%

LAB 70.45, -68.03, 68.93

 

CMYK 97 / 58 / 0 / 22

HEX #0553C7

RGB 5 83 199

HSL 215.88, 0.95%, 0.4%

LAB 38.45, 25.95, -65.71

 

CMYK 20 / 97 / 0 / 22

HEX #A005C7

RGB 160 5 199

HSL 287.94, 0.95%, 0.4%

LAB 40.74, 75.17, -61.43

 

CMYK 0 / 38 / 97 / 22

HEX #C77B05

RGB 199 123 5

HSL 36.49, 0.95%, 0.4%

LAB 58.34, 22.5, 63.93

 

CMYK 97 / 0 / 88 / 22

HEX #05C718

RGB 5 199 24

HSL 125.88, 0.95%, 0.4%

LAB 70.14, -70.7, 65.88

 

CMYK 97 / 58 / 0 / 22

HEX #0553C7

RGB 5 83 199

HSL 215.88, 0.95%, 0.4%

LAB 38.45, 25.95, -65.71

 

CMYK 0 / 97 / 10 / 22

HEX #C705B4

RGB 199 5 180

HSL 305.88, 0.95%, 0.4%

LAB 46.37, 78.43, -40.88

 

Description

Color code: HEX #C77B05 | qconv.com Color code: HEX #C77B05 | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 199 red, 123 green and 5 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
199 123 5 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 38 magenta, 97 yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 38% 97% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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