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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C74E51 it is the complementary color #38B1AE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C74E51. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #C74E51: #CC4E4C, #DD605F, #EE7272, #FF8485 and #FF9698

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C74E51. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #C74E51: #C74E51, #B63C3E, #A52A2B, #941818 and #830605

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 61 / 59 / 22

HEX #C74E51

RGB 199 78 81

HSL 358.51, 0.52%, 0.54%

LAB 49.72, 48.48, 23.58

 

Complementary color

CMYK 68 / 0 / 2 / 31

HEX #38B1AE

RGB 56 177 174

HSL 178.51, 0.52%, 0.46%

LAB 66.01, -33.18, -8.18

 

CMYK 0 / 62 / 63 / 20

HEX #CC4E4C

RGB 204 78 76

HSL 0.94, 0.56%, 0.55%

LAB 50.46, 49.87, 27.65

 

CMYK 0 / 57 / 57 / 13

HEX #DD605F

RGB 221 96 95

HSL 0.48, 0.65%, 0.62%

LAB 56.65, 48.85, 25.12

 

CMYK 0 / 52 / 52 / 7

HEX #EE7272

RGB 238 114 114

HSL 0, 0.78%, 0.69%

LAB 62.87, 47.77, 22.95

 

CMYK 0 / 48 / 48 / 0

HEX #FF8485

RGB 255 132 133

HSL 359.51, 1%, 0.76%

LAB 69.08, 46.69, 21.08

 

CMYK 0 / 41 / 40 / 0

HEX #FF9698

RGB 255 150 152

HSL 358.86, 1%, 0.79%

LAB 73.12, 39.53, 16.11

 

CMYK 0 / 61 / 59 / 22

HEX #C74E51

RGB 199 78 81

HSL 358.51, 0.52%, 0.54%

LAB 49.72, 48.48, 23.58

 

CMYK 0 / 67 / 66 / 29

HEX #B63C3E

RGB 182 60 62

HSL 359.02, 0.5%, 0.47%

LAB 43.54, 49.3, 26.47

 

CMYK 0 / 75 / 74 / 35

HEX #A52A2B

RGB 165 42 43

HSL 359.51, 0.59%, 0.41%

LAB 37.53, 49.74, 29.96

 

CMYK 0 / 84 / 84 / 42

HEX #941818

RGB 148 24 24

HSL 0, 0.72%, 0.34%

LAB 31.84, 49.43, 34.03

 

CMYK 0 / 95 / 96 / 49

HEX #830605

RGB 131 6 5

HSL 0.48, 0.93%, 0.27%

LAB 26.64, 47.87, 37.29

 

CMYK 0 / 61 / 59 / 22

HEX #C74E51

RGB 199 78 81

HSL 358.51, 0.52%, 0.54%

LAB 49.72, 48.48, 23.58

 

CMYK 0 / 54 / 62 / 22

HEX #C65C4C

RGB 198 92 76

HSL 7.87, 0.52%, 0.54%

LAB 52.04, 41.06, 29.44

 

CMYK 0 / 43 / 62 / 22

HEX #C6714C

RGB 198 113 76

HSL 18.2, 0.52%, 0.54%

LAB 56.42, 30.13, 34.85

 

CMYK 0 / 33 / 62 / 22

HEX #C6854C

RGB 198 133 76

HSL 28.03, 0.52%, 0.54%

LAB 61.05, 19.25, 40.39

 

CMYK 0 / 23 / 62 / 22

HEX #C6994C

RGB 198 153 76

HSL 37.87, 0.52%, 0.54%

LAB 65.99, 8.31, 46.12

 

CMYK 0 / 61 / 59 / 22

HEX #C74E51

RGB 199 78 81

HSL 358.51, 0.52%, 0.54%

LAB 49.72, 48.48, 23.58

 

CMYK 0 / 61 / 59 / 2

HEX #FA6266

RGB 250 98 102

HSL 358.42, 0.94%, 0.68%

LAB 61.67, 58.32, 28.53

 

CMYK 0 / 61 / 59 / 82

HEX #2E1213

RGB 46 18 19

HSL 357.86, 0.44%, 0.13%

LAB 9.49, 14.46, 5.72

 

CMYK 0 / 61 / 60 / 62

HEX #612627

RGB 97 38 39

HSL 358.98, 0.44%, 0.26%

LAB 23.91, 26.92, 12.82

 

CMYK 0 / 61 / 59 / 42

HEX #943A3C

RGB 148 58 60

HSL 358.67, 0.44%, 0.4%

LAB 37.2, 38.09, 18.38

 

CMYK 0 / 61 / 59 / 22

HEX #C74E51

RGB 199 78 81

HSL 358.51, 0.52%, 0.54%

LAB 49.72, 48.48, 23.58

 

CMYK 10 / 0 / 62 / 22

HEX #B2C64C

RGB 178 198 76

HSL 69.84, 0.52%, 0.54%

LAB 76.3, -23.59, 57.1

 

CMYK 62 / 35 / 0 / 22

HEX #4C81C6

RGB 76 129 198

HSL 213.93, 0.52%, 0.54%

LAB 53.29, 3.71, -41.18

 

CMYK 0 / 61 / 59 / 22

HEX #C74E51

RGB 199 78 81

HSL 358.51, 0.52%, 0.54%

LAB 49.72, 48.48, 23.58

 

CMYK 60 / 0 / 62 / 22

HEX #50C64C

RGB 80 198 76

HSL 118.03, 0.52%, 0.54%

LAB 71.29, -56.73, 50.15

 

CMYK 62 / 60 / 0 / 22

HEX #4C50C6

RGB 76 80 198

HSL 238.03, 0.52%, 0.54%

LAB 40.17, 34.23, -62.22

 

CMYK 0 / 61 / 59 / 22

HEX #C74E51

RGB 199 78 81

HSL 358.51, 0.52%, 0.54%

LAB 49.72, 48.48, 23.58

 

CMYK 10 / 0 / 62 / 22

HEX #B2C64C

RGB 178 198 76

HSL 69.84, 0.52%, 0.54%

LAB 76.3, -23.59, 57.1

 

CMYK 62 / 0 / 2 / 22

HEX #4CC6C2

RGB 76 198 194

HSL 178.03, 0.52%, 0.54%

LAB 73.43, -34.36, -8.08

 

CMYK 51 / 62 / 0 / 22

HEX #614CC6

RGB 97 76 198

HSL 250.33, 0.52%, 0.54%

LAB 40.88, 40.41, -60.99

 

CMYK 0 / 61 / 59 / 22

HEX #C74E51

RGB 199 78 81

HSL 358.51, 0.52%, 0.54%

LAB 49.72, 48.48, 23.58

 

CMYK 29 / 0 / 62 / 22

HEX #8DC64C

RGB 141 198 76

HSL 88.03, 0.52%, 0.54%

LAB 73.92, -37.99, 53.81

 

CMYK 62 / 0 / 2 / 22

HEX #4CC6C2

RGB 76 198 194

HSL 178.03, 0.52%, 0.54%

LAB 73.43, -34.36, -8.08

 

CMYK 33 / 62 / 0 / 22

HEX #854CC6

RGB 133 76 198

HSL 268.03, 0.52%, 0.54%

LAB 44.56, 48.02, -54.85

 

Description

Color code: HEX #C74E51 | qconv.com Color code: HEX #C74E51 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 199 red, 78 green and 81 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
199 78 81 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 61 magenta, 59 yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 61% 59% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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