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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C726A8 it is the complementary color #38D957. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C726A8. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C726A8 shade: #CC26A3, #DD38B6, #EE4AC9, #FF5CDC and #FF6EEF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C726A8. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C726A8 shade: #C726A8, #B61495, #A50282, #94006F and #83005C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C726A8 shade: #C526A6, #C5267B, #C52650 and #C52626

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C726A8 shade: #C526A6, #B926C5, #8E26C5, #6326C5 and #3826C5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C726A8 shade matches the following richer shades: #C526A6 and #D813B2

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C726A8 shade: #C526A6, #B2399B, #9F4B8F, #8C5E83 and #797178

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C726A8 shade: #8D26C5, #B826C5, #C526A8, #C5267D and #C52653

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C726A8 shade: #80186C, #A21F89, #C526A6, #DA3ABB and #E05DC7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C726A8 shade: #C726A8, #C56326 and #26C5A2

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C726A8 shade: #C726A8, #A8C526 and #26A8C5

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C726A8 shade: #C726A8, #C56326, #26C543 and #2688C5

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C726A8 shade: #C726A8, #C59326, #26C543 and #2658C5

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 81 / 16 / 22

HEX #C726A8

RGB 199 38 168

HSL 311.55, 0.68%, 0.46%

LAB 47.44, 71.9, -32.12

 

Complementary color

CMYK 74 / 0 / 60 / 15

HEX #38D957

RGB 56 217 87

HSL 131.55, 0.68%, 0.54%

LAB 76.77, -66.54, 51.41

 

CMYK 0 / 81 / 20 / 20

HEX #CC26A3

RGB 204 38 163

HSL 314.82, 0.69%, 0.47%

LAB 48.09, 72.32, -28.06

 

CMYK 0 / 75 / 18 / 13

HEX #DD38B6

RGB 221 56 182

HSL 314.18, 0.71%, 0.54%

LAB 53.58, 73.78, -30.47

 

CMYK 0 / 69 / 16 / 7

HEX #EE4AC9

RGB 238 74 201

HSL 313.54, 0.83%, 0.61%

LAB 59.24, 74.54, -32.38

 

CMYK 0 / 64 / 14 / 0

HEX #FF5CDC

RGB 255 92 220

HSL 312.88, 1%, 0.68%

LAB 65.03, 74.81, -33.92

 

CMYK 0 / 57 / 6 / 0

HEX #FF6EEF

RGB 255 110 239

HSL 306.62, 1%, 0.72%

LAB 68.49, 70.36, -39.08

 

CMYK 0 / 81 / 16 / 22

HEX #C726A8

RGB 199 38 168

HSL 311.55, 0.68%, 0.46%

LAB 47.44, 71.9, -32.12

 

CMYK 0 / 89 / 18 / 29

HEX #B61495

RGB 182 20 149

HSL 312.22, 0.8%, 0.4%

LAB 42.18, 69.45, -29.19

 

CMYK 0 / 99 / 21 / 35

HEX #A50282

RGB 165 2 130

HSL 312.88, 0.98%, 0.33%

LAB 37.21, 65.86, -25.52

 

CMYK 0 / 100 / 25 / 42

HEX #94006F

RGB 148 0 111

HSL 315, 1%, 0.29%

LAB 32.8, 60.36, -20.7

 

CMYK 0 / 100 / 30 / 49

HEX #83005C

RGB 131 0 92

HSL 317.86, 1%, 0.26%

LAB 28.37, 54.53, -15.53

 

CMYK 0 / 81 / 16 / 23

HEX #C526A6

RGB 197 38 166

HSL 311.7, 0.68%, 0.46%

LAB 46.99, 71.2, -31.66

 

CMYK 0 / 81 / 38 / 23

HEX #C5267B

RGB 197 38 123

HSL 327.92, 0.68%, 0.46%

LAB 45.2, 66.07, -8.42

 

CMYK 0 / 81 / 59 / 23

HEX #C52650

RGB 197 38 80

HSL 344.15, 0.68%, 0.46%

LAB 44, 62.47, 16.54

 

CMYK 0 / 81 / 81 / 23

HEX #C52626

RGB 197 38 38

HSL 0, 0.68%, 0.46%

LAB 43.35, 60.49, 40.93

 

CMYK 0 / 81 / 16 / 23

HEX #C526A6

RGB 197 38 166

HSL 311.7, 0.68%, 0.46%

LAB 46.99, 71.2, -31.66

 

CMYK 6 / 81 / 0 / 23

HEX #B926C5

RGB 185 38 197

HSL 295.47, 0.68%, 0.46%

LAB 46.62, 73.44, -50.58

 

CMYK 28 / 81 / 0 / 23

HEX #8E26C5

RGB 142 38 197

HSL 279.25, 0.68%, 0.46%

LAB 39.86, 65.87, -61.82

 

CMYK 50 / 81 / 0 / 23

HEX #6326C5

RGB 99 38 197

HSL 263.02, 0.68%, 0.46%

LAB 34.13, 59.53, -71.43

 

CMYK 72 / 81 / 0 / 23

HEX #3826C5

RGB 56 38 197

HSL 246.79, 0.68%, 0.46%

LAB 30.05, 55.09, -78.29

 

CMYK 0 / 81 / 16 / 23

HEX #C526A6

RGB 197 38 166

HSL 311.7, 0.68%, 0.46%

LAB 46.99, 71.2, -31.66

 

CMYK 0 / 91 / 18 / 15

HEX #D813B2

RGB 216 19 178

HSL 311.57, 0.84%, 0.46%

LAB 49.83, 79.96, -34.04

 

CMYK 0 / 81 / 16 / 23

HEX #C526A6

RGB 197 38 166

HSL 311.7, 0.68%, 0.46%

LAB 46.99, 71.2, -31.66

 

CMYK 0 / 68 / 13 / 30

HEX #B2399B

RGB 178 57 155

HSL 311.4, 0.51%, 0.46%

LAB 45.3, 59.26, -27.97

 

CMYK 0 / 53 / 10 / 38

HEX #9F4B8F

RGB 159 75 143

HSL 311.43, 0.36%, 0.46%

LAB 44.78, 43.94, -21.8

 

CMYK 0 / 33 / 6 / 45

HEX #8C5E83

RGB 140 94 131

HSL 311.74, 0.2%, 0.46%

LAB 45.93, 24.96, -13.04

 

CMYK 0 / 7 / 1 / 53

HEX #797178

RGB 121 113 120

HSL 307.5, 0.03%, 0.46%

LAB 48.55, 4.47, -2.75

 

CMYK 28 / 81 / 0 / 23

HEX #8D26C5

RGB 141 38 197

HSL 278.87, 0.68%, 0.46%

LAB 39.72, 65.7, -62.07

 

CMYK 7 / 81 / 0 / 23

HEX #B826C5

RGB 184 38 197

HSL 295.09, 0.68%, 0.46%

LAB 46.46, 73.25, -50.85

 

CMYK 0 / 81 / 15 / 23

HEX #C526A8

RGB 197 38 168

HSL 310.94, 0.68%, 0.46%

LAB 47.08, 71.47, -32.69

 

CMYK 0 / 81 / 37 / 23

HEX #C5267D

RGB 197 38 125

HSL 327.17, 0.68%, 0.46%

LAB 45.27, 66.28, -9.55

 

CMYK 0 / 81 / 58 / 23

HEX #C52653

RGB 197 38 83

HSL 343.02, 0.68%, 0.46%

LAB 44.06, 62.67, 14.75

 

CMYK 0 / 81 / 16 / 50

HEX #80186C

RGB 128 24 108

HSL 311.54, 0.68%, 0.3%

LAB 30.22, 51.17, -23.1

 

CMYK 0 / 81 / 15 / 36

HEX #A21F89

RGB 162 31 137

HSL 311.45, 0.68%, 0.38%

LAB 38.67, 61.29, -27.62

 

CMYK 0 / 81 / 16 / 23

HEX #C526A6

RGB 197 38 166

HSL 311.7, 0.68%, 0.46%

LAB 46.99, 71.2, -31.66

 

CMYK 0 / 73 / 14 / 15

HEX #DA3ABB

RGB 218 58 187

HSL 311.63, 0.68%, 0.54%

LAB 53.51, 73.17, -33.51

 

CMYK 0 / 58 / 11 / 12

HEX #E05DC7

RGB 224 93 199

HSL 311.45, 0.68%, 0.62%

LAB 59.71, 63.27, -30.69

 

CMYK 0 / 81 / 16 / 22

HEX #C726A8

RGB 199 38 168

HSL 311.55, 0.68%, 0.46%

LAB 47.44, 71.9, -32.12

 

CMYK 0 / 50 / 81 / 23

HEX #C56326

RGB 197 99 38

HSL 23.02, 0.68%, 0.46%

LAB 52.88, 35.16, 50.08

 

CMYK 81 / 0 / 18 / 23

HEX #26C5A2

RGB 38 197 162

HSL 166.79, 0.68%, 0.46%

LAB 71.52, -47.41, 6.44

 

CMYK 0 / 81 / 16 / 22

HEX #C726A8

RGB 199 38 168

HSL 311.55, 0.68%, 0.46%

LAB 47.44, 71.9, -32.12

 

CMYK 15 / 0 / 81 / 23

HEX #A8C526

RGB 168 197 38

HSL 70.94, 0.68%, 0.46%

LAB 75.07, -29.25, 69.09

 

CMYK 81 / 15 / 0 / 23

HEX #26A8C5

RGB 38 168 197

HSL 190.94, 0.68%, 0.46%

LAB 63.71, -23.74, -24.48

 

CMYK 0 / 81 / 16 / 22

HEX #C726A8

RGB 199 38 168

HSL 311.55, 0.68%, 0.46%

LAB 47.44, 71.9, -32.12

 

CMYK 0 / 50 / 81 / 23

HEX #C56326

RGB 197 99 38

HSL 23.02, 0.68%, 0.46%

LAB 52.88, 35.16, 50.08

 

CMYK 81 / 0 / 66 / 23

HEX #26C543

RGB 38 197 67

HSL 130.94, 0.68%, 0.46%

LAB 70, -64.73, 52.31

 

CMYK 81 / 31 / 0 / 23

HEX #2688C5

RGB 38 136 197

HSL 203.02, 0.68%, 0.46%

LAB 54.08, -6.27, -39.45

 

CMYK 0 / 81 / 16 / 22

HEX #C726A8

RGB 199 38 168

HSL 311.55, 0.68%, 0.46%

LAB 47.44, 71.9, -32.12

 

CMYK 0 / 25 / 81 / 23

HEX #C59326

RGB 197 147 38

HSL 41.13, 0.68%, 0.46%

LAB 64.06, 9.18, 60.28

 

CMYK 81 / 0 / 66 / 23

HEX #26C543

RGB 38 197 67

HSL 130.94, 0.68%, 0.46%

LAB 70, -64.73, 52.31

 

CMYK 81 / 55 / 0 / 23

HEX #2658C5

RGB 38 88 197

HSL 221.13, 0.68%, 0.46%

LAB 40.28, 23.74, -61.53

 

Description

Color code: HEX #C726A8 | qconv.com Color code: HEX #C726A8 | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 199 red, 38 green and 168 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
199 38 168 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 81 magenta, 16 yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 81% 16% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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