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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C5E35B it is the complementary color #3A1CA4. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C5E35B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C5E35B shade: #CAE356, #DBF569, #ECFF7C, #FDFF8F and #FFFFA2

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C5E35B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C5E35B shade: #C5E35B, #B4D148, #A3BF35, #92AD22 and #819B0F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C5E35B shade: #C5E359, #E3DC59, #E3B759, #E39259 and #E36D59

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C5E35B shade: #C5E359, #9FE359, #7AE359, #59E35D and #59E382

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C5E35B shade matches the following richer shades: #C5E359 and #CDF34A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C5E35B shade: #C5E359, #BCD369, #B3C479, #AAB488 and #A1A498

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C5E35B shade: #E3B759, #E3DC59, #C5E359, #A0E359 and #7CE359

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C5E35B shade: #A3C822, #B8DD36, #C5E359, #D1E97D and #DDEFA0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C5E35B shade: #C5E35B, #59E393 and #CA59E3

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C5E35B shade: #C5E35B, #59C5E3 and #E359C5

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C5E35B shade: #C5E35B, #59E393, #7759E3 and #E359AA

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C5E35B shade: #C5E35B, #59E3BC, #7759E3 and #E35980

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 13 / 0 / 60 / 11

HEX #C5E35B

RGB 197 227 91

HSL 73.24, 0.71%, 0.62%

LAB 85.79, -28.8, 61.47

 

Complementary color

CMYK 65 / 83 / 0 / 36

HEX #3A1CA4

RGB 58 28 164

HSL 253.24, 0.71%, 0.38%

LAB 24.98, 50.06, -67

 

CMYK 11 / 0 / 62 / 11

HEX #CAE356

RGB 202 227 86

HSL 70.64, 0.72%, 0.61%

LAB 86.09, -27.19, 63.98

 

CMYK 11 / 0 / 57 / 4

HEX #DBF569

RGB 219 245 105

HSL 71.14, 0.88%, 0.69%

LAB 92.3, -27.63, 63.16

 

CMYK 7 / 0 / 51 / 0

HEX #ECFF7C

RGB 236 255 124

HSL 68.7, 1%, 0.74%

LAB 96.33, -24.23, 59.74

 

CMYK 1 / 0 / 44 / 0

HEX #FDFF8F

RGB 253 255 143

HSL 61.07, 1%, 0.78%

LAB 97.79, -15.98, 53.04

 

CMYK 0 / 0 / 36 / 0

HEX #FFFFA2

RGB 255 255 162

HSL 60, 1%, 0.82%

LAB 98.19, -13.28, 44.46

 

CMYK 13 / 0 / 60 / 11

HEX #C5E35B

RGB 197 227 91

HSL 73.24, 0.71%, 0.62%

LAB 85.79, -28.8, 61.47

 

CMYK 14 / 0 / 66 / 18

HEX #B4D148

RGB 180 209 72

HSL 72.7, 0.6%, 0.55%

LAB 79.48, -28.35, 62.17

 

CMYK 15 / 0 / 72 / 25

HEX #A3BF35

RGB 163 191 53

HSL 72.17, 0.57%, 0.48%

LAB 73.09, -27.77, 62.48

 

CMYK 16 / 0 / 80 / 32

HEX #92AD22

RGB 146 173 34

HSL 71.65, 0.67%, 0.41%

LAB 66.61, -27.03, 62.09

 

CMYK 17 / 0 / 90 / 39

HEX #819B0F

RGB 129 155 15

HSL 71.14, 0.82%, 0.33%

LAB 60.02, -26.07, 60.49

 

CMYK 13 / 0 / 61 / 11

HEX #C5E359

RGB 197 227 89

HSL 73.04, 0.71%, 0.62%

LAB 85.77, -28.95, 62.29

 

CMYK 0 / 3 / 61 / 11

HEX #E3DC59

RGB 227 220 89

HSL 56.96, 0.71%, 0.62%

LAB 86.13, -13.49, 63.33

 

CMYK 0 / 19 / 61 / 11

HEX #E3B759

RGB 227 183 89

HSL 40.87, 0.71%, 0.62%

LAB 76.63, 5.47, 52.82

 

CMYK 0 / 36 / 61 / 11

HEX #E39259

RGB 227 146 89

HSL 24.78, 0.71%, 0.62%

LAB 67.73, 25.17, 42.46

 

CMYK 0 / 52 / 61 / 11

HEX #E36D59

RGB 227 109 89

HSL 8.7, 0.71%, 0.62%

LAB 59.88, 44.32, 32.85

 

CMYK 13 / 0 / 61 / 11

HEX #C5E359

RGB 197 227 89

HSL 73.04, 0.71%, 0.62%

LAB 85.77, -28.95, 62.29

 

CMYK 30 / 0 / 61 / 11

HEX #9FE359

RGB 159 227 89

HSL 89.57, 0.71%, 0.62%

LAB 83.46, -43.17, 59.09

 

CMYK 46 / 0 / 61 / 11

HEX #7AE359

RGB 122 227 89

HSL 105.65, 0.71%, 0.62%

LAB 81.73, -55.18, 56.68

 

CMYK 61 / 0 / 59 / 11

HEX #59E35D

RGB 89 227 93

HSL 121.74, 0.71%, 0.62%

LAB 80.66, -63.21, 53.43

 

CMYK 61 / 0 / 43 / 11

HEX #59E382

RGB 89 227 130

HSL 137.83, 0.71%, 0.62%

LAB 81.11, -58.11, 36.48

 

CMYK 13 / 0 / 61 / 11

HEX #C5E359

RGB 197 227 89

HSL 73.04, 0.71%, 0.62%

LAB 85.77, -28.95, 62.29

 

CMYK 16 / 0 / 70 / 5

HEX #CDF34A

RGB 205 243 74

HSL 73.49, 0.88%, 0.62%

LAB 90.59, -34.2, 73.25

 

CMYK 13 / 0 / 61 / 11

HEX #C5E359

RGB 197 227 89

HSL 73.04, 0.71%, 0.62%

LAB 85.77, -28.95, 62.29

 

CMYK 11 / 0 / 50 / 17

HEX #BCD369

RGB 188 211 105

HSL 73.02, 0.55%, 0.62%

LAB 80.91, -23.48, 49.43

 

CMYK 9 / 0 / 38 / 23

HEX #B3C479

RGB 179 196 121

HSL 73.6, 0.39%, 0.62%

LAB 76.34, -17.85, 35.73

 

CMYK 6 / 0 / 24 / 29

HEX #AAB488

RGB 170 180 136

HSL 73.64, 0.23%, 0.62%

LAB 71.53, -11.09, 21.33

 

CMYK 2 / 0 / 7 / 36

HEX #A1A498

RGB 161 164 152

HSL 75, 0.06%, 0.62%

LAB 66.82, -3.3, 5.85

 

CMYK 0 / 19 / 61 / 11

HEX #E3B759

RGB 227 183 89

HSL 40.87, 0.71%, 0.62%

LAB 76.63, 5.47, 52.82

 

CMYK 0 / 3 / 61 / 11

HEX #E3DC59

RGB 227 220 89

HSL 56.96, 0.71%, 0.62%

LAB 86.13, -13.49, 63.33

 

CMYK 13 / 0 / 61 / 11

HEX #C5E359

RGB 197 227 89

HSL 73.04, 0.71%, 0.62%

LAB 85.77, -28.95, 62.29

 

CMYK 30 / 0 / 61 / 11

HEX #A0E359

RGB 160 227 89

HSL 89.13, 0.71%, 0.62%

LAB 83.51, -42.82, 59.17

 

CMYK 45 / 0 / 61 / 11

HEX #7CE359

RGB 124 227 89

HSL 104.78, 0.71%, 0.62%

LAB 81.81, -54.59, 56.79

 

CMYK 19 / 0 / 83 / 22

HEX #A3C822

RGB 163 200 34

HSL 73.37, 0.71%, 0.46%

LAB 75.58, -32.83, 70.42

 

CMYK 17 / 0 / 76 / 13

HEX #B8DD36

RGB 184 221 54

HSL 73.29, 0.71%, 0.54%

LAB 83, -33.35, 72.09

 

CMYK 13 / 0 / 61 / 11

HEX #C5E359

RGB 197 227 89

HSL 73.04, 0.71%, 0.62%

LAB 85.77, -28.95, 62.29

 

CMYK 10 / 0 / 46 / 9

HEX #D1E97D

RGB 209 233 125

HSL 73.33, 0.71%, 0.7%

LAB 88.6, -24, 49.57

 

CMYK 8 / 0 / 33 / 6

HEX #DDEFA0

RGB 221 239 160

HSL 73.67, 0.71%, 0.78%

LAB 91.52, -18.41, 36.3

 

CMYK 13 / 0 / 60 / 11

HEX #C5E35B

RGB 197 227 91

HSL 73.24, 0.71%, 0.62%

LAB 85.79, -28.8, 61.47

 

CMYK 61 / 0 / 35 / 11

HEX #59E393

RGB 89 227 147

HSL 145.22, 0.71%, 0.62%

LAB 81.38, -55.15, 28.24

 

CMYK 11 / 61 / 0 / 11

HEX #CA59E3

RGB 202 89 227

HSL 289.13, 0.71%, 0.62%

LAB 57.32, 64.2, -50.49

 

CMYK 13 / 0 / 60 / 11

HEX #C5E35B

RGB 197 227 91

HSL 73.24, 0.71%, 0.62%

LAB 85.79, -28.8, 61.47

 

CMYK 61 / 13 / 0 / 11

HEX #59C5E3

RGB 89 197 227

HSL 193.04, 0.71%, 0.62%

LAB 74.57, -22.22, -24.2

 

CMYK 0 / 61 / 13 / 11

HEX #E359C5

RGB 227 89 197

HSL 313.04, 0.71%, 0.62%

LAB 59.44, 65.47, -29.93

 

CMYK 13 / 0 / 60 / 11

HEX #C5E35B

RGB 197 227 91

HSL 73.24, 0.71%, 0.62%

LAB 85.79, -28.8, 61.47

 

CMYK 61 / 0 / 35 / 11

HEX #59E393

RGB 89 227 147

HSL 145.22, 0.71%, 0.62%

LAB 81.38, -55.15, 28.24

 

CMYK 48 / 61 / 0 / 11

HEX #7759E3

RGB 119 89 227

HSL 253.04, 0.71%, 0.62%

LAB 47.77, 45.69, -66.34

 

CMYK 0 / 61 / 25 / 11

HEX #E359AA

RGB 227 89 170

HSL 324.78, 0.71%, 0.62%

LAB 58.39, 61.7, -16.02

 

CMYK 13 / 0 / 60 / 11

HEX #C5E35B

RGB 197 227 91

HSL 73.24, 0.71%, 0.62%

LAB 85.79, -28.8, 61.47

 

CMYK 61 / 0 / 17 / 11

HEX #59E3BC

RGB 89 227 188

HSL 163.04, 0.71%, 0.62%

LAB 82.21, -46.57, 8

 

CMYK 48 / 61 / 0 / 11

HEX #7759E3

RGB 119 89 227

HSL 253.04, 0.71%, 0.62%

LAB 47.77, 45.69, -66.34

 

CMYK 0 / 61 / 44 / 11

HEX #E35980

RGB 227 89 128

HSL 343.04, 0.71%, 0.62%

LAB 57.11, 56.89, 6.61

 

Description

Color code: HEX #C5E35B | qconv.com Color code: HEX #C5E35B | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 197 red, 227 green and 91 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
197 227 91 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 13 cyan, none magenta, 60 yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
13% 0% 60% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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