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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C5917D it is the complementary color #3A6E82. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C5917D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #C5917D: #CA9178, #DBA38B, #ECB59E, #FDC7B1 and #FFD9C4

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C5917D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #C5917D: #C5917D, #B47F6A, #A36D57, #925B44 and #814931

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 26 / 37 / 23

HEX #C5917D

RGB 197 145 125

HSL 16.67, 0.38%, 0.63%

LAB 64.65, 16.99, 18.32

 

Complementary color

CMYK 55 / 15 / 0 / 49

HEX #3A6E82

RGB 58 110 130

HSL 196.67, 0.38%, 0.37%

LAB 43.75, -11.3, -16.37

 

CMYK 0 / 28 / 41 / 21

HEX #CA9178

RGB 202 145 120

HSL 18.29, 0.44%, 0.63%

LAB 65.09, 18.4, 21.8

 

CMYK 0 / 26 / 37 / 14

HEX #DBA38B

RGB 219 163 139

HSL 18, 0.53%, 0.7%

LAB 71.64, 17.57, 20.56

 

CMYK 0 / 23 / 33 / 7

HEX #ECB59E

RGB 236 181 158

HSL 17.69, 0.67%, 0.77%

LAB 78.08, 16.83, 19.42

 

CMYK 0 / 21 / 30 / 1

HEX #FDC7B1

RGB 253 199 177

HSL 17.37, 0.95%, 0.84%

LAB 84.43, 16.18, 18.36

 

CMYK 0 / 15 / 23 / 0

HEX #FFD9C4

RGB 255 217 196

HSL 21.36, 1%, 0.88%

LAB 89.33, 10.1, 15.24

 

CMYK 0 / 26 / 37 / 23

HEX #C5917D

RGB 197 145 125

HSL 16.67, 0.38%, 0.63%

LAB 64.65, 16.99, 18.32

 

CMYK 0 / 29 / 41 / 29

HEX #B47F6A

RGB 180 127 106

HSL 17.03, 0.33%, 0.56%

LAB 57.96, 17.85, 19.6

 

CMYK 0 / 33 / 47 / 36

HEX #A36D57

RGB 163 109 87

HSL 17.37, 0.3%, 0.49%

LAB 51.17, 18.85, 21.02

 

CMYK 0 / 38 / 53 / 43

HEX #925B44

RGB 146 91 68

HSL 17.69, 0.36%, 0.42%

LAB 44.25, 20.01, 22.64

 

CMYK 0 / 43 / 62 / 49

HEX #814931

RGB 129 73 49

HSL 18, 0.45%, 0.35%

LAB 37.21, 21.39, 24.51

 

CMYK 0 / 26 / 37 / 23

HEX #C5917D

RGB 197 145 125

HSL 16.67, 0.38%, 0.63%

LAB 64.65, 16.99, 18.32

 

CMYK 0 / 21 / 37 / 23

HEX #C49B7C

RGB 196 155 124

HSL 25.83, 0.38%, 0.63%

LAB 67, 10.98, 22.07

 

CMYK 0 / 15 / 37 / 23

HEX #C4A77C

RGB 196 167 124

HSL 35.83, 0.38%, 0.63%

LAB 70.06, 4.46, 26.18

 

CMYK 0 / 9 / 37 / 23

HEX #C4B37C

RGB 196 179 124

HSL 45.83, 0.38%, 0.63%

LAB 73.17, -1.96, 30.32

 

CMYK 0 / 3 / 37 / 23

HEX #C4BF7C

RGB 196 191 124

HSL 55.83, 0.38%, 0.63%

LAB 76.35, -8.25, 34.45

 

CMYK 0 / 26 / 37 / 23

HEX #C5917D

RGB 197 145 125

HSL 16.67, 0.38%, 0.63%

LAB 64.65, 16.99, 18.32

 

CMYK 0 / 26 / 37 / 3

HEX #F8B79D

RGB 248 183 157

HSL 17.14, 0.87%, 0.79%

LAB 79.76, 20.24, 22.46

 

CMYK 0 / 27 / 36 / 83

HEX #2C201C

RGB 44 32 28

HSL 15, 0.22%, 0.14%

LAB 13.55, 5.05, 4.94

 

CMYK 0 / 26 / 37 / 63

HEX #5F463C

RGB 95 70 60

HSL 17.14, 0.23%, 0.3%

LAB 32.12, 9.16, 10.19

 

CMYK 0 / 27 / 36 / 43

HEX #926B5D

RGB 146 107 93

HSL 15.85, 0.22%, 0.47%

LAB 48.78, 13.57, 13.94

 

CMYK 0 / 26 / 37 / 23

HEX #C5917D

RGB 197 145 125

HSL 16.67, 0.38%, 0.63%

LAB 64.65, 16.99, 18.32

 

CMYK 17 / 0 / 37 / 23

HEX #A3C47C

RGB 163 196 124

HSL 87.5, 0.38%, 0.63%

LAB 75.28, -23.54, 32.59

 

CMYK 37 / 32 / 0 / 23

HEX #7C86C4

RGB 124 134 196

HSL 231.67, 0.38%, 0.63%

LAB 57.39, 11.55, -33.42

 

CMYK 0 / 26 / 37 / 23

HEX #C5917D

RGB 197 145 125

HSL 16.67, 0.38%, 0.63%

LAB 64.65, 16.99, 18.32

 

CMYK 37 / 0 / 27 / 23

HEX #7CC48F

RGB 124 196 143

HSL 135.83, 0.38%, 0.63%

LAB 73.38, -33.81, 19.66

 

CMYK 27 / 37 / 0 / 23

HEX #8F7CC4

RGB 143 124 196

HSL 255.83, 0.38%, 0.63%

LAB 56.33, 22.9, -34.96

 

CMYK 0 / 26 / 37 / 23

HEX #C5917D

RGB 197 145 125

HSL 16.67, 0.38%, 0.63%

LAB 64.65, 16.99, 18.32

 

CMYK 17 / 0 / 37 / 23

HEX #A3C47C

RGB 163 196 124

HSL 87.5, 0.38%, 0.63%

LAB 75.28, -23.54, 32.59

 

CMYK 37 / 10 / 0 / 23

HEX #7CB1C4

RGB 124 177 196

HSL 195.83, 0.38%, 0.63%

LAB 69.27, -12.6, -15.21

 

CMYK 19 / 37 / 0 / 23

HEX #9E7CC4

RGB 158 124 196

HSL 268.33, 0.38%, 0.63%

LAB 57.72, 27.41, -32.68

 

CMYK 0 / 26 / 37 / 23

HEX #C5917D

RGB 197 145 125

HSL 16.67, 0.38%, 0.63%

LAB 64.65, 16.99, 18.32

 

CMYK 28 / 0 / 37 / 23

HEX #8DC47C

RGB 141 196 124

HSL 105.83, 0.38%, 0.63%

LAB 73.93, -31.44, 30.58

 

CMYK 37 / 10 / 0 / 23

HEX #7CB1C4

RGB 124 177 196

HSL 195.83, 0.38%, 0.63%

LAB 69.27, -12.6, -15.21

 

CMYK 9 / 37 / 0 / 23

HEX #B37CC4

RGB 179 124 196

HSL 285.83, 0.38%, 0.63%

LAB 59.87, 33.92, -29.17

 

Description

Color code: HEX #C5917D | qconv.com Color code: HEX #C5917D | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 197 red, 145 green and 125 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
197 145 125 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 26 magenta, 37 yellow and 23 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 26% 37% 23% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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