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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C2C20C it is the complementary color #3D3DF3. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C2C20C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #C2C20C: #C7C207, #D8D41A, #E9E62D, #FAF840 and #FFFF53

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C2C20C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #C2C20C: #C2C20C, #B1B000, #A09E00, #8F8C00 and #7E7A00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 0 / 94 / 24

HEX #C2C20C

RGB 194 194 12

HSL 60, 0.88%, 0.4%

LAB 76.12, -17.42, 75.69

 

Complementary color

CMYK 75 / 75 / 0 / 5

HEX #3D3DF3

RGB 61 61 243

HSL 240, 0.88%, 0.6%

LAB 39.24, 58.14, -89.51

 

CMYK 0 / 3 / 96 / 22

HEX #C7C207

RGB 199 194 7

HSL 58.44, 0.93%, 0.4%

LAB 76.52, -15.31, 76.69

 

CMYK 0 / 2 / 88 / 15

HEX #D8D41A

RGB 216 212 26

HSL 58.74, 0.79%, 0.47%

LAB 82.79, -16.73, 79.62

 

CMYK 0 / 1 / 81 / 9

HEX #E9E62D

RGB 233 230 45

HSL 59.04, 0.81%, 0.55%

LAB 88.97, -17.97, 81.26

 

CMYK 0 / 1 / 74 / 2

HEX #FAF840

RGB 250 248 64

HSL 59.35, 0.95%, 0.62%

LAB 95.09, -19.03, 81.96

 

CMYK 0 / 0 / 67 / 0

HEX #FFFF53

RGB 255 255 83

HSL 60, 1%, 0.66%

LAB 97.39, -19.52, 78.02

 

CMYK 0 / 0 / 94 / 24

HEX #C2C20C

RGB 194 194 12

HSL 60, 0.88%, 0.4%

LAB 76.12, -17.42, 75.69

 

CMYK 0 / 1 / 100 / 31

HEX #B1B000

RGB 177 176 0

HSL 59.66, 1%, 0.35%

LAB 69.75, -15.88, 71.64

 

CMYK 0 / 1 / 100 / 37

HEX #A09E00

RGB 160 158 0

HSL 59.25, 1%, 0.31%

LAB 63.28, -14.18, 66.27

 

CMYK 0 / 2 / 100 / 44

HEX #8F8C00

RGB 143 140 0

HSL 58.74, 1%, 0.28%

LAB 56.68, -12.42, 60.79

 

CMYK 0 / 3 / 100 / 51

HEX #7E7A00

RGB 126 122 0

HSL 58.1, 1%, 0.25%

LAB 49.92, -10.61, 55.18

 

CMYK 0 / 0 / 94 / 24

HEX #C2C20C

RGB 194 194 12

HSL 60, 0.88%, 0.4%

LAB 76.12, -17.42, 75.69

 

CMYK 16 / 0 / 94 / 25

HEX #A1BF0C

RGB 161 191 12

HSL 70.06, 0.88%, 0.4%

LAB 72.8, -29.95, 72.05

 

CMYK 31 / 0 / 94 / 25

HEX #83BF0C

RGB 131 191 12

HSL 80.11, 0.88%, 0.4%

LAB 70.95, -41.86, 69.8

 

CMYK 47 / 0 / 94 / 25

HEX #66BF0C

RGB 102 191 12

HSL 89.83, 0.88%, 0.4%

LAB 69.55, -51.95, 68.09

 

CMYK 62 / 0 / 94 / 25

HEX #48BF0C

RGB 72 191 12

HSL 99.89, 0.88%, 0.4%

LAB 68.51, -60.23, 66.81

 

CMYK 0 / 0 / 94 / 24

HEX #C2C20C

RGB 194 194 12

HSL 60, 0.88%, 0.4%

LAB 76.12, -17.42, 75.69

 

CMYK 0 / 0 / 94 / 4

HEX #F5F50F

RGB 245 245 15

HSL 60, 0.92%, 0.51%

LAB 93.78, -20.79, 90.53

 

CMYK 0 / 0 / 93 / 84

HEX #292903

RGB 41 41 3

HSL 60, 0.86%, 0.09%

LAB 15.82, -5.78, 21.64

 

CMYK 0 / 0 / 93 / 64

HEX #5C5C06

RGB 92 92 6

HSL 60, 0.88%, 0.19%

LAB 37.74, -10.04, 43.11

 

CMYK 0 / 0 / 94 / 44

HEX #8F8F09

RGB 143 143 9

HSL 60, 0.88%, 0.3%

LAB 57.56, -13.86, 60

 

CMYK 0 / 0 / 94 / 24

HEX #C2C20C

RGB 194 194 12

HSL 60, 0.88%, 0.4%

LAB 76.12, -17.42, 75.69

 

CMYK 94 / 0 / 75 / 25

HEX #0CBF30

RGB 12 191 48

HSL 132.07, 0.88%, 0.4%

LAB 67.69, -66.77, 57.09

 

CMYK 38 / 94 / 0 / 25

HEX #770CBF

RGB 119 12 191

HSL 275.87, 0.88%, 0.4%

LAB 33.87, 67.54, -68.23

 

CMYK 0 / 0 / 94 / 24

HEX #C2C20C

RGB 194 194 12

HSL 60, 0.88%, 0.4%

LAB 76.12, -17.42, 75.69

 

CMYK 94 / 0 / 0 / 25

HEX #0CBFBF

RGB 12 191 191

HSL 180, 0.88%, 0.4%

LAB 70.25, -38.32, -11.29

 

CMYK 0 / 94 / 0 / 25

HEX #BF0CBF

RGB 191 12 191

HSL 300, 0.88%, 0.4%

LAB 45.77, 77.99, -48.38

 

CMYK 0 / 0 / 94 / 24

HEX #C2C20C

RGB 194 194 12

HSL 60, 0.88%, 0.4%

LAB 76.12, -17.42, 75.69

 

CMYK 94 / 0 / 75 / 25

HEX #0CBF30

RGB 12 191 48

HSL 132.07, 0.88%, 0.4%

LAB 67.69, -66.77, 57.09

 

CMYK 94 / 94 / 0 / 25

HEX #0C0CBF

RGB 12 12 191

HSL 240, 0.88%, 0.4%

LAB 24.01, 61.11, -84.88

 

CMYK 0 / 94 / 19 / 25

HEX #BF0C9B

RGB 191 12 155

HSL 312.07, 0.88%, 0.4%

LAB 43.81, 73.04, -30.14

 

CMYK 0 / 0 / 94 / 24

HEX #C2C20C

RGB 194 194 12

HSL 60, 0.88%, 0.4%

LAB 76.12, -17.42, 75.69

 

CMYK 94 / 0 / 47 / 25

HEX #0CBF66

RGB 12 191 102

HSL 150.17, 0.88%, 0.4%

LAB 68.24, -59.97, 33.78

 

CMYK 94 / 94 / 0 / 25

HEX #0C0CBF

RGB 12 12 191

HSL 240, 0.88%, 0.4%

LAB 24.01, 61.11, -84.88

 

CMYK 0 / 94 / 47 / 25

HEX #BF0C66

RGB 191 12 102

HSL 329.83, 0.88%, 0.4%

LAB 41.69, 67.45, -0.71

 

Description

Color code: HEX #C2C20C | qconv.com Color code: HEX #C2C20C | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 194 red, 194 green and 12 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
194 194 12 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, none magenta, 94 yellow and 24 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 0% 94% 24% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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