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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C29537 it is the complementary color #3D6AC8. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C29537. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #C29537: #C79532, #D8A745, #E9B958, #FACB6B and #FFDD7E

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C29537. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #C29537: #C29537, #B18324, #A07111, #8F5F00 and #7E4D00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 23 / 72 / 24

HEX #C29537

RGB 194 149 55

HSL 40.58, 0.56%, 0.49%

LAB 64.35, 7.48, 53.89

 

Complementary color

CMYK 70 / 47 / 0 / 22

HEX #3D6AC8

RGB 61 106 200

HSL 220.58, 0.56%, 0.51%

LAB 46.27, 16.06, -53.55

 

CMYK 0 / 25 / 75 / 22

HEX #C79532

RGB 199 149 50

HSL 39.87, 0.6%, 0.49%

LAB 64.86, 9.44, 56.64

 

CMYK 0 / 23 / 68 / 15

HEX #D8A745

RGB 216 167 69

HSL 40, 0.65%, 0.56%

LAB 71.33, 8.05, 55.79

 

CMYK 0 / 21 / 62 / 9

HEX #E9B958

RGB 233 185 88

HSL 40.14, 0.77%, 0.63%

LAB 77.71, 6.87, 54.66

 

CMYK 0 / 19 / 57 / 2

HEX #FACB6B

RGB 250 203 107

HSL 40.28, 0.93%, 0.7%

LAB 84.02, 5.84, 53.44

 

CMYK 0 / 13 / 51 / 0

HEX #FFDD7E

RGB 255 221 126

HSL 44.19, 1%, 0.75%

LAB 89.15, 0.15, 50.6

 

CMYK 0 / 23 / 72 / 24

HEX #C29537

RGB 194 149 55

HSL 40.58, 0.56%, 0.49%

LAB 64.35, 7.48, 53.89

 

CMYK 0 / 26 / 80 / 31

HEX #B18324

RGB 177 131 36

HSL 40.43, 0.66%, 0.42%

LAB 57.76, 8.99, 54.46

 

CMYK 0 / 29 / 89 / 37

HEX #A07111

RGB 160 113 17

HSL 40.28, 0.81%, 0.35%

LAB 51.06, 10.8, 54.04

 

CMYK 0 / 34 / 100 / 44

HEX #8F5F00

RGB 143 95 0

HSL 39.86, 1%, 0.28%

LAB 44.27, 12.93, 52.09

 

CMYK 0 / 39 / 100 / 51

HEX #7E4D00

RGB 126 77 0

HSL 36.67, 1%, 0.25%

LAB 37.38, 15.48, 46.47

 

CMYK 0 / 23 / 72 / 24

HEX #C29537

RGB 194 149 55

HSL 40.58, 0.56%, 0.49%

LAB 64.35, 7.48, 53.89

 

CMYK 0 / 12 / 72 / 24

HEX #C2AB36

RGB 194 171 54

HSL 50.14, 0.56%, 0.49%

LAB 70.08, -4.38, 60.01

 

CMYK 0 / 0 / 72 / 24

HEX #C2C236

RGB 194 194 54

HSL 60, 0.56%, 0.49%

LAB 76.26, -16.23, 65.99

 

CMYK 12 / 0 / 72 / 24

HEX #ABC236

RGB 171 194 54

HSL 69.86, 0.56%, 0.49%

LAB 74.51, -25.88, 63.7

 

CMYK 24 / 0 / 72 / 24

HEX #94C236

RGB 148 194 54

HSL 79.71, 0.56%, 0.49%

LAB 72.99, -35.12, 61.69

 

CMYK 0 / 23 / 72 / 24

HEX #C29537

RGB 194 149 55

HSL 40.58, 0.56%, 0.49%

LAB 64.35, 7.48, 53.89

 

CMYK 0 / 23 / 72 / 4

HEX #F5BC45

RGB 245 188 69

HSL 40.57, 0.9%, 0.62%

LAB 79.5, 9.28, 65.15

 

CMYK 0 / 24 / 71 / 84

HEX #291F0C

RGB 41 31 12

HSL 39.31, 0.55%, 0.1%

LAB 12.47, 1.89, 13.55

 

CMYK 0 / 23 / 72 / 64

HEX #5C471A

RGB 92 71 26

HSL 40.91, 0.56%, 0.23%

LAB 31.48, 3.46, 29.63

 

CMYK 0 / 23 / 71 / 44

HEX #8F6E29

RGB 143 110 41

HSL 40.59, 0.55%, 0.36%

LAB 48.45, 5.58, 41.99

 

CMYK 0 / 23 / 72 / 24

HEX #C29537

RGB 194 149 55

HSL 40.58, 0.56%, 0.49%

LAB 64.35, 7.48, 53.89

 

CMYK 62 / 0 / 72 / 24

HEX #49C236

RGB 73 194 54

HSL 111.86, 0.56%, 0.49%

LAB 69.66, -58.98, 57.26

 

CMYK 53 / 72 / 0 / 24

HEX #5C36C2

RGB 92 54 194

HSL 256.29, 0.56%, 0.49%

LAB 35.61, 50.53, -67.27

 

CMYK 0 / 23 / 72 / 24

HEX #C29537

RGB 194 149 55

HSL 40.58, 0.56%, 0.49%

LAB 64.35, 7.48, 53.89

 

CMYK 72 / 0 / 24 / 24

HEX #36C294

RGB 54 194 148

HSL 160.29, 0.56%, 0.49%

LAB 70.53, -47.74, 12.64

 

CMYK 24 / 72 / 0 / 24

HEX #9436C2

RGB 148 54 194

HSL 280.29, 0.56%, 0.49%

LAB 42.5, 60.61, -55.75

 

CMYK 0 / 23 / 72 / 24

HEX #C29537

RGB 194 149 55

HSL 40.58, 0.56%, 0.49%

LAB 64.35, 7.48, 53.89

 

CMYK 62 / 0 / 72 / 24

HEX #49C236

RGB 73 194 54

HSL 111.86, 0.56%, 0.49%

LAB 69.66, -58.98, 57.26

 

CMYK 72 / 48 / 0 / 24

HEX #3665C2

RGB 54 101 194

HSL 219.86, 0.56%, 0.49%

LAB 44.21, 16.03, -53.41

 

CMYK 9 / 72 / 0 / 24

HEX #B036C2

RGB 176 54 194

HSL 292.29, 0.56%, 0.49%

LAB 46.66, 66.36, -48.85

 

CMYK 0 / 23 / 72 / 24

HEX #C29537

RGB 194 149 55

HSL 40.58, 0.56%, 0.49%

LAB 64.35, 7.48, 53.89

 

CMYK 72 / 0 / 60 / 24

HEX #36C24E

RGB 54 194 78

HSL 130.29, 0.56%, 0.49%

LAB 69.41, -60.28, 46.94

 

CMYK 72 / 48 / 0 / 24

HEX #3665C2

RGB 54 101 194

HSL 219.86, 0.56%, 0.49%

LAB 44.21, 16.03, -53.41

 

CMYK 0 / 72 / 12 / 24

HEX #C236AB

RGB 194 54 171

HSL 309.86, 0.56%, 0.49%

LAB 48.32, 66.63, -32.57

 

Description

Color code: HEX #C29537 | qconv.com Color code: HEX #C29537 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 194 red, 149 green and 55 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
194 149 55 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 23 magenta, 72 yellow and 24 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 23% 72% 24% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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