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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C19280 it is the complementary color #3E6D7F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C19280. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #C19280: #C6927B, #D7A48E, #E8B6A1, #F9C8B4 and #FFDAC7

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C19280. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #C19280: #C19280, #B0806D, #9F6E5A, #8E5C47 and #7D4A34

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 24 / 34 / 24

HEX #C19280

RGB 193 146 128

HSL 16.62, 0.34%, 0.63%

LAB 64.53, 15.23, 16.41

 

Complementary color

CMYK 51 / 14 / 0 / 50

HEX #3E6D7F

RGB 62 109 127

HSL 196.62, 0.34%, 0.37%

LAB 43.5, -10.7, -14.93

 

CMYK 0 / 26 / 38 / 22

HEX #C6927B

RGB 198 146 123

HSL 18.4, 0.4%, 0.63%

LAB 64.96, 16.6, 19.88

 

CMYK 0 / 24 / 34 / 16

HEX #D7A48E

RGB 215 164 142

HSL 18.08, 0.48%, 0.7%

LAB 71.52, 15.83, 18.7

 

CMYK 0 / 22 / 31 / 9

HEX #E8B6A1

RGB 232 182 161

HSL 17.75, 0.61%, 0.77%

LAB 77.98, 15.16, 17.61

 

CMYK 0 / 20 / 28 / 2

HEX #F9C8B4

RGB 249 200 180

HSL 17.39, 0.85%, 0.84%

LAB 84.35, 14.55, 16.59

 

CMYK 0 / 15 / 22 / 0

HEX #FFDAC7

RGB 255 218 199

HSL 20.36, 1%, 0.89%

LAB 89.64, 10, 14.1

 

CMYK 0 / 24 / 34 / 24

HEX #C19280

RGB 193 146 128

HSL 16.62, 0.34%, 0.63%

LAB 64.53, 15.23, 16.41

 

CMYK 0 / 27 / 38 / 31

HEX #B0806D

RGB 176 128 109

HSL 17.01, 0.3%, 0.56%

LAB 57.82, 16.01, 17.62

 

CMYK 0 / 31 / 43 / 38

HEX #9F6E5A

RGB 159 110 90

HSL 17.39, 0.28%, 0.49%

LAB 50.99, 16.93, 18.96

 

CMYK 0 / 35 / 50 / 44

HEX #8E5C47

RGB 142 92 71

HSL 17.75, 0.33%, 0.42%

LAB 44.03, 18.01, 20.49

 

CMYK 0 / 41 / 58 / 51

HEX #7D4A34

RGB 125 74 52

HSL 18.08, 0.41%, 0.35%

LAB 36.94, 19.3, 22.25

 

CMYK 0 / 24 / 34 / 24

HEX #C19280

RGB 193 146 128

HSL 16.62, 0.34%, 0.63%

LAB 64.53, 15.23, 16.41

 

CMYK 0 / 19 / 33 / 25

HEX #C09C80

RGB 192 156 128

HSL 26.25, 0.34%, 0.63%

LAB 66.93, 9.33, 19.71

 

CMYK 0 / 13 / 33 / 25

HEX #C0A780

RGB 192 167 128

HSL 36.56, 0.34%, 0.63%

LAB 69.76, 3.34, 23.55

 

CMYK 0 / 8 / 33 / 25

HEX #C0B180

RGB 192 177 128

HSL 45.94, 0.34%, 0.63%

LAB 72.37, -2.01, 27.06

 

CMYK 0 / 2 / 33 / 25

HEX #C0BC80

RGB 192 188 128

HSL 56.25, 0.34%, 0.63%

LAB 75.28, -7.8, 30.92

 

CMYK 0 / 24 / 34 / 24

HEX #C19280

RGB 193 146 128

HSL 16.62, 0.34%, 0.63%

LAB 64.53, 15.23, 16.41

 

CMYK 0 / 24 / 34 / 4

HEX #F4B9A2

RGB 244 185 162

HSL 16.83, 0.79%, 0.8%

LAB 79.92, 18.26, 19.94

 

CMYK 0 / 25 / 33 / 84

HEX #281E1B

RGB 40 30 27

HSL 13.85, 0.19%, 0.13%

LAB 12.34, 4.27, 3.9

 

CMYK 0 / 24 / 34 / 64

HEX #5B453C

RGB 91 69 60

HSL 17.42, 0.21%, 0.3%

LAB 31.36, 7.98, 9.07

 

CMYK 0 / 25 / 34 / 44

HEX #8E6B5E

RGB 142 107 94

HSL 16.25, 0.2%, 0.46%

LAB 48.35, 12.03, 12.69

 

CMYK 0 / 24 / 34 / 24

HEX #C19280

RGB 193 146 128

HSL 16.62, 0.34%, 0.63%

LAB 64.53, 15.23, 16.41

 

CMYK 16 / 0 / 33 / 25

HEX #A2C080

RGB 162 192 128

HSL 88.13, 0.34%, 0.63%

LAB 74.15, -21.39, 29.01

 

CMYK 33 / 29 / 0 / 25

HEX #8089C0

RGB 128 137 192

HSL 231.56, 0.34%, 0.63%

LAB 58.31, 9.85, -29.7

 

CMYK 0 / 24 / 34 / 24

HEX #C19280

RGB 193 146 128

HSL 16.62, 0.34%, 0.63%

LAB 64.53, 15.23, 16.41

 

CMYK 33 / 0 / 24 / 25

HEX #80C091

RGB 128 192 145

HSL 135.94, 0.34%, 0.63%

LAB 72.45, -30.32, 17.33

 

CMYK 24 / 33 / 0 / 25

HEX #9180C0

RGB 145 128 192

HSL 255.94, 0.34%, 0.63%

LAB 57.33, 20.18, -31.11

 

CMYK 0 / 24 / 34 / 24

HEX #C19280

RGB 193 146 128

HSL 16.62, 0.34%, 0.63%

LAB 64.53, 15.23, 16.41

 

CMYK 16 / 0 / 33 / 25

HEX #A2C080

RGB 162 192 128

HSL 88.13, 0.34%, 0.63%

LAB 74.15, -21.39, 29.01

 

CMYK 33 / 9 / 0 / 25

HEX #80AFC0

RGB 128 175 192

HSL 195.94, 0.34%, 0.63%

LAB 68.79, -11.43, -13.69

 

CMYK 18 / 33 / 0 / 25

HEX #9E80C0

RGB 158 128 192

HSL 268.13, 0.34%, 0.63%

LAB 58.52, 24.19, -29.17

 

CMYK 0 / 24 / 34 / 24

HEX #C19280

RGB 193 146 128

HSL 16.62, 0.34%, 0.63%

LAB 64.53, 15.23, 16.41

 

CMYK 26 / 0 / 33 / 25

HEX #8FC080

RGB 143 192 128

HSL 105.94, 0.34%, 0.63%

LAB 72.96, -28.24, 27.21

 

CMYK 33 / 9 / 0 / 25

HEX #80AFC0

RGB 128 175 192

HSL 195.94, 0.34%, 0.63%

LAB 68.79, -11.43, -13.69

 

CMYK 8 / 33 / 0 / 25

HEX #B180C0

RGB 177 128 192

HSL 285.94, 0.34%, 0.63%

LAB 60.42, 30.23, -26.09

 

Description

Color code: HEX #C19280 | qconv.com Color code: HEX #C19280 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 193 red, 146 green and 128 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
193 146 128 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 24 magenta, 34 yellow and 24 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 24% 34% 24% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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