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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C0BDA6 it is the complementary color #3F4259. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C0BDA6. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #C0BDA6: #C5BDA1, #D6CFB4, #E7E1C7, #F8F3DA and #FFFFED

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C0BDA6. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #C0BDA6: #C0BDA6, #AFAB93, #9E9980, #8D876D and #7C755A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 2 / 14 / 25

HEX #C0BDA6

RGB 192 189 166

HSL 53.08, 0.17%, 0.7%

LAB 76.29, -2.91, 12.01

 

Complementary color

CMYK 29 / 26 / 0 / 65

HEX #3F4259

RGB 63 66 89

HSL 233.08, 0.17%, 0.3%

LAB 28.58, 4.73, -14.1

 

CMYK 0 / 4 / 18 / 23

HEX #C5BDA1

RGB 197 189 161

HSL 46.67, 0.24%, 0.7%

LAB 76.58, -1.84, 15.18

 

CMYK 0 / 3 / 16 / 16

HEX #D6CFB4

RGB 214 207 180

HSL 47.65, 0.29%, 0.77%

LAB 83.03, -2.06, 14.29

 

CMYK 0 / 3 / 14 / 9

HEX #E7E1C7

RGB 231 225 199

HSL 48.75, 0.4%, 0.84%

LAB 89.38, -2.27, 13.45

 

CMYK 0 / 2 / 12 / 3

HEX #F8F3DA

RGB 248 243 218

HSL 50, 0.68%, 0.91%

LAB 95.63, -2.45, 12.65

 

CMYK 0 / 0 / 7 / 0

HEX #FFFFED

RGB 255 255 237

HSL 60, 1%, 0.96%

LAB 99.57, -3.04, 8.59

 

CMYK 0 / 2 / 14 / 25

HEX #C0BDA6

RGB 192 189 166

HSL 53.08, 0.17%, 0.7%

LAB 76.29, -2.91, 12.01

 

CMYK 0 / 2 / 16 / 31

HEX #AFAB93

RGB 175 171 147

HSL 51.43, 0.15%, 0.63%

LAB 69.72, -2.72, 12.88

 

CMYK 0 / 3 / 19 / 38

HEX #9E9980

RGB 158 153 128

HSL 50, 0.13%, 0.56%

LAB 63.02, -2.5, 13.81

 

CMYK 0 / 4 / 23 / 45

HEX #8D876D

RGB 141 135 109

HSL 48.75, 0.13%, 0.49%

LAB 56.18, -2.25, 14.81

 

CMYK 0 / 6 / 27 / 51

HEX #7C755A

RGB 124 117 90

HSL 47.65, 0.16%, 0.42%

LAB 49.19, -1.95, 15.9

 

CMYK 0 / 2 / 14 / 25

HEX #C0BDA6

RGB 192 189 166

HSL 53.08, 0.17%, 0.7%

LAB 76.29, -2.91, 12.01

 

CMYK 1 / 0 / 14 / 25

HEX #BEBFA5

RGB 190 191 165

HSL 62.31, 0.17%, 0.7%

LAB 76.63, -4.86, 13.02

 

CMYK 3 / 0 / 14 / 25

HEX #B9BFA5

RGB 185 191 165

HSL 73.85, 0.17%, 0.7%

LAB 76.25, -6.69, 12.42

 

CMYK 5 / 0 / 14 / 25

HEX #B5BFA5

RGB 181 191 165

HSL 83.08, 0.17%, 0.7%

LAB 75.95, -8.14, 11.95

 

CMYK 7 / 0 / 14 / 25

HEX #B1BFA5

RGB 177 191 165

HSL 92.31, 0.17%, 0.7%

LAB 75.65, -9.58, 11.49

 

CMYK 0 / 2 / 14 / 25

HEX #C0BDA6

RGB 192 189 166

HSL 53.08, 0.17%, 0.7%

LAB 76.29, -2.91, 12.01

 

CMYK 0 / 2 / 14 / 5

HEX #F3EFD2

RGB 243 239 210

HSL 52.73, 0.58%, 0.89%

LAB 94.07, -3.43, 14.51

 

CMYK 0 / 3 / 13 / 85

HEX #272622

RGB 39 38 34

HSL 48, 0.07%, 0.14%

LAB 15.13, -0.46, 2.82

 

CMYK 0 / 1 / 13 / 65

HEX #5A594E

RGB 90 89 78

HSL 55, 0.07%, 0.33%

LAB 37.61, -1.79, 6.51

 

CMYK 0 / 1 / 13 / 45

HEX #8D8B7A

RGB 141 139 122

HSL 53.68, 0.08%, 0.52%

LAB 57.59, -2.36, 9.36

 

CMYK 0 / 2 / 14 / 25

HEX #C0BDA6

RGB 192 189 166

HSL 53.08, 0.17%, 0.7%

LAB 76.29, -2.91, 12.01

 

CMYK 14 / 0 / 13 / 25

HEX #A5BFA7

RGB 165 191 167

HSL 124.62, 0.17%, 0.7%

LAB 74.86, -13.46, 9.16

 

CMYK 7 / 14 / 0 / 25

HEX #B2A5BF

RGB 178 165 191

HSL 270, 0.17%, 0.7%

LAB 69.57, 9.64, -11.62

 

CMYK 0 / 2 / 14 / 25

HEX #C0BDA6

RGB 192 189 166

HSL 53.08, 0.17%, 0.7%

LAB 76.29, -2.91, 12.01

 

CMYK 14 / 0 / 2 / 25

HEX #A5BFBC

RGB 165 191 188

HSL 173.08, 0.17%, 0.7%

LAB 75.38, -9.39, -1.47

 

CMYK 2 / 14 / 0 / 25

HEX #BCA5BF

RGB 188 165 191

HSL 293.08, 0.17%, 0.7%

LAB 70.43, 13.07, -10.24

 

CMYK 0 / 2 / 14 / 25

HEX #C0BDA6

RGB 192 189 166

HSL 53.08, 0.17%, 0.7%

LAB 76.29, -2.91, 12.01

 

CMYK 14 / 0 / 13 / 25

HEX #A5BFA7

RGB 165 191 167

HSL 124.62, 0.17%, 0.7%

LAB 74.86, -13.46, 9.16

 

CMYK 14 / 12 / 0 / 25

HEX #A5A8BF

RGB 165 168 191

HSL 233.08, 0.17%, 0.7%

LAB 69.3, 3.62, -12.12

 

CMYK 0 / 14 / 1 / 25

HEX #BFA5BD

RGB 191 165 189

HSL 304.62, 0.17%, 0.7%

LAB 70.64, 13.73, -8.8

 

CMYK 0 / 2 / 14 / 25

HEX #C0BDA6

RGB 192 189 166

HSL 53.08, 0.17%, 0.7%

LAB 76.29, -2.91, 12.01

 

CMYK 14 / 0 / 8 / 25

HEX #A5BFAF

RGB 165 191 175

HSL 143.08, 0.17%, 0.7%

LAB 75.05, -11.96, 5.1

 

CMYK 14 / 12 / 0 / 25

HEX #A5A8BF

RGB 165 168 191

HSL 233.08, 0.17%, 0.7%

LAB 69.3, 3.62, -12.12

 

CMYK 0 / 14 / 5 / 25

HEX #BFA5B5

RGB 191 165 181

HSL 323.08, 0.17%, 0.7%

LAB 70.4, 12.25, -4.72

 

Description

Color code: HEX #C0BDA6 | qconv.com Color code: HEX #C0BDA6 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 192 red, 189 green and 166 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
192 189 166 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 2 magenta, 14 yellow and 25 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 2% 14% 25% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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