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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C09D6E it is the complementary color #3F6291. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C09D6E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #C09D6E: #C59D69, #D6AF7C, #E7C18F, #F8D3A2 and #FFE5B5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C09D6E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #C09D6E: #C09D6E, #AF8B5B, #9E7948, #8D6735 and #7C5522

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 18 / 43 / 25

HEX #C09D6E

RGB 192 157 110

HSL 34.39, 0.39%, 0.59%

LAB 66.86, 6.64, 29.44

 

Complementary color

CMYK 57 / 32 / 0 / 43

HEX #3F6291

RGB 63 98 145

HSL 214.39, 0.39%, 0.41%

LAB 40.96, 2.01, -29.69

 

CMYK 0 / 20 / 47 / 23

HEX #C59D69

RGB 197 157 105

HSL 33.91, 0.44%, 0.59%

LAB 67.28, 8.19, 32.77

 

CMYK 0 / 18 / 42 / 16

HEX #D6AF7C

RGB 214 175 124

HSL 34, 0.52%, 0.66%

LAB 73.81, 7.42, 31.46

 

CMYK 0 / 16 / 38 / 9

HEX #E7C18F

RGB 231 193 143

HSL 34.09, 0.65%, 0.73%

LAB 80.24, 6.77, 30.24

 

CMYK 0 / 15 / 35 / 3

HEX #F8D3A2

RGB 248 211 162

HSL 34.19, 0.86%, 0.8%

LAB 86.58, 6.19, 29.09

 

CMYK 0 / 10 / 29 / 0

HEX #FFE5B5

RGB 255 229 181

HSL 38.92, 1%, 0.85%

LAB 91.97, 1.93, 26.69

 

CMYK 0 / 18 / 43 / 25

HEX #C09D6E

RGB 192 157 110

HSL 34.39, 0.39%, 0.59%

LAB 66.86, 6.64, 29.44

 

CMYK 0 / 21 / 48 / 31

HEX #AF8B5B

RGB 175 139 91

HSL 34.29, 0.34%, 0.52%

LAB 60.19, 7.43, 30.78

 

CMYK 0 / 23 / 54 / 38

HEX #9E7948

RGB 158 121 72

HSL 34.19, 0.37%, 0.45%

LAB 53.4, 8.37, 32.21

 

CMYK 0 / 27 / 62 / 45

HEX #8D6735

RGB 141 103 53

HSL 34.09, 0.45%, 0.38%

LAB 46.47, 9.52, 33.71

 

CMYK 0 / 31 / 73 / 51

HEX #7C5522

RGB 124 85 34

HSL 34, 0.57%, 0.31%

LAB 39.41, 10.95, 35.18

 

CMYK 0 / 18 / 43 / 25

HEX #C09D6E

RGB 192 157 110

HSL 34.39, 0.39%, 0.59%

LAB 66.86, 6.64, 29.44

 

CMYK 0 / 12 / 43 / 25

HEX #BFA96D

RGB 191 169 109

HSL 43.9, 0.39%, 0.59%

LAB 69.86, -0.36, 33.84

 

CMYK 0 / 4 / 43 / 25

HEX #BFB76D

RGB 191 183 109

HSL 54.15, 0.39%, 0.59%

LAB 73.58, -7.76, 38.55

 

CMYK 3 / 0 / 43 / 25

HEX #B9BF6D

RGB 185 191 109

HSL 64.39, 0.39%, 0.59%

LAB 75.25, -14.31, 40.54

 

CMYK 10 / 0 / 43 / 25

HEX #ACBF6D

RGB 172 191 109

HSL 73.9, 0.39%, 0.59%

LAB 74.28, -19.48, 39.11

 

CMYK 0 / 18 / 43 / 25

HEX #C09D6E

RGB 192 157 110

HSL 34.39, 0.39%, 0.59%

LAB 66.86, 6.64, 29.44

 

CMYK 0 / 18 / 43 / 5

HEX #F3C78B

RGB 243 199 139

HSL 34.62, 0.81%, 0.75%

LAB 82.79, 7.93, 35.88

 

CMYK 0 / 18 / 44 / 85

HEX #272016

RGB 39 32 22

HSL 35.29, 0.28%, 0.12%

LAB 12.75, 1.44, 8.05

 

CMYK 0 / 18 / 42 / 65

HEX #5A4A34

RGB 90 74 52

HSL 34.74, 0.27%, 0.28%

LAB 32.52, 3.24, 15.67

 

CMYK 0 / 18 / 43 / 45

HEX #8D7351

RGB 141 115 81

HSL 34, 0.27%, 0.44%

LAB 50.12, 5.29, 22.64

 

CMYK 0 / 18 / 43 / 25

HEX #C09D6E

RGB 192 157 110

HSL 34.39, 0.39%, 0.59%

LAB 66.86, 6.64, 29.44

 

CMYK 33 / 0 / 43 / 25

HEX #80BF6D

RGB 128 191 109

HSL 106.1, 0.39%, 0.59%

LAB 71.52, -35.72, 35.05

 

CMYK 36 / 43 / 0 / 25

HEX #7B6DBF

RGB 123 109 191

HSL 250.24, 0.39%, 0.59%

LAB 50.58, 24.77, -41.26

 

CMYK 0 / 18 / 43 / 25

HEX #C09D6E

RGB 192 157 110

HSL 34.39, 0.39%, 0.59%

LAB 66.86, 6.64, 29.44

 

CMYK 43 / 0 / 19 / 25

HEX #6DBF9B

RGB 109 191 155

HSL 153.66, 0.39%, 0.59%

LAB 71.47, -33.41, 10.42

 

CMYK 19 / 43 / 0 / 25

HEX #9B6DBF

RGB 155 109 191

HSL 273.66, 0.39%, 0.59%

LAB 53.67, 33.92, -36.18

 

CMYK 0 / 18 / 43 / 25

HEX #C09D6E

RGB 192 157 110

HSL 34.39, 0.39%, 0.59%

LAB 66.86, 6.64, 29.44

 

CMYK 33 / 0 / 43 / 25

HEX #80BF6D

RGB 128 191 109

HSL 106.1, 0.39%, 0.59%

LAB 71.52, -35.72, 35.05

 

CMYK 43 / 24 / 0 / 25

HEX #6D91BF

RGB 109 145 191

HSL 213.66, 0.39%, 0.59%

LAB 59.22, -0.32, -27.83

 

CMYK 10 / 43 / 0 / 25

HEX #AC6DBF

RGB 172 109 191

HSL 286.1, 0.39%, 0.59%

LAB 55.55, 39, -33.1

 

CMYK 0 / 18 / 43 / 25

HEX #C09D6E

RGB 192 157 110

HSL 34.39, 0.39%, 0.59%

LAB 66.86, 6.64, 29.44

 

CMYK 43 / 0 / 40 / 25

HEX #6DBF73

RGB 109 191 115

HSL 124.39, 0.39%, 0.59%

LAB 70.7, -40.88, 30.71

 

CMYK 43 / 24 / 0 / 25

HEX #6D91BF

RGB 109 145 191

HSL 213.66, 0.39%, 0.59%

LAB 59.22, -0.32, -27.83

 

CMYK 0 / 43 / 3 / 25

HEX #BF6DB9

RGB 191 109 185

HSL 304.39, 0.39%, 0.59%

LAB 57.58, 43.66, -26.35

 

Description

Color code: HEX #C09D6E | qconv.com Color code: HEX #C09D6E | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 192 red, 157 green and 110 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
192 157 110 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 18 magenta, 43 yellow and 25 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 18% 43% 25% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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