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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BF7E6B it is the complementary color #408194. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BF7E6B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BF7E6B shade: #C47E66, #D59079, #E6A28C, #F7B49F and #FFC6B2

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BF7E6B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BF7E6B shade: #BF7E6B, #AE6C58, #9D5A45, #8C4832 and #7B361F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BF7E6B shade: #BF7C69 and #BF6969

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BF7E6B shade: #BF7C69, #BF9469, #BFAB69, #BCBF69 and #A5BF69

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BF7E6B shade matches the following richer shades: #BF7C69, #D07358, #E16946 and #F36035

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BF7E6B shade: #BF7C69, #AD867A, #9C8F8C, #8B999D and #79A2AE

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BF7E6B shade: #BF6984, #BF696D, #BF7C69, #BF9269 and #BFA969

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BF7E6B shade: #955340, #B2634C, #BF7C69, #CB9686 and #D7AFA3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BF7E6B shade: #BF7E6B, #9BBF69 and #6979BF

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BF7E6B shade: #BF7E6B, #69BF7C and #7C69BF

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BF7E6B shade: #BF7E6B, #9BBF69, #69ACBF and #8D69BF

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BF7E6B shade: #BF7E6B, #81BF69, #69ACBF and #A669BF

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 34 / 44 / 25

HEX #BF7E6B

RGB 191 126 107

HSL 13.57, 0.4%, 0.58%

LAB 59.03, 22.98, 20.69

 

Complementary color

CMYK 57 / 13 / 0 / 42

HEX #408194

RGB 64 129 148

HSL 193.57, 0.4%, 0.42%

LAB 50.6, -15.03, -16.55

 

CMYK 0 / 36 / 48 / 23

HEX #C47E66

RGB 196 126 102

HSL 15.32, 0.44%, 0.58%

LAB 59.54, 24.47, 24.31

 

CMYK 0 / 32 / 43 / 16

HEX #D59079

RGB 213 144 121

HSL 15, 0.52%, 0.65%

LAB 66.12, 23.43, 22.84

 

CMYK 0 / 30 / 39 / 10

HEX #E6A28C

RGB 230 162 140

HSL 14.67, 0.64%, 0.73%

LAB 72.6, 22.5, 21.52

 

CMYK 0 / 27 / 36 / 3

HEX #F7B49F

RGB 247 180 159

HSL 14.32, 0.85%, 0.8%

LAB 79, 21.68, 20.32

 

CMYK 0 / 22 / 30 / 0

HEX #FFC6B2

RGB 255 198 178

HSL 15.58, 1%, 0.85%

LAB 84.41, 17.58, 17.83

 

CMYK 0 / 34 / 44 / 25

HEX #BF7E6B

RGB 191 126 107

HSL 13.57, 0.4%, 0.58%

LAB 59.03, 22.98, 20.69

 

CMYK 0 / 38 / 49 / 32

HEX #AE6C58

RGB 174 108 88

HSL 13.95, 0.35%, 0.51%

LAB 52.32, 24.08, 22.22

 

CMYK 0 / 43 / 56 / 38

HEX #9D5A45

RGB 157 90 69

HSL 14.32, 0.39%, 0.44%

LAB 45.51, 25.34, 23.97

 

CMYK 0 / 49 / 64 / 45

HEX #8C4832

RGB 140 72 50

HSL 14.67, 0.47%, 0.37%

LAB 38.62, 26.77, 26.01

 

CMYK 0 / 56 / 75 / 52

HEX #7B361F

RGB 123 54 31

HSL 15, 0.6%, 0.3%

LAB 31.69, 28.38, 28.38

 

CMYK 0 / 35 / 45 / 25

HEX #BF7C69

RGB 191 124 105

HSL 13.26, 0.4%, 0.58%

LAB 58.52, 23.87, 21.14

 

CMYK 0 / 45 / 45 / 25

HEX #BF6969

RGB 191 105 105

HSL 0, 0.4%, 0.58%

LAB 54.24, 34.19, 15.3

 

CMYK 0 / 35 / 45 / 25

HEX #BF7C69

RGB 191 124 105

HSL 13.26, 0.4%, 0.58%

LAB 58.52, 23.87, 21.14

 

CMYK 0 / 23 / 45 / 25

HEX #BF9469

RGB 191 148 105

HSL 30, 0.4%, 0.58%

LAB 64.38, 10.62, 28.9

 

CMYK 0 / 10 / 45 / 25

HEX #BFAB69

RGB 191 171 105

HSL 46.05, 0.4%, 0.58%

LAB 70.33, -1.85, 36.53

 

CMYK 2 / 0 / 45 / 25

HEX #BCBF69

RGB 188 191 105

HSL 62.09, 0.4%, 0.58%

LAB 75.43, -13.52, 42.82

 

CMYK 14 / 0 / 45 / 25

HEX #A5BF69

RGB 165 191 105

HSL 78.14, 0.4%, 0.58%

LAB 73.73, -22.67, 40.33

 

CMYK 0 / 35 / 45 / 25

HEX #BF7C69

RGB 191 124 105

HSL 13.26, 0.4%, 0.58%

LAB 58.52, 23.87, 21.14

 

CMYK 0 / 45 / 58 / 18

HEX #D07358

RGB 208 115 88

HSL 13.5, 0.56%, 0.58%

LAB 58.39, 33.95, 30.96

 

CMYK 0 / 53 / 69 / 12

HEX #E16946

RGB 225 105 70

HSL 13.55, 0.72%, 0.58%

LAB 58.56, 44.4, 41.56

 

CMYK 0 / 60 / 78 / 5

HEX #F36035

RGB 243 96 53

HSL 13.58, 0.89%, 0.58%

LAB 59.6, 54.35, 52.14

 

CMYK 0 / 35 / 45 / 25

HEX #BF7C69

RGB 191 124 105

HSL 13.26, 0.4%, 0.58%

LAB 58.52, 23.87, 21.14

 

CMYK 0 / 23 / 29 / 32

HEX #AD867A

RGB 173 134 122

HSL 14.12, 0.24%, 0.58%

LAB 59.29, 13.14, 12.19

 

CMYK 0 / 8 / 10 / 39

HEX #9C8F8C

RGB 156 143 140

HSL 11.25, 0.07%, 0.58%

LAB 60.43, 4.29, 3.33

 

CMYK 11 / 3 / 0 / 38

HEX #8B999D

RGB 139 153 157

HSL 193.33, 0.08%, 0.58%

LAB 62.26, -4.14, -3.81

 

CMYK 30 / 7 / 0 / 32

HEX #79A2AE

RGB 121 162 174

HSL 193.58, 0.25%, 0.58%

LAB 64.13, -10.94, -10.72

 

CMYK 0 / 45 / 31 / 25

HEX #BF6984

RGB 191 105 132

HSL 341.16, 0.4%, 0.58%

LAB 54.91, 37.41, 0.42

 

CMYK 0 / 45 / 43 / 25

HEX #BF696D

RGB 191 105 109

HSL 357.21, 0.4%, 0.58%

LAB 54.33, 34.62, 13.09

 

CMYK 0 / 35 / 45 / 25

HEX #BF7C69

RGB 191 124 105

HSL 13.26, 0.4%, 0.58%

LAB 58.52, 23.87, 21.14

 

CMYK 0 / 24 / 45 / 25

HEX #BF9269

RGB 191 146 105

HSL 28.6, 0.4%, 0.58%

LAB 63.88, 11.72, 28.25

 

CMYK 0 / 12 / 45 / 25

HEX #BFA969

RGB 191 169 105

HSL 44.65, 0.4%, 0.58%

LAB 69.8, -0.78, 35.86

 

CMYK 0 / 44 / 57 / 42

HEX #955340

RGB 149 83 64

HSL 13.41, 0.4%, 0.42%

LAB 42.68, 25.49, 23.07

 

CMYK 0 / 44 / 57 / 30

HEX #B2634C

RGB 178 99 76

HSL 13.53, 0.4%, 0.5%

LAB 50.58, 29.59, 26.98

 

CMYK 0 / 35 / 45 / 25

HEX #BF7C69

RGB 191 124 105

HSL 13.26, 0.4%, 0.58%

LAB 58.52, 23.87, 21.14

 

CMYK 0 / 26 / 34 / 20

HEX #CB9686

RGB 203 150 134

HSL 13.91, 0.4%, 0.66%

LAB 66.7, 17.74, 16.24

 

CMYK 0 / 19 / 24 / 16

HEX #D7AFA3

RGB 215 175 163

HSL 13.85, 0.39%, 0.74%

LAB 74.67, 12.72, 11.63

 

CMYK 0 / 34 / 44 / 25

HEX #BF7E6B

RGB 191 126 107

HSL 13.57, 0.4%, 0.58%

LAB 59.03, 22.98, 20.69

 

CMYK 19 / 0 / 45 / 25

HEX #9BBF69

RGB 155 191 105

HSL 85.12, 0.4%, 0.58%

LAB 73.06, -26.51, 39.35

 

CMYK 45 / 37 / 0 / 25

HEX #6979BF

RGB 105 121 191

HSL 228.84, 0.4%, 0.58%

LAB 52.33, 12.78, -38.59

 

CMYK 0 / 34 / 44 / 25

HEX #BF7E6B

RGB 191 126 107

HSL 13.57, 0.4%, 0.58%

LAB 59.03, 22.98, 20.69

 

CMYK 45 / 0 / 35 / 25

HEX #69BF7C

RGB 105 191 124

HSL 133.26, 0.4%, 0.58%

LAB 70.68, -40.54, 25.94

 

CMYK 35 / 45 / 0 / 25

HEX #7C69BF

RGB 124 105 191

HSL 253.26, 0.4%, 0.58%

LAB 49.68, 27.43, -42.69

 

CMYK 0 / 34 / 44 / 25

HEX #BF7E6B

RGB 191 126 107

HSL 13.57, 0.4%, 0.58%

LAB 59.03, 22.98, 20.69

 

CMYK 19 / 0 / 45 / 25

HEX #9BBF69

RGB 155 191 105

HSL 85.12, 0.4%, 0.58%

LAB 73.06, -26.51, 39.35

 

CMYK 45 / 10 / 0 / 25

HEX #69ACBF

RGB 105 172 191

HSL 193.26, 0.4%, 0.58%

LAB 66.73, -16.21, -16.37

 

CMYK 26 / 45 / 0 / 25

HEX #8D69BF

RGB 141 105 191

HSL 265.12, 0.4%, 0.58%

LAB 51.3, 32.15, -40.02

 

CMYK 0 / 34 / 44 / 25

HEX #BF7E6B

RGB 191 126 107

HSL 13.57, 0.4%, 0.58%

LAB 59.03, 22.98, 20.69

 

CMYK 32 / 0 / 45 / 25

HEX #81BF69

RGB 129 191 105

HSL 103.26, 0.4%, 0.58%

LAB 71.52, -35.93, 37.09

 

CMYK 45 / 10 / 0 / 25

HEX #69ACBF

RGB 105 172 191

HSL 193.26, 0.4%, 0.58%

LAB 66.73, -16.21, -16.37

 

CMYK 13 / 45 / 0 / 25

HEX #A669BF

RGB 166 105 191

HSL 282.56, 0.4%, 0.58%

LAB 54, 39.41, -35.59

 

Description

Color code: HEX #BF7E6B | qconv.com Color code: HEX #BF7E6B | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 191 red, 126 green and 107 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
191 126 107 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 34 magenta, 44 yellow and 25 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 34% 44% 25% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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