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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BF5025 it is the complementary color #40AFDA. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BF5025. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #BF5025: #C45020, #D56233, #E67446, #F78659 and #FF986C

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BF5025. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #BF5025: #BF5025, #AE3E12, #9D2C00, #8C1A00 and #7B0800

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 58 / 81 / 25

HEX #BF5025

RGB 191 80 37

HSL 16.75, 0.68%, 0.45%

LAB 48.19, 42.33, 45.78

 

Complementary color

CMYK 71 / 20 / 0 / 15

HEX #40AFDA

RGB 64 175 218

HSL 196.75, 0.68%, 0.55%

LAB 67.14, -17.54, -30.78

 

CMYK 0 / 59 / 84 / 23

HEX #C45020

RGB 196 80 32

HSL 17.56, 0.72%, 0.45%

LAB 48.98, 44.05, 49.09

 

CMYK 0 / 54 / 76 / 16

HEX #D56233

RGB 213 98 51

HSL 17.41, 0.66%, 0.52%

LAB 55.2, 42.42, 47.13

 

CMYK 0 / 50 / 70 / 10

HEX #E67446

RGB 230 116 70

HSL 17.25, 0.76%, 0.59%

LAB 61.44, 40.84, 45.03

 

CMYK 0 / 46 / 64 / 3

HEX #F78659

RGB 247 134 89

HSL 17.09, 0.91%, 0.66%

LAB 67.68, 39.35, 43.02

 

CMYK 0 / 40 / 58 / 0

HEX #FF986C

RGB 255 152 108

HSL 17.96, 1%, 0.71%

LAB 72.76, 34.51, 39.48

 

CMYK 0 / 58 / 81 / 25

HEX #BF5025

RGB 191 80 37

HSL 16.75, 0.68%, 0.45%

LAB 48.19, 42.33, 45.78

 

CMYK 0 / 64 / 90 / 32

HEX #AE3E12

RGB 174 62 18

HSL 16.92, 0.81%, 0.38%

LAB 41.98, 43.9, 47.5

 

CMYK 0 / 72 / 100 / 38

HEX #9D2C00

RGB 157 44 0

HSL 16.82, 1%, 0.31%

LAB 35.93, 45.21, 48.34

 

CMYK 0 / 81 / 100 / 45

HEX #8C1A00

RGB 140 26 0

HSL 11.14, 1%, 0.27%

LAB 30.19, 45.92, 43.05

 

CMYK 0 / 93 / 100 / 52

HEX #7B0800

RGB 123 8 0

HSL 3.9, 1%, 0.24%

LAB 24.9, 45.12, 37.06

 

CMYK 0 / 58 / 81 / 25

HEX #BF5025

RGB 191 80 37

HSL 16.75, 0.68%, 0.45%

LAB 48.19, 42.33, 45.78

 

CMYK 0 / 46 / 81 / 25

HEX #C06824

RGB 192 104 36

HSL 26.15, 0.68%, 0.45%

LAB 53.21, 30.41, 50.98

 

CMYK 0 / 32 / 81 / 25

HEX #C08224

RGB 192 130 36

HSL 36.15, 0.68%, 0.45%

LAB 59.25, 16.23, 56.47

 

CMYK 0 / 19 / 81 / 25

HEX #C09C24

RGB 192 156 36

HSL 46.15, 0.68%, 0.45%

LAB 65.83, 2.01, 62.3

 

CMYK 0 / 5 / 81 / 25

HEX #C0B624

RGB 192 182 36

HSL 56.15, 0.68%, 0.45%

LAB 72.75, -11.7, 68.32

 

CMYK 0 / 58 / 81 / 25

HEX #BF5025

RGB 191 80 37

HSL 16.75, 0.68%, 0.45%

LAB 48.19, 42.33, 45.78

 

CMYK 0 / 58 / 81 / 5

HEX #F2652F

RGB 242 101 47

HSL 16.62, 0.88%, 0.57%

LAB 60.24, 51.57, 55.48

 

CMYK 0 / 58 / 82 / 85

HEX #261007

RGB 38 16 7

HSL 17.42, 0.69%, 0.09%

LAB 7.21, 10.36, 8.12

 

CMYK 0 / 58 / 81 / 65

HEX #592511

RGB 89 37 17

HSL 16.67, 0.68%, 0.21%

LAB 21.9, 22.51, 24.22

 

CMYK 0 / 58 / 81 / 45

HEX #8C3B1B

RGB 140 59 27

HSL 16.99, 0.68%, 0.33%

LAB 35.56, 32.54, 35.53

 

CMYK 0 / 58 / 81 / 25

HEX #BF5025

RGB 191 80 37

HSL 16.75, 0.68%, 0.45%

LAB 48.19, 42.33, 45.78

 

CMYK 38 / 0 / 81 / 25

HEX #77C024

RGB 119 192 36

HSL 88.08, 0.68%, 0.45%

LAB 70.7, -45.92, 64.62

 

CMYK 81 / 70 / 0 / 25

HEX #2439C0

RGB 36 57 192

HSL 231.92, 0.68%, 0.45%

LAB 32.05, 41.65, -72.1

 

CMYK 0 / 58 / 81 / 25

HEX #BF5025

RGB 191 80 37

HSL 16.75, 0.68%, 0.45%

LAB 48.19, 42.33, 45.78

 

CMYK 81 / 0 / 59 / 25

HEX #24C04E

RGB 36 192 78

HSL 136.15, 0.68%, 0.45%

LAB 68.48, -62.09, 45.78

 

CMYK 59 / 81 / 0 / 25

HEX #4E24C0

RGB 78 36 192

HSL 256.15, 0.68%, 0.45%

LAB 31.08, 56.55, -73.59

 

CMYK 0 / 58 / 81 / 25

HEX #BF5025

RGB 191 80 37

HSL 16.75, 0.68%, 0.45%

LAB 48.19, 42.33, 45.78

 

CMYK 38 / 0 / 81 / 25

HEX #77C024

RGB 119 192 36

HSL 88.08, 0.68%, 0.45%

LAB 70.7, -45.92, 64.62

 

CMYK 81 / 21 / 0 / 25

HEX #2497C0

RGB 36 151 192

HSL 195.77, 0.68%, 0.45%

LAB 58.33, -16.66, -29.98

 

CMYK 43 / 81 / 0 / 25

HEX #6D24C0

RGB 109 36 192

HSL 268.08, 0.68%, 0.45%

LAB 34.64, 60.39, -67.62

 

CMYK 0 / 58 / 81 / 25

HEX #BF5025

RGB 191 80 37

HSL 16.75, 0.68%, 0.45%

LAB 48.19, 42.33, 45.78

 

CMYK 62 / 0 / 81 / 25

HEX #49C024

RGB 73 192 36

HSL 105.77, 0.68%, 0.45%

LAB 68.93, -59.46, 62.35

 

CMYK 81 / 21 / 0 / 25

HEX #2497C0

RGB 36 151 192

HSL 195.77, 0.68%, 0.45%

LAB 58.33, -16.66, -29.98

 

CMYK 19 / 81 / 0 / 25

HEX #9C24C0

RGB 156 36 192

HSL 286.15, 0.68%, 0.45%

LAB 41.43, 67.85, -56.26

 

Description

Color code: HEX #BF5025 | qconv.com Color code: HEX #BF5025 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 191 red, 80 green and 37 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
191 80 37 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 58 magenta, 81 yellow and 25 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 58% 81% 25% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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