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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BE9194 it is the complementary color #416E6B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BE9194. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #BE9194: #C3918F, #D4A3A2, #E5B5B5, #F6C7C8 and #FFD9DB

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BE9194. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #BE9194: #BE9194, #AD7F81, #9C6D6E, #8B5B5B and #7A4948

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 24 / 22 / 25

HEX #BE9194

RGB 190 145 148

HSL 356, 0.26%, 0.66%

LAB 64.43, 17.42, 4.99

 

Complementary color

CMYK 41 / 0 / 3 / 57

HEX #416E6B

RGB 65 110 107

HSL 176, 0.26%, 0.34%

LAB 43.27, -16.24, -3.21

 

CMYK 0 / 26 / 27 / 24

HEX #C3918F

RGB 195 145 143

HSL 2.31, 0.3%, 0.66%

LAB 64.83, 18.59, 8.45

 

CMYK 0 / 23 / 24 / 17

HEX #D4A3A2

RGB 212 163 162

HSL 1.2, 0.37%, 0.73%

LAB 71.42, 17.94, 7.51

 

CMYK 0 / 21 / 21 / 10

HEX #E5B5B5

RGB 229 181 181

HSL 0, 0.48%, 0.8%

LAB 77.9, 17.34, 6.63

 

CMYK 0 / 19 / 19 / 4

HEX #F6C7C8

RGB 246 199 200

HSL 358.72, 0.72%, 0.87%

LAB 84.28, 16.81, 5.82

 

CMYK 0 / 15 / 14 / 0

HEX #FFD9DB

RGB 255 217 219

HSL 356.84, 1%, 0.93%

LAB 89.86, 13.5, 3.92

 

CMYK 0 / 24 / 22 / 25

HEX #BE9194

RGB 190 145 148

HSL 356, 0.26%, 0.66%

LAB 64.43, 17.42, 4.99

 

CMYK 0 / 27 / 25 / 32

HEX #AD7F81

RGB 173 127 129

HSL 357.39, 0.22%, 0.59%

LAB 57.7, 18.1, 5.92

 

CMYK 0 / 30 / 29 / 39

HEX #9C6D6E

RGB 156 109 110

HSL 358.72, 0.19%, 0.52%

LAB 50.84, 18.86, 6.95

 

CMYK 0 / 35 / 35 / 45

HEX #8B5B5B

RGB 139 91 91

HSL 0, 0.21%, 0.45%

LAB 43.84, 19.74, 8.12

 

CMYK 0 / 40 / 41 / 52

HEX #7A4948

RGB 122 73 72

HSL 1.2, 0.26%, 0.38%

LAB 36.69, 20.76, 9.48

 

CMYK 0 / 24 / 22 / 25

HEX #BE9194

RGB 190 145 148

HSL 356, 0.26%, 0.66%

LAB 64.43, 17.42, 4.99

 

CMYK 0 / 21 / 24 / 25

HEX #BE9691

RGB 190 150 145

HSL 6.67, 0.26%, 0.66%

LAB 65.6, 14.2, 8.35

 

CMYK 0 / 17 / 24 / 25

HEX #BE9D91

RGB 190 157 145

HSL 16, 0.26%, 0.66%

LAB 67.36, 10.35, 10.85

 

CMYK 0 / 13 / 24 / 25

HEX #BEA591

RGB 190 165 145

HSL 26.67, 0.26%, 0.66%

LAB 69.4, 5.97, 13.73

 

CMYK 0 / 9 / 24 / 25

HEX #BEAC91

RGB 190 172 145

HSL 36, 0.26%, 0.66%

LAB 71.21, 2.18, 16.26

 

CMYK 0 / 24 / 22 / 25

HEX #BE9194

RGB 190 145 148

HSL 356, 0.26%, 0.66%

LAB 64.43, 17.42, 4.99

 

CMYK 0 / 24 / 22 / 5

HEX #F1B8BC

RGB 241 184 188

HSL 355.79, 0.67%, 0.83%

LAB 79.96, 21.15, 5.97

 

CMYK 0 / 24 / 22 / 85

HEX #251C1D

RGB 37 28 29

HSL 353.33, 0.14%, 0.13%

LAB 11.36, 4.62, 0.98

 

CMYK 0 / 24 / 22 / 65

HEX #584345

RGB 88 67 69

HSL 354.29, 0.14%, 0.3%

LAB 30.69, 9.41, 2.27

 

CMYK 0 / 24 / 22 / 45

HEX #8B6A6C

RGB 139 106 108

HSL 356.36, 0.13%, 0.48%

LAB 48.11, 13.48, 3.97

 

CMYK 0 / 24 / 22 / 25

HEX #BE9194

RGB 190 145 148

HSL 356, 0.26%, 0.66%

LAB 64.43, 17.42, 4.99

 

CMYK 3 / 0 / 24 / 25

HEX #B8BE91

RGB 184 190 145

HSL 68, 0.26%, 0.66%

LAB 75.49, -9.65, 22.09

 

CMYK 24 / 13 / 0 / 25

HEX #91A6BE

RGB 145 166 190

HSL 212, 0.26%, 0.66%

LAB 67.28, -1.95, -14.75

 

CMYK 0 / 24 / 22 / 25

HEX #BE9194

RGB 190 145 148

HSL 356, 0.26%, 0.66%

LAB 64.43, 17.42, 4.99

 

CMYK 22 / 0 / 24 / 25

HEX #94BE91

RGB 148 190 145

HSL 116, 0.26%, 0.66%

LAB 73, -22.75, 18.27

 

CMYK 24 / 22 / 0 / 25

HEX #9194BE

RGB 145 148 190

HSL 236, 0.26%, 0.66%

LAB 62.44, 8.14, -22.11

 

CMYK 0 / 24 / 22 / 25

HEX #BE9194

RGB 190 145 148

HSL 356, 0.26%, 0.66%

LAB 64.43, 17.42, 4.99

 

CMYK 3 / 0 / 24 / 25

HEX #B8BE91

RGB 184 190 145

HSL 68, 0.26%, 0.66%

LAB 75.49, -9.65, 22.09

 

CMYK 24 / 0 / 2 / 25

HEX #91BEBB

RGB 145 190 187

HSL 176, 0.26%, 0.66%

LAB 73.83, -15.45, -3.36

 

CMYK 21 / 24 / 0 / 25

HEX #9791BE

RGB 151 145 190

HSL 248, 0.26%, 0.66%

LAB 62.12, 11.75, -22.55

 

CMYK 0 / 24 / 22 / 25

HEX #BE9194

RGB 190 145 148

HSL 356, 0.26%, 0.66%

LAB 64.43, 17.42, 4.99

 

CMYK 10 / 0 / 24 / 25

HEX #ABBE91

RGB 171 190 145

HSL 85.33, 0.26%, 0.66%

LAB 74.53, -14.52, 20.61

 

CMYK 24 / 0 / 2 / 25

HEX #91BEBB

RGB 145 190 187

HSL 176, 0.26%, 0.66%

LAB 73.83, -15.45, -3.36

 

CMYK 13 / 24 / 0 / 25

HEX #A591BE

RGB 165 145 190

HSL 266.67, 0.26%, 0.66%

LAB 63.32, 16.29, -20.62

 

Description

Color code: HEX #BE9194 | qconv.com Color code: HEX #BE9194 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 190 red, 145 green and 148 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
190 145 148 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 24 magenta, 22 yellow and 25 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 24% 22% 25% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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