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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BD8526 it is the complementary color #427AD9. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BD8526. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #BD8526: #C28521, #D39734, #E4A947, #F5BB5A and #FFCD6D

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BD8526. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #BD8526: #BD8526, #AC7313, #9B6100, #8A4F00 and #793D00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 30 / 80 / 26

HEX #BD8526

RGB 189 133 38

HSL 37.75, 0.67%, 0.45%

LAB 59.65, 13.32, 55.96

 

Complementary color

CMYK 70 / 44 / 0 / 15

HEX #427AD9

RGB 66 122 217

HSL 217.75, 0.67%, 0.55%

LAB 51.94, 12.91, -54.14

 

CMYK 0 / 31 / 83 / 24

HEX #C28521

RGB 194 133 33

HSL 37.27, 0.71%, 0.45%

LAB 60.21, 15.36, 58.45

 

CMYK 0 / 28 / 75 / 17

HEX #D39734

RGB 211 151 52

HSL 37.36, 0.64%, 0.52%

LAB 66.7, 13.67, 58.08

 

CMYK 0 / 26 / 69 / 11

HEX #E4A947

RGB 228 169 71

HSL 37.45, 0.74%, 0.59%

LAB 73.11, 12.21, 57.17

 

CMYK 0 / 24 / 63 / 4

HEX #F5BB5A

RGB 245 187 90

HSL 37.55, 0.89%, 0.66%

LAB 79.44, 10.95, 56.01

 

CMYK 0 / 20 / 57 / 0

HEX #FFCD6D

RGB 255 205 109

HSL 39.45, 1%, 0.71%

LAB 85.01, 7, 53.78

 

CMYK 0 / 30 / 80 / 26

HEX #BD8526

RGB 189 133 38

HSL 37.75, 0.67%, 0.45%

LAB 59.65, 13.32, 55.96

 

CMYK 0 / 33 / 89 / 33

HEX #AC7313

RGB 172 115 19

HSL 37.65, 0.8%, 0.37%

LAB 53.04, 15.19, 55.69

 

CMYK 0 / 37 / 100 / 39

HEX #9B6100

RGB 155 97 0

HSL 37.55, 1%, 0.3%

LAB 46.34, 17.34, 54.2

 

CMYK 0 / 43 / 100 / 46

HEX #8A4F00

RGB 138 79 0

HSL 34.35, 1%, 0.27%

LAB 39.57, 19.9, 48.71

 

CMYK 0 / 50 / 100 / 53

HEX #793D00

RGB 121 61 0

HSL 30.25, 1%, 0.24%

LAB 32.71, 22.54, 43.16

 

CMYK 0 / 30 / 80 / 26

HEX #BD8526

RGB 189 133 38

HSL 37.75, 0.67%, 0.45%

LAB 59.65, 13.32, 55.96

 

CMYK 0 / 17 / 81 / 25

HEX #BF9E25

RGB 191 158 37

HSL 47.14, 0.68%, 0.45%

LAB 66.26, 0.52, 62.33

 

CMYK 0 / 4 / 81 / 25

HEX #BFB725

RGB 191 183 37

HSL 56.88, 0.68%, 0.45%

LAB 72.94, -12.61, 68.18

 

CMYK 9 / 0 / 81 / 25

HEX #ADBF25

RGB 173 191 37

HSL 67.01, 0.68%, 0.45%

LAB 73.73, -24.33, 68.31

 

CMYK 23 / 0 / 81 / 25

HEX #94BF25

RGB 148 191 37

HSL 76.75, 0.68%, 0.45%

LAB 72.02, -34.57, 66.15

 

CMYK 0 / 30 / 80 / 26

HEX #BD8526

RGB 189 133 38

HSL 37.75, 0.67%, 0.45%

LAB 59.65, 13.32, 55.96

 

CMYK 0 / 30 / 80 / 6

HEX #F0A930

RGB 240 169 48

HSL 37.81, 0.86%, 0.56%

LAB 74.26, 16.32, 67.8

HKS® 71

CMYK 0 / 31 / 81 / 86

HEX #241907

RGB 36 25 7

HSL 37.24, 0.67%, 0.08%

LAB 9.69, 2.85, 11.67

 

CMYK 0 / 30 / 80 / 66

HEX #573D11

RGB 87 61 17

HSL 37.71, 0.67%, 0.2%

LAB 27.86, 6.68, 30.22

 

CMYK 0 / 30 / 80 / 46

HEX #8A611C

RGB 138 97 28

HSL 37.64, 0.66%, 0.33%

LAB 44.29, 10.14, 43.41

 

CMYK 0 / 30 / 80 / 26

HEX #BD8526

RGB 189 133 38

HSL 37.75, 0.67%, 0.45%

LAB 59.65, 13.32, 55.96

 

CMYK 65 / 0 / 81 / 25

HEX #42BF25

RGB 66 191 37

HSL 108.7, 0.68%, 0.45%

LAB 68.43, -60.62, 61.54

 

CMYK 63 / 81 / 0 / 25

HEX #4725BF

RGB 71 37 191

HSL 253.25, 0.68%, 0.45%

LAB 30.46, 55.12, -74.06

 

CMYK 0 / 30 / 80 / 26

HEX #BD8526

RGB 189 133 38

HSL 37.75, 0.67%, 0.45%

LAB 59.65, 13.32, 55.96

 

CMYK 81 / 0 / 31 / 25

HEX #25BF84

RGB 37 191 132

HSL 157.01, 0.68%, 0.45%

LAB 68.98, -52.23, 19.07

 

CMYK 31 / 81 / 0 / 25

HEX #8425BF

RGB 132 37 191

HSL 277.01, 0.68%, 0.45%

LAB 37.82, 63.3, -61.69

 

CMYK 0 / 30 / 80 / 26

HEX #BD8526

RGB 189 133 38

HSL 37.75, 0.67%, 0.45%

LAB 59.65, 13.32, 55.96

 

CMYK 65 / 0 / 81 / 25

HEX #42BF25

RGB 66 191 37

HSL 108.7, 0.68%, 0.45%

LAB 68.43, -60.62, 61.54

 

CMYK 81 / 50 / 0 / 25

HEX #2560BF

RGB 37 96 191

HSL 217.01, 0.68%, 0.45%

LAB 42.03, 16.1, -55.22

 

CMYK 15 / 81 / 0 / 25

HEX #A325BF

RGB 163 37 191

HSL 289.09, 0.68%, 0.45%

LAB 42.57, 68.63, -53.78

 

CMYK 0 / 30 / 80 / 26

HEX #BD8526

RGB 189 133 38

HSL 37.75, 0.67%, 0.45%

LAB 59.65, 13.32, 55.96

 

CMYK 81 / 0 / 71 / 25

HEX #25BF37

RGB 37 191 55

HSL 127.01, 0.68%, 0.45%

LAB 67.97, -64.13, 54.91

 

CMYK 81 / 50 / 0 / 25

HEX #2560BF

RGB 37 96 191

HSL 217.01, 0.68%, 0.45%

LAB 42.03, 16.1, -55.22

 

CMYK 0 / 81 / 9 / 25

HEX #BF25AD

RGB 191 37 173

HSL 307.01, 0.68%, 0.45%

LAB 46.2, 71.15, -37.12

 

Description

Color code: HEX #BD8526 | qconv.com Color code: HEX #BD8526 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 189 red, 133 green and 38 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
189 133 38 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 30 magenta, 80 yellow and 26 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 30% 80% 26% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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