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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BD1F7E it is the complementary color #42E081. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BD1F7E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BD1F7E shade: #C21F79, #D3318C, #E4439F, #F555B2 and #FF67C5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BD1F7E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BD1F7E shade: #BD1F7E, #AC0D6B, #9B0058, #8A0045 and #790032

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BD1F7E shade: #BD1F7E, #BD1F53, #BD1F28 and #BD1F1F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BD1F7E shade: #BD1F7E, #BD1FA8, #A61FBD, #7C1FBD and #511FBD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BD1F7E shade matches the following richer shades: #BD1F7E and #CE0D81

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BD1F7E shade: #BD1F7E, #AB307A, #994276, #875473 and #76666F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BD1F7E shade: #A51FBD, #BD1FAA, #BD1F80, #BD1F56 and #BD1F2C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BD1F7E shade: #76134E, #991966, #BD1F7E, #DC2894 and #E24CA6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BD1F7E shade: #BD1F7E, #BD7B1F and #1FBDBA

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BD1F7E shade: #BD1F7E, #80BD1F and #1F80BD

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BD1F7E shade: #BD1F7E, #BD7B1F, #1FBD5B and #1F60BD

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BD1F7E shade: #BD1F7E, #BDAA1F, #1FBD5B and #1F31BD

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 84 / 33 / 26

HEX #BD1F7E

RGB 189 31 126

HSL 323.92, 0.72%, 0.43%

LAB 43.22, 66.13, -13.41

 

Complementary color

CMYK 71 / 0 / 42 / 12

HEX #42E081

RGB 66 224 129

HSL 143.92, 0.72%, 0.57%

LAB 79.64, -61.32, 34.97

 

CMYK 0 / 84 / 38 / 24

HEX #C21F79

RGB 194 31 121

HSL 326.87, 0.72%, 0.44%

LAB 43.99, 66.79, -9.07

 

CMYK 0 / 77 / 34 / 17

HEX #D3318C

RGB 211 49 140

HSL 326.3, 0.65%, 0.51%

LAB 49.42, 68.35, -12.15

 

CMYK 0 / 71 / 30 / 11

HEX #E4439F

RGB 228 67 159

HSL 325.71, 0.75%, 0.58%

LAB 55.08, 69.11, -14.6

 

CMYK 0 / 65 / 27 / 4

HEX #F555B2

RGB 245 85 178

HSL 325.13, 0.89%, 0.65%

LAB 60.89, 69.33, -16.58

 

CMYK 0 / 60 / 23 / 0

HEX #FF67C5

RGB 255 103 197

HSL 322.89, 1%, 0.7%

LAB 65.74, 67.25, -19.89

 

CMYK 0 / 84 / 33 / 26

HEX #BD1F7E

RGB 189 31 126

HSL 323.92, 0.72%, 0.43%

LAB 43.22, 66.13, -13.41

 

CMYK 0 / 92 / 38 / 33

HEX #AC0D6B

RGB 172 13 107

HSL 324.53, 0.86%, 0.36%

LAB 38.06, 63.45, -9.68

 

CMYK 0 / 100 / 43 / 39

HEX #9B0058

RGB 155 0 88

HSL 325.94, 1%, 0.3%

LAB 33.29, 59.4, -4.97

 

CMYK 0 / 100 / 50 / 46

HEX #8A0045

RGB 138 0 69

HSL 330, 1%, 0.27%

LAB 28.99, 53.79, 0.84

 

CMYK 0 / 100 / 59 / 53

HEX #790032

RGB 121 0 50

HSL 335.21, 1%, 0.24%

LAB 24.62, 48.15, 7.06

 

CMYK 0 / 84 / 33 / 26

HEX #BD1F7E

RGB 189 31 126

HSL 323.92, 0.72%, 0.43%

LAB 43.22, 66.13, -13.41

 

CMYK 0 / 84 / 56 / 26

HEX #BD1F53

RGB 189 31 83

HSL 340.25, 0.72%, 0.43%

LAB 41.88, 62.26, 11.5

 

CMYK 0 / 84 / 79 / 26

HEX #BD1F28

RGB 189 31 40

HSL 356.58, 0.72%, 0.43%

LAB 41.14, 60.05, 37.04

 

CMYK 0 / 84 / 84 / 26

HEX #BD1F1F

RGB 189 31 31

HSL 0, 0.72%, 0.43%

LAB 41.05, 59.79, 41.92

 

CMYK 0 / 84 / 33 / 26

HEX #BD1F7E

RGB 189 31 126

HSL 323.92, 0.72%, 0.43%

LAB 43.22, 66.13, -13.41

 

CMYK 0 / 84 / 11 / 26

HEX #BD1FA8

RGB 189 31 168

HSL 307.97, 0.72%, 0.43%

LAB 45.12, 71.4, -35.89

 

CMYK 12 / 84 / 0 / 26

HEX #A61FBD

RGB 166 31 189

HSL 291.27, 0.72%, 0.43%

LAB 42.4, 70.34, -52.85

 

CMYK 34 / 84 / 0 / 26

HEX #7C1FBD

RGB 124 31 189

HSL 275.32, 0.72%, 0.43%

LAB 35.87, 63.5, -63.76

 

CMYK 57 / 84 / 0 / 26

HEX #511FBD

RGB 81 31 189

HSL 258.99, 0.72%, 0.43%

LAB 30.41, 58.03, -72.93

 

CMYK 0 / 84 / 33 / 26

HEX #BD1F7E

RGB 189 31 126

HSL 323.92, 0.72%, 0.43%

LAB 43.22, 66.13, -13.41

 

CMYK 0 / 94 / 37 / 19

HEX #CE0D81

RGB 206 13 129

HSL 323.94, 0.88%, 0.43%

LAB 45.63, 73.13, -11.29

 

CMYK 0 / 84 / 33 / 26

HEX #BD1F7E

RGB 189 31 126

HSL 323.92, 0.72%, 0.43%

LAB 43.22, 66.13, -13.41

 

CMYK 0 / 72 / 29 / 33

HEX #AB307A

RGB 171 48 122

HSL 323.9, 0.56%, 0.43%

LAB 41.5, 56.18, -13.87

 

CMYK 0 / 57 / 23 / 40

HEX #994276

RGB 153 66 118

HSL 324.14, 0.4%, 0.43%

LAB 41.18, 42.55, -12.16

 

CMYK 0 / 38 / 15 / 47

HEX #875473

RGB 135 84 115

HSL 323.53, 0.23%, 0.43%

LAB 42.35, 26.02, -8.79

 

CMYK 0 / 14 / 6 / 54

HEX #76666F

RGB 118 102 111

HSL 326.25, 0.07%, 0.43%

LAB 44.94, 8.06, -2.71

 

CMYK 13 / 84 / 0 / 26

HEX #A51FBD

RGB 165 31 189

HSL 290.89, 0.72%, 0.43%

LAB 42.24, 70.16, -53.13

 

CMYK 0 / 84 / 10 / 26

HEX #BD1FAA

RGB 189 31 170

HSL 307.22, 0.72%, 0.43%

LAB 45.22, 71.68, -36.91

 

CMYK 0 / 84 / 32 / 26

HEX #BD1F80

RGB 189 31 128

HSL 323.16, 0.72%, 0.43%

LAB 43.3, 66.35, -14.52

 

CMYK 0 / 84 / 54 / 26

HEX #BD1F56

RGB 189 31 86

HSL 339.11, 0.72%, 0.43%

LAB 41.95, 62.48, 9.71

 

CMYK 0 / 84 / 77 / 26

HEX #BD1F2C

RGB 189 31 44

HSL 355.06, 0.72%, 0.43%

LAB 41.19, 60.18, 34.77

 

CMYK 0 / 84 / 34 / 54

HEX #76134E

RGB 118 19 78

HSL 324.24, 0.72%, 0.27%

LAB 26.35, 46.01, -9.57

 

CMYK 0 / 84 / 33 / 40

HEX #991966

RGB 153 25 102

HSL 323.91, 0.72%, 0.35%

LAB 34.86, 56.19, -11.7

 

CMYK 0 / 84 / 33 / 26

HEX #BD1F7E

RGB 189 31 126

HSL 323.92, 0.72%, 0.43%

LAB 43.22, 66.13, -13.41

 

CMYK 0 / 82 / 33 / 14

HEX #DC2894

RGB 220 40 148

HSL 324, 0.72%, 0.51%

LAB 50.54, 73.69, -15.11

 

CMYK 0 / 66 / 27 / 11

HEX #E24CA6

RGB 226 76 166

HSL 324, 0.72%, 0.59%

LAB 56.18, 66.16, -17.07

 

CMYK 0 / 84 / 33 / 26

HEX #BD1F7E

RGB 189 31 126

HSL 323.92, 0.72%, 0.43%

LAB 43.22, 66.13, -13.41

 

CMYK 0 / 35 / 84 / 26

HEX #BD7B1F

RGB 189 123 31

HSL 34.94, 0.72%, 0.43%

LAB 57.16, 18.61, 56.25

 

CMYK 84 / 0 / 2 / 26

HEX #1FBDBA

RGB 31 189 186

HSL 178.86, 0.72%, 0.43%

LAB 69.63, -37.91, -9.45

 

CMYK 0 / 84 / 33 / 26

HEX #BD1F7E

RGB 189 31 126

HSL 323.92, 0.72%, 0.43%

LAB 43.22, 66.13, -13.41

 

CMYK 32 / 0 / 84 / 26

HEX #80BD1F

RGB 128 189 31

HSL 83.16, 0.72%, 0.43%

LAB 70.23, -41.61, 65.67

 

CMYK 84 / 32 / 0 / 26

HEX #1F80BD

RGB 31 128 189

HSL 203.16, 0.72%, 0.43%

LAB 51.16, -5.18, -39.5

 

CMYK 0 / 84 / 33 / 26

HEX #BD1F7E

RGB 189 31 126

HSL 323.92, 0.72%, 0.43%

LAB 43.22, 66.13, -13.41

 

CMYK 0 / 35 / 84 / 26

HEX #BD7B1F

RGB 189 123 31

HSL 34.94, 0.72%, 0.43%

LAB 57.16, 18.61, 56.25

 

CMYK 84 / 0 / 52 / 26

HEX #1FBD5B

RGB 31 189 91

HSL 142.78, 0.72%, 0.43%

LAB 67.61, -59.79, 38.53

 

CMYK 84 / 49 / 0 / 26

HEX #1F60BD

RGB 31 96 189

HSL 215.32, 0.72%, 0.43%

LAB 41.74, 14.77, -54.54

 

CMYK 0 / 84 / 33 / 26

HEX #BD1F7E

RGB 189 31 126

HSL 323.92, 0.72%, 0.43%

LAB 43.22, 66.13, -13.41

 

CMYK 0 / 10 / 84 / 26

HEX #BDAA1F

RGB 189 170 31

HSL 52.78, 0.72%, 0.43%

LAB 69.23, -6.93, 66.54

 

CMYK 84 / 0 / 52 / 26

HEX #1FBD5B

RGB 31 189 91

HSL 142.78, 0.72%, 0.43%

LAB 67.61, -59.79, 38.53

 

CMYK 84 / 74 / 0 / 26

HEX #1F31BD

RGB 31 49 189

HSL 233.16, 0.72%, 0.43%

LAB 29.82, 45.05, -74.02

 

Description

Color code: HEX #BD1F7E | qconv.com Color code: HEX #BD1F7E | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 189 red, 31 green and 126 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
189 31 126 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 84 magenta, 33 yellow and 26 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 84% 33% 26% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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