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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BCBEC0 it is the complementary color #43413F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BCBEC0. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #BCBEC0: #C1BEBB, #D2D0CE, #E3E2E1, #F4F4F4

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BCBEC0. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #BCBEC0: #BCBEC0, #ABACAD, #9A9A9A, #898887 and #787674

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 2 / 1 / 0 / 25

HEX #BCBEC0

RGB 188 190 192

HSL 210, 0.03%, 0.75%

LAB 76.87, -0.31, -1.26

 

Complementary color

CMYK 0 / 3 / 6 / 74

HEX #43413F

RGB 67 65 63

HSL 30, 0.03%, 0.25%

LAB 27.66, 0.42, 1.51

 

CMYK 0 / 2 / 3 / 24

HEX #C1BEBB

RGB 193 190 187

HSL 30, 0.05%, 0.75%

LAB 77.13, 0.51, 1.87

 

CMYK 0 / 1 / 2 / 18

HEX #D2D0CE

RGB 210 208 206

HSL 30, 0.04%, 0.82%

LAB 83.58, 0.33, 1.22

 

CMYK 0 / 0 / 1 / 11

HEX #E3E2E1

RGB 227 226 225

HSL 30, 0.03%, 0.89%

LAB 89.93, 0.16, 0.6

 

CMYK 0 / 0 / 0 / 4

HEX #F4F4F4

RGB 244 244 244

HSL 0, 0%, 0.96%

LAB 96.19, 0.01, -0.01

RAL® 9003

CMYK 2 / 1 / 0 / 25

HEX #BCBEC0

RGB 188 190 192

HSL 210, 0.03%, 0.75%

LAB 76.87, -0.31, -1.26

 

CMYK 1 / 1 / 0 / 32

HEX #ABACAD

RGB 171 172 173

HSL 210, 0.01%, 0.67%

LAB 70.3, -0.16, -0.64

 

CMYK 0 / 0 / 0 / 40

HEX #9A9A9A

RGB 154 154 154

HSL 0, 0%, 0.6%

LAB 63.6, 0, -0.01

 

CMYK 0 / 1 / 1 / 46

HEX #898887

RGB 137 136 135

HSL 30, 0.01%, 0.53%

LAB 56.76, 0.18, 0.66

 

CMYK 0 / 2 / 3 / 53

HEX #787674

RGB 120 118 116

HSL 30, 0.02%, 0.46%

LAB 49.75, 0.37, 1.36

 

CMYK 2 / 1 / 0 / 25

HEX #BCBEC0

RGB 188 190 192

HSL 210, 0.03%, 0.75%

LAB 76.87, -0.31, -1.26

 

CMYK 2 / 2 / 0 / 24

HEX #BDBEC1

RGB 189 190 193

HSL 225, 0.03%, 0.75%

LAB 76.98, 0.22, -1.64

 

CMYK 2 / 2 / 0 / 24

HEX #BDBDC1

RGB 189 189 193

HSL 240, 0.03%, 0.75%

LAB 76.72, 0.75, -2.02

 

CMYK 2 / 2 / 0 / 24

HEX #BDBDC1

RGB 189 189 193

HSL 240, 0.03%, 0.75%

LAB 76.72, 0.75, -2.02

 

CMYK 2 / 2 / 0 / 24

HEX #BDBDC1

RGB 189 189 193

HSL 240, 0.03%, 0.75%

LAB 76.72, 0.75, -2.02

 

CMYK 2 / 1 / 0 / 25

HEX #BCBEC0

RGB 188 190 192

HSL 210, 0.03%, 0.75%

LAB 76.87, -0.31, -1.26

 

CMYK 2 / 1 / 0 / 5

HEX #EEF0F3

RGB 238 240 243

HSL 216, 0.17%, 0.94%

LAB 94.72, -0.12, -1.69

 

CMYK 3 / 0 / 0 / 85

HEX #262727

RGB 38 39 39

HSL 180, 0.01%, 0.15%

LAB 15.54, -0.45, -0.16

 

CMYK 2 / 1 / 0 / 65

HEX #58595A

RGB 88 89 90

HSL 210, 0.01%, 0.35%

LAB 37.77, -0.18, -0.72

 

CMYK 2 / 1 / 0 / 45

HEX #8A8C8D

RGB 138 140 141

HSL 200, 0.01%, 0.55%

LAB 58.12, -0.53, -0.8

 

CMYK 2 / 1 / 0 / 25

HEX #BCBEC0

RGB 188 190 192

HSL 210, 0.03%, 0.75%

LAB 76.87, -0.31, -1.26

 

CMYK 1 / 2 / 0 / 24

HEX #C0BDC1

RGB 192 189 193

HSL 285, 0.03%, 0.75%

LAB 76.95, 1.79, -1.65

 

CMYK 1 / 0 / 2 / 24

HEX #C0C1BD

RGB 192 193 189

HSL 75, 0.03%, 0.75%

LAB 77.89, -1.08, 1.88

 

CMYK 2 / 1 / 0 / 25

HEX #BCBEC0

RGB 188 190 192

HSL 210, 0.03%, 0.75%

LAB 76.87, -0.31, -1.26

 

CMYK 0 / 2 / 1 / 24

HEX #C1BDBF

RGB 193 189 191

HSL 330, 0.03%, 0.75%

LAB 76.98, 1.77, -0.52

 

CMYK 1 / 0 / 2 / 24

HEX #BFC1BD

RGB 191 193 189

HSL 90, 0.03%, 0.75%

LAB 77.81, -1.43, 1.76

 

CMYK 2 / 1 / 0 / 25

HEX #BCBEC0

RGB 188 190 192

HSL 210, 0.03%, 0.75%

LAB 76.87, -0.31, -1.26

 

CMYK 1 / 2 / 0 / 24

HEX #C0BDC1

RGB 192 189 193

HSL 285, 0.03%, 0.75%

LAB 76.95, 1.79, -1.65

 

CMYK 0 / 1 / 2 / 24

HEX #C1BFBD

RGB 193 191 189

HSL 30, 0.03%, 0.75%

LAB 77.44, 0.34, 1.24

 

CMYK 2 / 0 / 2 / 24

HEX #BEC1BD

RGB 190 193 189

HSL 105, 0.03%, 0.75%

LAB 77.73, -1.77, 1.64

 

CMYK 2 / 1 / 0 / 25

HEX #BCBEC0

RGB 188 190 192

HSL 210, 0.03%, 0.75%

LAB 76.87, -0.31, -1.26

 

CMYK 0 / 2 / 0 / 24

HEX #C1BDC1

RGB 193 189 193

HSL 300, 0.03%, 0.75%

LAB 77.03, 2.14, -1.53

 

CMYK 0 / 1 / 2 / 24

HEX #C1BFBD

RGB 193 191 189

HSL 30, 0.03%, 0.75%

LAB 77.44, 0.34, 1.24

 

CMYK 2 / 0 / 2 / 24

HEX #BDC1BD

RGB 189 193 189

HSL 120, 0.03%, 0.75%

LAB 77.66, -2.12, 1.52

 

Description

Color code: HEX #BCBEC0 | qconv.com Color code: HEX #BCBEC0 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 188 red, 190 green and 192 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
188 190 192 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 2 cyan, 1 magenta, none yellow and 25 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
2% 1% 0% 25% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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