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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BCB92A it is the complementary color #4346D5. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BCB92A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #BCB92A: #C1B925, #D2CB38, #E3DD4B, #F4EF5E and #FFFF71

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BCB92A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #BCB92A: #BCB92A, #ABA717, #9A9504, #898300 and #787100

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 2 / 78 / 26

HEX #BCB92A

RGB 188 185 42

HSL 58.77, 0.63%, 0.45%

LAB 73.26, -14.76, 66.92

 

Complementary color

CMYK 69 / 67 / 0 / 16

HEX #4346D5

RGB 67 70 213

HSL 238.77, 0.63%, 0.55%

LAB 38.51, 44.04, -73.62

 

CMYK 0 / 4 / 81 / 24

HEX #C1B925

RGB 193 185 37

HSL 56.92, 0.68%, 0.45%

LAB 73.66, -12.77, 68.86

 

CMYK 0 / 3 / 73 / 18

HEX #D2CB38

RGB 210 203 56

HSL 57.27, 0.63%, 0.52%

LAB 80.01, -13.88, 69.32

 

CMYK 0 / 3 / 67 / 11

HEX #E3DD4B

RGB 227 221 75

HSL 57.63, 0.73%, 0.59%

LAB 86.28, -14.82, 69.1

 

CMYK 0 / 2 / 61 / 4

HEX #F4EF5E

RGB 244 239 94

HSL 58, 0.87%, 0.66%

LAB 92.48, -15.61, 68.48

 

CMYK 0 / 0 / 56 / 0

HEX #FFFF71

RGB 255 255 113

HSL 60, 1%, 0.72%

LAB 97.62, -17.7, 66.42

 

CMYK 0 / 2 / 78 / 26

HEX #BCB92A

RGB 188 185 42

HSL 58.77, 0.63%, 0.45%

LAB 73.26, -14.76, 66.92

 

CMYK 0 / 2 / 87 / 33

HEX #ABA717

RGB 171 167 23

HSL 58.38, 0.76%, 0.38%

LAB 66.79, -13.55, 65.77

 

CMYK 0 / 3 / 97 / 40

HEX #9A9504

RGB 154 149 4

HSL 58, 0.95%, 0.31%

LAB 60.22, -12.11, 63.2

 

CMYK 0 / 4 / 100 / 46

HEX #898300

RGB 137 131 0

HSL 57.37, 1%, 0.27%

LAB 53.55, -10.36, 58.26

 

CMYK 0 / 6 / 100 / 53

HEX #787100

RGB 120 113 0

HSL 56.5, 1%, 0.24%

LAB 46.72, -8.48, 52.6

 

CMYK 0 / 2 / 78 / 26

HEX #BCB92A

RGB 188 185 42

HSL 58.77, 0.63%, 0.45%

LAB 73.26, -14.76, 66.92

 

CMYK 11 / 0 / 78 / 27

HEX #A7BB2A

RGB 167 187 42

HSL 68.28, 0.63%, 0.45%

LAB 72.18, -24.71, 65.33

 

CMYK 24 / 0 / 78 / 27

HEX #8FBB2A

RGB 143 187 42

HSL 78.21, 0.63%, 0.45%

LAB 70.56, -34.5, 63.25

 

CMYK 36 / 0 / 78 / 27

HEX #77BB2A

RGB 119 187 42

HSL 88.14, 0.63%, 0.45%

LAB 69.21, -43.54, 61.49

 

CMYK 49 / 0 / 78 / 27

HEX #5FBB2A

RGB 95 187 42

HSL 98.07, 0.63%, 0.45%

LAB 68.12, -51.44, 60.09

 

CMYK 0 / 2 / 78 / 26

HEX #BCB92A

RGB 188 185 42

HSL 58.77, 0.63%, 0.45%

LAB 73.26, -14.76, 66.92

 

CMYK 0 / 2 / 78 / 6

HEX #EFEB35

RGB 239 235 53

HSL 58.71, 0.85%, 0.57%

LAB 90.79, -17.66, 80.94

 

CMYK 0 / 3 / 77 / 86

HEX #232208

RGB 35 34 8

HSL 57.78, 0.63%, 0.08%

LAB 12.73, -3.98, 15.45

 

CMYK 0 / 1 / 78 / 66

HEX #565513

RGB 86 85 19

HSL 59.1, 0.64%, 0.21%

LAB 35.05, -8.44, 36.31

 

CMYK 0 / 1 / 77 / 46

HEX #89871F

RGB 137 135 31

HSL 58.87, 0.63%, 0.33%

LAB 54.81, -11.69, 52.06

 

CMYK 0 / 2 / 78 / 26

HEX #BCB92A

RGB 188 185 42

HSL 58.77, 0.63%, 0.45%

LAB 73.26, -14.76, 66.92

 

CMYK 78 / 0 / 65 / 27

HEX #2ABB42

RGB 42 187 66

HSL 129.93, 0.63%, 0.45%

LAB 66.84, -61.14, 49.28

 

CMYK 34 / 78 / 0 / 27

HEX #7C2ABB

RGB 124 42 187

HSL 273.93, 0.63%, 0.45%

LAB 36.98, 59.34, -60.76

 

CMYK 0 / 2 / 78 / 26

HEX #BCB92A

RGB 188 185 42

HSL 58.77, 0.63%, 0.45%

LAB 73.26, -14.76, 66.92

 

CMYK 78 / 0 / 3 / 27

HEX #2ABBB6

RGB 42 187 182

HSL 177.93, 0.63%, 0.45%

LAB 69.05, -37.22, -8.11

 

CMYK 3 / 78 / 0 / 27

HEX #B62ABB

RGB 182 42 187

HSL 297.93, 0.63%, 0.45%

LAB 45.89, 70.18, -45.94

 

CMYK 0 / 2 / 78 / 26

HEX #BCB92A

RGB 188 185 42

HSL 58.77, 0.63%, 0.45%

LAB 73.26, -14.76, 66.92

 

CMYK 78 / 0 / 65 / 27

HEX #2ABB42

RGB 42 187 66

HSL 129.93, 0.63%, 0.45%

LAB 66.84, -61.14, 49.28

 

CMYK 78 / 75 / 0 / 27

HEX #2A2FBB

RGB 42 47 187

HSL 237.93, 0.63%, 0.45%

LAB 29.7, 46.26, -73.02

 

CMYK 0 / 78 / 13 / 27

HEX #BB2AA2

RGB 187 42 162

HSL 310.34, 0.63%, 0.45%

LAB 45.4, 67.42, -31.89

 

CMYK 0 / 2 / 78 / 26

HEX #BCB92A

RGB 188 185 42

HSL 58.77, 0.63%, 0.45%

LAB 73.26, -14.76, 66.92

 

CMYK 78 / 0 / 42 / 27

HEX #2ABB6D

RGB 42 187 109

HSL 147.72, 0.63%, 0.45%

LAB 67.38, -54.81, 29.12

 

CMYK 78 / 75 / 0 / 27

HEX #2A2FBB

RGB 42 47 187

HSL 237.93, 0.63%, 0.45%

LAB 29.7, 46.26, -73.02

 

CMYK 0 / 78 / 36 / 27

HEX #BB2A77

RGB 187 42 119

HSL 328.14, 0.63%, 0.45%

LAB 43.58, 62.03, -8.58

 

Description

Color code: HEX #BCB92A | qconv.com Color code: HEX #BCB92A | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 188 red, 185 green and 42 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
188 185 42 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 2 magenta, 78 yellow and 26 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 2% 78% 26% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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