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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BCA8EC it is the complementary color #435713. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BCA8EC. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BCA8EC shade: #C1A8E7, #D2BAFA, #E3CCFF, #F4DEFF and #FFF0FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BCA8EC. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BCA8EC shade: #BCA8EC, #AB96D9, #9A84C6, #8972B3 and #7860A0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BCA8EC shade: #BBA7EC, #CEA7EC, #E0A7EC, #ECA7E5 and #ECA7D2

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BCA8EC shade: #BBA7EC, #A9A7EC and #A7A7EC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BCA8EC shade matches the following richer shades: #BBA7EC, #B89FF4 and #B496FD

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BCA8EC shade: #BBA7EC, #BFB0E3, #C2B9DA, #C6C1D2 and #CACAC9

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BCA8EC shade: #A7B8EC, #A8A7EC, #BBA7EC, #CDA7EC and #DFA7EC

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BCA8EC shade: #8764DD, #A185E4, #BBA7EC, #D5C9F3 and #EFEBFB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BCA8EC shade: #BCA8EC, #ECA7CB and #AFECA7

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BCA8EC shade: #BCA8EC, #ECBBA7 and #A7ECBB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BCA8EC shade: #BCA8EC, #ECA7CB, #D8ECA7 and #A7ECC8

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BCA8EC shade: #BCA8EC, #ECA7B6, #D8ECA7 and #A7ECDD

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 20 / 29 / 0 / 7

HEX #BCA8EC

RGB 188 168 236

HSL 257.65, 0.64%, 0.79%

LAB 72.73, 20.86, -31.44

 

Complementary color

CMYK 23 / 0 / 78 / 66

HEX #435713

RGB 67 87 19

HSL 77.65, 0.64%, 0.21%

LAB 34.1, -18.65, 34.84

 

CMYK 16 / 27 / 0 / 9

HEX #C1A8E7

RGB 193 168 231

HSL 263.81, 0.57%, 0.78%

LAB 72.97, 21.28, -28.31

 

CMYK 16 / 26 / 0 / 2

HEX #D2BAFA

RGB 210 186 250

HSL 262.5, 0.86%, 0.85%

LAB 79.46, 20.77, -28.5

 

CMYK 11 / 20 / 0 / 0

HEX #E3CCFF

RGB 227 204 255

HSL 267.06, 1%, 0.9%

LAB 85.37, 17.41, -22.02

 

CMYK 4 / 13 / 0 / 0

HEX #F4DEFF

RGB 244 222 255

HSL 280, 1%, 0.94%

LAB 91.1, 13.36, -13.26

 

CMYK 0 / 6 / 0 / 0

HEX #FFF0FF

RGB 255 240 255

HSL 300, 1%, 0.97%

LAB 96.33, 7.63, -5.4

 

CMYK 20 / 29 / 0 / 7

HEX #BCA8EC

RGB 188 168 236

HSL 257.65, 0.64%, 0.79%

LAB 72.73, 20.86, -31.44

 

CMYK 21 / 31 / 0 / 15

HEX #AB96D9

RGB 171 150 217

HSL 258.81, 0.47%, 0.72%

LAB 66.12, 21.43, -31.33

 

CMYK 22 / 33 / 0 / 22

HEX #9A84C6

RGB 154 132 198

HSL 260, 0.37%, 0.65%

LAB 59.39, 22.05, -31.26

 

CMYK 23 / 36 / 0 / 30

HEX #8972B3

RGB 137 114 179

HSL 261.23, 0.3%, 0.57%

LAB 52.52, 22.75, -31.21

 

CMYK 25 / 40 / 0 / 37

HEX #7860A0

RGB 120 96 160

HSL 262.5, 0.25%, 0.5%

LAB 45.49, 23.53, -31.2

 

CMYK 21 / 29 / 0 / 7

HEX #BBA7EC

RGB 187 167 236

HSL 257.39, 0.64%, 0.79%

LAB 72.4, 21.11, -31.95

 

CMYK 13 / 29 / 0 / 7

HEX #CEA7EC

RGB 206 167 236

HSL 273.91, 0.64%, 0.79%

LAB 74.07, 26.93, -29.24

 

CMYK 5 / 29 / 0 / 7

HEX #E0A7EC

RGB 224 167 236

HSL 289.57, 0.64%, 0.79%

LAB 75.79, 32.57, -26.46

 

CMYK 0 / 29 / 3 / 7

HEX #ECA7E5

RGB 236 167 229

HSL 306.09, 0.64%, 0.79%

LAB 76.76, 35.11, -21.07

 

CMYK 0 / 29 / 11 / 7

HEX #ECA7D2

RGB 236 167 210

HSL 322.61, 0.64%, 0.79%

LAB 76.14, 31.85, -11.65

 

CMYK 21 / 29 / 0 / 7

HEX #BBA7EC

RGB 187 167 236

HSL 257.39, 0.64%, 0.79%

LAB 72.4, 21.11, -31.95

 

CMYK 28 / 29 / 0 / 7

HEX #A9A7EC

RGB 169 167 236

HSL 241.74, 0.64%, 0.79%

LAB 70.96, 15.8, -34.3

 

CMYK 29 / 29 / 0 / 7

HEX #A7A7EC

RGB 167 167 236

HSL 240, 0.64%, 0.79%

LAB 70.81, 15.22, -34.54

 

CMYK 21 / 29 / 0 / 7

HEX #BBA7EC

RGB 187 167 236

HSL 257.39, 0.64%, 0.79%

LAB 72.4, 21.11, -31.95

 

CMYK 25 / 35 / 0 / 4

HEX #B89FF4

RGB 184 159 244

HSL 257.65, 0.79%, 0.79%

LAB 70.54, 26.53, -39.22

 

CMYK 29 / 41 / 0 / 1

HEX #B496FD

RGB 180 150 253

HSL 257.48, 0.96%, 0.79%

LAB 68.47, 32.59, -47.39

 

CMYK 21 / 29 / 0 / 7

HEX #BBA7EC

RGB 187 167 236

HSL 257.39, 0.64%, 0.79%

LAB 72.4, 21.11, -31.95

 

CMYK 16 / 22 / 0 / 11

HEX #BFB0E3

RGB 191 176 227

HSL 257.65, 0.48%, 0.79%

LAB 74.62, 15.38, -23.62

 

CMYK 11 / 15 / 0 / 15

HEX #C2B9DA

RGB 194 185 218

HSL 256.36, 0.31%, 0.79%

LAB 76.82, 9.52, -15.39

 

CMYK 6 / 8 / 0 / 18

HEX #C6C1D2

RGB 198 193 210

HSL 257.65, 0.16%, 0.79%

LAB 78.93, 4.93, -7.88

 

CMYK 0 / 0 / 0 / 21

HEX #CACAC9

RGB 202 202 201

HSL 60, 0.01%, 0.79%

LAB 81.3, -0.18, 0.49

 

CMYK 29 / 22 / 0 / 7

HEX #A7B8EC

RGB 167 184 236

HSL 225.22, 0.64%, 0.79%

LAB 75.17, 5.79, -27.81

 

CMYK 29 / 29 / 0 / 7

HEX #A8A7EC

RGB 168 167 236

HSL 240.87, 0.64%, 0.79%

LAB 70.88, 15.51, -34.42

 

CMYK 21 / 29 / 0 / 7

HEX #BBA7EC

RGB 187 167 236

HSL 257.39, 0.64%, 0.79%

LAB 72.4, 21.11, -31.95

 

CMYK 13 / 29 / 0 / 7

HEX #CDA7EC

RGB 205 167 236

HSL 273.04, 0.64%, 0.79%

LAB 73.98, 26.62, -29.39

 

CMYK 6 / 29 / 0 / 7

HEX #DFA7EC

RGB 223 167 236

HSL 288.7, 0.64%, 0.79%

LAB 75.69, 32.25, -26.62

 

CMYK 39 / 55 / 0 / 13

HEX #8764DD

RGB 135 100 221

HSL 257.36, 0.64%, 0.63%

LAB 51.25, 41.23, -57.25

 

CMYK 29 / 42 / 0 / 11

HEX #A185E4

RGB 161 133 228

HSL 257.68, 0.64%, 0.71%

LAB 61.61, 30.83, -44.54

 

CMYK 21 / 29 / 0 / 7

HEX #BBA7EC

RGB 187 167 236

HSL 257.39, 0.64%, 0.79%

LAB 72.4, 21.11, -31.95

 

CMYK 12 / 17 / 0 / 5

HEX #D5C9F3

RGB 213 201 243

HSL 257.14, 0.64%, 0.87%

LAB 83.12, 12.15, -19.16

 

CMYK 5 / 6 / 0 / 2

HEX #EFEBFB

RGB 239 235 251

HSL 255, 0.67%, 0.95%

LAB 93.77, 4.23, -7.24

 

CMYK 20 / 29 / 0 / 7

HEX #BCA8EC

RGB 188 168 236

HSL 257.65, 0.64%, 0.79%

LAB 72.73, 20.86, -31.44

 

CMYK 0 / 29 / 14 / 7

HEX #ECA7CB

RGB 236 167 203

HSL 328.7, 0.64%, 0.79%

LAB 75.94, 30.71, -8.14

 

CMYK 26 / 0 / 29 / 7

HEX #AFECA7

RGB 175 236 167

HSL 113.04, 0.64%, 0.79%

LAB 87.92, -32.15, 27.42

 

CMYK 20 / 29 / 0 / 7

HEX #BCA8EC

RGB 188 168 236

HSL 257.65, 0.64%, 0.79%

LAB 72.73, 20.86, -31.44

 

CMYK 0 / 21 / 29 / 7

HEX #ECBBA7

RGB 236 187 167

HSL 17.39, 0.64%, 0.79%

LAB 79.71, 14.8, 16.84

 

CMYK 29 / 0 / 21 / 7

HEX #A7ECBB

RGB 167 236 187

HSL 137.39, 0.64%, 0.79%

LAB 87.87, -31.31, 16.98

 

CMYK 20 / 29 / 0 / 7

HEX #BCA8EC

RGB 188 168 236

HSL 257.65, 0.64%, 0.79%

LAB 72.73, 20.86, -31.44

 

CMYK 0 / 29 / 14 / 7

HEX #ECA7CB

RGB 236 167 203

HSL 328.7, 0.64%, 0.79%

LAB 75.94, 30.71, -8.14

 

CMYK 8 / 0 / 29 / 7

HEX #D8ECA7

RGB 216 236 167

HSL 77.39, 0.64%, 0.79%

LAB 90.5, -17.87, 31.34

 

CMYK 29 / 0 / 15 / 7

HEX #A7ECC8

RGB 167 236 200

HSL 148.7, 0.64%, 0.79%

LAB 88.15, -28.86, 10.61

 

CMYK 20 / 29 / 0 / 7

HEX #BCA8EC

RGB 188 168 236

HSL 257.65, 0.64%, 0.79%

LAB 72.73, 20.86, -31.44

 

CMYK 0 / 29 / 23 / 7

HEX #ECA7B6

RGB 236 167 182

HSL 346.96, 0.64%, 0.79%

LAB 75.36, 27.51, 2.51

 

CMYK 8 / 0 / 29 / 7

HEX #D8ECA7

RGB 216 236 167

HSL 77.39, 0.64%, 0.79%

LAB 90.5, -17.87, 31.34

 

CMYK 29 / 0 / 6 / 7

HEX #A7ECDD

RGB 167 236 221

HSL 166.96, 0.64%, 0.79%

LAB 88.65, -24.6, 0.36

 

Description

Color code: HEX #BCA8EC | qconv.com Color code: HEX #BCA8EC | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 188 red, 168 green and 236 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
188 168 236 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 20 cyan, 29 magenta, none yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
20% 29% 0% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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