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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BBB606 it is the complementary color #4449F9. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BBB606. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #BBB606: #C0B601, #D1C814, #E2DA27, #F3EC3A and #FFFE4D

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BBB606. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #BBB606: #BBB606, #AAA400, #999200, #888000 and #776E00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 3 / 97 / 27

HEX #BBB606

RGB 187 182 6

HSL 58.34, 0.94%, 0.38%

LAB 72.25, -14.48, 73.17

 

Complementary color

CMYK 73 / 71 / 0 / 2

HEX #4449F9

RGB 68 73 249

HSL 238.34, 0.94%, 0.62%

LAB 42.51, 54.16, -87.47

 

CMYK 0 / 5 / 99 / 25

HEX #C0B601

RGB 192 182 1

HSL 56.86, 0.99%, 0.38%

LAB 72.67, -12.34, 74.23

 

CMYK 0 / 4 / 90 / 18

HEX #D1C814

RGB 209 200 20

HSL 57.14, 0.83%, 0.45%

LAB 78.99, -13.85, 77.37

 

CMYK 0 / 4 / 83 / 11

HEX #E2DA27

RGB 226 218 39

HSL 57.43, 0.76%, 0.52%

LAB 85.23, -15.18, 79.31

 

CMYK 0 / 3 / 76 / 5

HEX #F3EC3A

RGB 243 236 58

HSL 57.73, 0.89%, 0.59%

LAB 91.39, -16.32, 80.17

 

CMYK 0 / 0 / 70 / 0

HEX #FFFE4D

RGB 255 254 77

HSL 59.66, 1%, 0.65%

LAB 97.1, -19.33, 79.81

 

CMYK 0 / 3 / 97 / 27

HEX #BBB606

RGB 187 182 6

HSL 58.34, 0.94%, 0.38%

LAB 72.25, -14.48, 73.17

 

CMYK 0 / 4 / 100 / 33

HEX #AAA400

RGB 170 164 0

HSL 57.88, 1%, 0.33%

LAB 65.82, -12.81, 68.51

 

CMYK 0 / 5 / 100 / 40

HEX #999200

RGB 153 146 0

HSL 57.25, 1%, 0.3%

LAB 59.28, -11.03, 63.08

 

CMYK 0 / 6 / 100 / 47

HEX #888000

RGB 136 128 0

HSL 56.47, 1%, 0.27%

LAB 52.59, -9.19, 57.53

 

CMYK 0 / 8 / 100 / 53

HEX #776E00

RGB 119 110 0

HSL 55.46, 1%, 0.23%

LAB 45.74, -7.28, 51.85

 

CMYK 0 / 3 / 97 / 27

HEX #BBB606

RGB 187 182 6

HSL 58.34, 0.94%, 0.38%

LAB 72.25, -14.48, 73.17

 

CMYK 13 / 0 / 97 / 27

HEX #A3BB05

RGB 163 187 5

HSL 67.91, 0.95%, 0.38%

LAB 71.78, -27.31, 72.1

 

CMYK 29 / 0 / 97 / 27

HEX #85BB05

RGB 133 187 5

HSL 77.8, 0.95%, 0.38%

LAB 69.85, -39.47, 69.77

 

CMYK 45 / 0 / 97 / 27

HEX #66BB05

RGB 102 187 5

HSL 88.02, 0.95%, 0.38%

LAB 68.3, -50.53, 67.89

 

CMYK 61 / 0 / 97 / 27

HEX #48BB05

RGB 72 187 5

HSL 97.91, 0.95%, 0.38%

LAB 67.22, -59.02, 66.58

 

CMYK 0 / 3 / 97 / 27

HEX #BBB606

RGB 187 182 6

HSL 58.34, 0.94%, 0.38%

LAB 72.25, -14.48, 73.17

 

CMYK 0 / 3 / 97 / 7

HEX #EEE808

RGB 238 232 8

HSL 58.43, 0.93%, 0.48%

LAB 89.82, -17.49, 87.9

 

CMYK 0 / 3 / 97 / 87

HEX #222101

RGB 34 33 1

HSL 58.18, 0.94%, 0.07%

LAB 12.16, -4.64, 17.51

 

CMYK 0 / 2 / 96 / 67

HEX #555303

RGB 85 83 3

HSL 58.54, 0.93%, 0.17%

LAB 34.24, -8.42, 40.99

 

CMYK 0 / 3 / 97 / 47

HEX #888404

RGB 136 132 4

HSL 58.18, 0.94%, 0.27%

LAB 53.76, -11.29, 57.66

 

CMYK 0 / 3 / 97 / 27

HEX #BBB606

RGB 187 182 6

HSL 58.34, 0.94%, 0.38%

LAB 72.25, -14.48, 73.17

 

CMYK 97 / 0 / 81 / 27

HEX #05BB24

RGB 5 187 36

HSL 130.22, 0.95%, 0.38%

LAB 66.29, -66.77, 59.52

 

CMYK 42 / 97 / 0 / 27

HEX #6D05BB

RGB 109 5 187

HSL 274.29, 0.95%, 0.38%

LAB 31.69, 66.62, -69.51

 

CMYK 0 / 3 / 97 / 27

HEX #BBB606

RGB 187 182 6

HSL 58.34, 0.94%, 0.38%

LAB 72.25, -14.48, 73.17

 

CMYK 97 / 0 / 3 / 27

HEX #05BBB5

RGB 5 187 181

HSL 178.02, 0.95%, 0.38%

LAB 68.69, -39.73, -8.13

 

CMYK 3 / 97 / 0 / 27

HEX #B505BB

RGB 181 5 187

HSL 298.02, 0.95%, 0.38%

LAB 43.54, 76.39, -49.72

 

CMYK 0 / 3 / 97 / 27

HEX #BBB606

RGB 187 182 6

HSL 58.34, 0.94%, 0.38%

LAB 72.25, -14.48, 73.17

 

CMYK 97 / 0 / 81 / 27

HEX #05BB24

RGB 5 187 36

HSL 130.22, 0.95%, 0.38%

LAB 66.29, -66.77, 59.52

 

CMYK 97 / 94 / 0 / 27

HEX #050BBB

RGB 5 11 187

HSL 238.02, 0.95%, 0.38%

LAB 23.2, 60.2, -83.86

 

CMYK 0 / 97 / 16 / 27

HEX #BB059D

RGB 187 5 157

HSL 309.89, 0.95%, 0.38%

LAB 42.93, 73.2, -32.78

 

CMYK 0 / 3 / 97 / 27

HEX #BBB606

RGB 187 182 6

HSL 58.34, 0.94%, 0.38%

LAB 72.25, -14.48, 73.17

 

CMYK 97 / 0 / 52 / 27

HEX #05BB5A

RGB 5 187 90

HSL 148.02, 0.95%, 0.38%

LAB 66.76, -60.92, 37.93

 

CMYK 97 / 94 / 0 / 27

HEX #050BBB

RGB 5 11 187

HSL 238.02, 0.95%, 0.38%

LAB 23.2, 60.2, -83.86

 

CMYK 0 / 97 / 45 / 27

HEX #BB0566

RGB 187 5 102

HSL 328.02, 0.95%, 0.38%

LAB 40.63, 67.26, -2.36

 

Description

Color code: HEX #BBB606 | qconv.com Color code: HEX #BBB606 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 187 red, 182 green and 6 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
187 182 6 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 3 magenta, 97 yellow and 27 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 3% 97% 27% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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