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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BB7A8C it is the complementary color #448573. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BB7A8C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BB7A8C shade: #C07A87, #D18C9A, #E29EAD, #F3B0C0 and #FFC2D3

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BB7A8C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BB7A8C shade: #BB7A8C, #AA6879, #995666, #884453 and #773240

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BB7A8C shade: #BB7C8D and #BB7C7C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BB7A8C shade: #BB7C8D, #BB7C9F, #BB7CB0, #B67CBB and #A57CBB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BB7A8C shade matches the following richer shades: #BB7C8D, #CB6C86, #DC5C7F, #EC4B78 and #FC3B71

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BB7A8C shade: #BB7C8D, #AB8C95, #9B9C9C, #8BACA3 and #7BBCAA

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BB7A8C shade: #BB7CB0, #BB7C9F, #BB7C8E, #BB7C7D and #BB8C7C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BB7A8C shade: #974E62, #AD6076, #BB7C8D, #C997A5 and #D7B2BD

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BB7A8C shade: #BB7A8C, #BBB67C and #7CA7BB

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BB7A8C shade: #BB7A8C, #8EBB7C and #7C8EBB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BB7A8C shade: #BB7A8C, #BBB67C, #7CBBA9 and #7C81BB

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BB7A8C shade: #BB7A8C, #AEBB7C, #7CBBA9 and #8A7CBB

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 35 / 25 / 27

HEX #BB7A8C

RGB 187 122 140

HSL 343.38, 0.32%, 0.61%

LAB 58.39, 27.85, 0.77

 

Complementary color

CMYK 49 / 0 / 14 / 48

HEX #448573

RGB 68 133 115

HSL 163.38, 0.32%, 0.39%

LAB 50.97, -25.45, 3.31

 

CMYK 0 / 36 / 30 / 25

HEX #C07A87

RGB 192 122 135

HSL 348.86, 0.36%, 0.62%

LAB 58.86, 29.01, 4.41

 

CMYK 0 / 33 / 26 / 18

HEX #D18C9A

RGB 209 140 154

HSL 347.83, 0.43%, 0.68%

LAB 65.47, 28.17, 3.37

 

CMYK 0 / 30 / 23 / 11

HEX #E29EAD

RGB 226 158 173

HSL 346.76, 0.54%, 0.75%

LAB 71.99, 27.4, 2.44

 

CMYK 0 / 28 / 21 / 5

HEX #F3B0C0

RGB 243 176 192

HSL 345.67, 0.74%, 0.82%

LAB 78.41, 26.7, 1.58

 

CMYK 0 / 24 / 17 / 0

HEX #FFC2D3

RGB 255 194 211

HSL 343.28, 1%, 0.88%

LAB 84.25, 24.29, 0

 

CMYK 0 / 35 / 25 / 27

HEX #BB7A8C

RGB 187 122 140

HSL 343.38, 0.32%, 0.61%

LAB 58.39, 27.85, 0.77

 

CMYK 0 / 39 / 29 / 33

HEX #AA6879

RGB 170 104 121

HSL 344.55, 0.28%, 0.54%

LAB 51.64, 28.71, 1.81

 

CMYK 0 / 44 / 33 / 40

HEX #995666

RGB 153 86 102

HSL 345.67, 0.28%, 0.47%

LAB 44.78, 29.65, 3.01

 

CMYK 0 / 50 / 39 / 47

HEX #884453

RGB 136 68 83

HSL 346.76, 0.33%, 0.4%

LAB 37.83, 30.65, 4.46

 

CMYK 0 / 58 / 46 / 53

HEX #773240

RGB 119 50 64

HSL 347.83, 0.41%, 0.33%

LAB 30.82, 31.66, 6.3

 

CMYK 0 / 34 / 25 / 27

HEX #BB7C8D

RGB 187 124 141

HSL 343.81, 0.32%, 0.61%

LAB 58.88, 26.89, 0.91

 

CMYK 0 / 34 / 34 / 27

HEX #BB7C7C

RGB 187 124 124

HSL 0, 0.32%, 0.61%

LAB 58.45, 24.53, 10.08

 

CMYK 0 / 34 / 25 / 27

HEX #BB7C8D

RGB 187 124 141

HSL 343.81, 0.32%, 0.61%

LAB 58.88, 26.89, 0.91

 

CMYK 0 / 34 / 15 / 27

HEX #BB7C9F

RGB 187 124 159

HSL 326.67, 0.32%, 0.61%

LAB 59.42, 29.71, -8.67

 

CMYK 0 / 34 / 6 / 27

HEX #BB7CB0

RGB 187 124 176

HSL 310.48, 0.32%, 0.61%

LAB 59.99, 32.66, -17.54

 

CMYK 3 / 34 / 0 / 27

HEX #B67CBB

RGB 182 124 187

HSL 295.24, 0.32%, 0.61%

LAB 59.84, 33.07, -24.09

 

CMYK 12 / 34 / 0 / 27

HEX #A57CBB

RGB 165 124 187

HSL 279.05, 0.32%, 0.61%

LAB 58.04, 27.59, -27.02

 

CMYK 0 / 34 / 25 / 27

HEX #BB7C8D

RGB 187 124 141

HSL 343.81, 0.32%, 0.61%

LAB 58.88, 26.89, 0.91

 

CMYK 0 / 47 / 34 / 20

HEX #CB6C86

RGB 203 108 134

HSL 343.58, 0.48%, 0.61%

LAB 57.21, 40.38, 2.79

 

CMYK 0 / 58 / 42 / 14

HEX #DC5C7F

RGB 220 92 127

HSL 343.59, 0.65%, 0.61%

LAB 56.49, 53.2, 6.16

 

CMYK 0 / 68 / 49 / 7

HEX #EC4B78

RGB 236 75 120

HSL 343.23, 0.81%, 0.61%

LAB 56.31, 64.57, 10.4

 

CMYK 0 / 77 / 55 / 1

HEX #FC3B71

RGB 252 59 113

HSL 343.21, 0.97%, 0.61%

LAB 57.09, 73.75, 16.06

 

CMYK 0 / 34 / 25 / 27

HEX #BB7C8D

RGB 187 124 141

HSL 343.81, 0.32%, 0.61%

LAB 58.88, 26.89, 0.91

 

CMYK 0 / 18 / 13 / 33

HEX #AB8C95

RGB 171 140 149

HSL 342.58, 0.16%, 0.61%

LAB 61.29, 13.21, -0.37

 

CMYK 1 / 0 / 0 / 39

HEX #9B9C9C

RGB 155 156 156

HSL 180, 0.01%, 0.61%

LAB 64.28, -0.36, -0.13

 

CMYK 19 / 0 / 5 / 33

HEX #8BACA3

RGB 139 172 163

HSL 163.64, 0.17%, 0.61%

LAB 67.75, -13.13, 0.89

 

CMYK 35 / 0 / 10 / 26

HEX #7BBCAA

RGB 123 188 170

HSL 163.38, 0.33%, 0.61%

LAB 71.61, -24.76, 2.53

 

CMYK 0 / 34 / 6 / 27

HEX #BB7CB0

RGB 187 124 176

HSL 310.48, 0.32%, 0.61%

LAB 59.99, 32.66, -17.54

 

CMYK 0 / 34 / 15 / 27

HEX #BB7C9F

RGB 187 124 159

HSL 326.67, 0.32%, 0.61%

LAB 59.42, 29.71, -8.67

 

CMYK 0 / 34 / 24 / 27

HEX #BB7C8E

RGB 187 124 142

HSL 342.86, 0.32%, 0.61%

LAB 58.91, 27.04, 0.37

 

CMYK 0 / 34 / 33 / 27

HEX #BB7C7D

RGB 187 124 125

HSL 359.05, 0.32%, 0.61%

LAB 58.47, 24.66, 9.54

 

CMYK 0 / 25 / 34 / 27

HEX #BB8C7C

RGB 187 140 124

HSL 15.24, 0.32%, 0.61%

LAB 62.32, 15.64, 15.5

 

CMYK 0 / 48 / 35 / 41

HEX #974E62

RGB 151 78 98

HSL 343.56, 0.32%, 0.45%

LAB 42.63, 32.78, 2.31

 

CMYK 0 / 45 / 32 / 32

HEX #AD6076

RGB 173 96 118

HSL 342.86, 0.32%, 0.53%

LAB 50.17, 33.82, 1.5

 

CMYK 0 / 34 / 25 / 27

HEX #BB7C8D

RGB 187 124 141

HSL 343.81, 0.32%, 0.61%

LAB 58.88, 26.89, 0.91

 

CMYK 0 / 25 / 18 / 21

HEX #C997A5

RGB 201 151 165

HSL 343.2, 0.32%, 0.69%

LAB 67.48, 20.86, -0

 

CMYK 0 / 17 / 12 / 16

HEX #D7B2BD

RGB 215 178 189

HSL 342.16, 0.32%, 0.77%

LAB 76.05, 15.13, -0.57

 

CMYK 0 / 35 / 25 / 27

HEX #BB7A8C

RGB 187 122 140

HSL 343.38, 0.32%, 0.61%

LAB 58.39, 27.85, 0.77

 

CMYK 0 / 3 / 34 / 27

HEX #BBB67C

RGB 187 182 124

HSL 55.24, 0.32%, 0.61%

LAB 73.2, -7.14, 30.21

 

CMYK 34 / 11 / 0 / 27

HEX #7CA7BB

RGB 124 167 187

HSL 199.05, 0.32%, 0.61%

LAB 66.14, -9.52, -14.93

 

CMYK 0 / 35 / 25 / 27

HEX #BB7A8C

RGB 187 122 140

HSL 343.38, 0.32%, 0.61%

LAB 58.39, 27.85, 0.77

 

CMYK 24 / 0 / 34 / 27

HEX #8EBB7C

RGB 142 187 124

HSL 102.86, 0.32%, 0.61%

LAB 71.38, -26.78, 27.21

 

CMYK 34 / 24 / 0 / 27

HEX #7C8EBB

RGB 124 142 187

HSL 222.86, 0.32%, 0.61%

LAB 59.18, 4.46, -25.55

 

CMYK 0 / 35 / 25 / 27

HEX #BB7A8C

RGB 187 122 140

HSL 343.38, 0.32%, 0.61%

LAB 58.39, 27.85, 0.77

 

CMYK 0 / 3 / 34 / 27

HEX #BBB67C

RGB 187 182 124

HSL 55.24, 0.32%, 0.61%

LAB 73.2, -7.14, 30.21

 

CMYK 34 / 0 / 10 / 27

HEX #7CBBA9

RGB 124 187 169

HSL 162.86, 0.32%, 0.61%

LAB 71.34, -24.2, 2.7

 

CMYK 34 / 31 / 0 / 27

HEX #7C81BB

RGB 124 129 187

HSL 235.24, 0.32%, 0.61%

LAB 55.66, 12.05, -31

 

CMYK 0 / 35 / 25 / 27

HEX #BB7A8C

RGB 187 122 140

HSL 343.38, 0.32%, 0.61%

LAB 58.39, 27.85, 0.77

 

CMYK 7 / 0 / 34 / 27

HEX #AEBB7C

RGB 174 187 124

HSL 72.38, 0.32%, 0.61%

LAB 73.54, -14.84, 30.47

 

CMYK 34 / 0 / 10 / 27

HEX #7CBBA9

RGB 124 187 169

HSL 162.86, 0.32%, 0.61%

LAB 71.34, -24.2, 2.7

 

CMYK 26 / 34 / 0 / 27

HEX #8A7CBB

RGB 138 124 187

HSL 253.33, 0.32%, 0.61%

LAB 55.49, 19.15, -31.17

 

Description

Color code: HEX #BB7A8C | qconv.com Color code: HEX #BB7A8C | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 187 red, 122 green and 140 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
187 122 140 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 35 magenta, 25 yellow and 27 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 35% 25% 27% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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