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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BA2DC8 it is the complementary color #45D237. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BA2DC8. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BA2DC8 shade: #BF2DC3, #D03FD6, #E151E9, #F263FC and #FF75FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BA2DC8. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BA2DC8 shade: #BA2DC8, #A91BB5, #9809A2, #87008F and #76007C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BA2DC8 shade: #BA2DC8, #C82DAC, #C82D82, #C82D59 and #C82D2F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BA2DC8 shade: #BA2DC8, #902DC8, #662DC8, #3D2DC8 and #2D2DC8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BA2DC8 shade matches the following richer shades: #BA2DC8, #CA19DB and #DA06EF

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BA2DC8 shade: #BA2DC8, #A941B4, #9955A0, #89698C and #797D78

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BA2DC8 shade: #662DC8, #8F2DC8, #B82DC8, #C82DAE and #C82D85

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BA2DC8 shade: #7B1E84, #9A26A6, #BA2DC8, #C948D6 and #D36ADD

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BA2DC8 shade: #BA2DC8, #C83D2D and #2DC87A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BA2DC8 shade: #BA2DC8, #C8B82D and #2DC8B8

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BA2DC8 shade: #BA2DC8, #C83D2D, #3DC82D and #2DB8C8

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BA2DC8 shade: #BA2DC8, #C86B2D, #3DC82D and #2D8AC8

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 7 / 78 / 0 / 22

HEX #BA2DC8

RGB 186 45 200

HSL 294.58, 0.63%, 0.48%

LAB 47.61, 72.27, -50.73

 

Complementary color

CMYK 67 / 0 / 74 / 18

HEX #45D237

RGB 69 210 55

HSL 114.58, 0.63%, 0.52%

LAB 74.59, -65.12, 61.85

 

CMYK 2 / 77 / 0 / 24

HEX #BF2DC3

RGB 191 45 195

HSL 298.4, 0.63%, 0.47%

LAB 48.13, 72.43, -46.95

 

CMYK 3 / 71 / 0 / 16

HEX #D03FD6

RGB 208 63 214

HSL 297.62, 0.65%, 0.54%

LAB 53.84, 73.45, -48.62

 

CMYK 3 / 65 / 0 / 9

HEX #E151E9

RGB 225 81 233

HSL 296.84, 0.78%, 0.62%

LAB 59.69, 73.87, -49.89

 

CMYK 4 / 61 / 0 / 1

HEX #F263FC

RGB 242 99 252

HSL 296.08, 0.96%, 0.69%

LAB 65.62, 73.89, -50.88

 

CMYK 0 / 54 / 0 / 0

HEX #FF75FF

RGB 255 117 255

HSL 300, 1%, 0.73%

LAB 70.32, 69.92, -45

 

CMYK 7 / 78 / 0 / 22

HEX #BA2DC8

RGB 186 45 200

HSL 294.58, 0.63%, 0.48%

LAB 47.61, 72.27, -50.73

 

CMYK 7 / 85 / 0 / 29

HEX #A91BB5

RGB 169 27 181

HSL 295.32, 0.74%, 0.41%

LAB 42.09, 70.4, -48.63

 

CMYK 6 / 94 / 0 / 36

HEX #9809A2

RGB 152 9 162

HSL 296.08, 0.89%, 0.34%

LAB 36.89, 67.26, -45.79

 

CMYK 6 / 100 / 0 / 44

HEX #87008F

RGB 135 0 143

HSL 296.64, 1%, 0.28%

LAB 32.11, 62.53, -42.04

 

CMYK 5 / 100 / 0 / 51

HEX #76007C

RGB 118 0 124

HSL 297.1, 1%, 0.24%

LAB 27.59, 56.57, -37.59

 

CMYK 7 / 78 / 0 / 22

HEX #BA2DC8

RGB 186 45 200

HSL 294.58, 0.63%, 0.48%

LAB 47.61, 72.27, -50.73

 

CMYK 0 / 78 / 14 / 22

HEX #C82DAC

RGB 200 45 172

HSL 310.84, 0.63%, 0.48%

LAB 48.43, 70.86, -32.91

 

CMYK 0 / 78 / 35 / 22

HEX #C82D82

RGB 200 45 130

HSL 327.1, 0.63%, 0.48%

LAB 46.67, 65.66, -10.45

 

CMYK 0 / 78 / 56 / 22

HEX #C82D59

RGB 200 45 89

HSL 342.97, 0.63%, 0.48%

LAB 45.47, 61.95, 13.05

 

CMYK 0 / 78 / 77 / 22

HEX #C82D2F

RGB 200 45 47

HSL 359.23, 0.63%, 0.48%

LAB 44.75, 59.67, 37.54

 

CMYK 7 / 78 / 0 / 22

HEX #BA2DC8

RGB 186 45 200

HSL 294.58, 0.63%, 0.48%

LAB 47.61, 72.27, -50.73

 

CMYK 28 / 78 / 0 / 22

HEX #902DC8

RGB 144 45 200

HSL 278.32, 0.63%, 0.48%

LAB 41.18, 64.51, -61.42

 

CMYK 49 / 78 / 0 / 22

HEX #662DC8

RGB 102 45 200

HSL 262.06, 0.63%, 0.48%

LAB 35.74, 57.84, -70.53

 

CMYK 70 / 78 / 0 / 22

HEX #3D2DC8

RGB 61 45 200

HSL 246.19, 0.63%, 0.48%

LAB 31.9, 53.06, -76.99

 

CMYK 78 / 78 / 0 / 22

HEX #2D2DC8

RGB 45 45 200

HSL 240, 0.63%, 0.48%

LAB 30.89, 51.79, -78.69

 

CMYK 7 / 78 / 0 / 22

HEX #BA2DC8

RGB 186 45 200

HSL 294.58, 0.63%, 0.48%

LAB 47.61, 72.27, -50.73

 

CMYK 8 / 89 / 0 / 14

HEX #CA19DB

RGB 202 25 219

HSL 294.74, 0.8%, 0.48%

LAB 49.94, 82.48, -57.76

 

CMYK 9 / 97 / 0 / 6

HEX #DA06EF

RGB 218 6 239

HSL 294.59, 0.95%, 0.48%

LAB 53.24, 89.97, -63.62

 

CMYK 7 / 78 / 0 / 22

HEX #BA2DC8

RGB 186 45 200

HSL 294.58, 0.63%, 0.48%

LAB 47.61, 72.27, -50.73

 

CMYK 6 / 64 / 0 / 29

HEX #A941B4

RGB 169 65 180

HSL 294.26, 0.47%, 0.48%

LAB 46.33, 57.96, -41.27

 

CMYK 4 / 47 / 0 / 37

HEX #9955A0

RGB 153 85 160

HSL 294.4, 0.31%, 0.48%

LAB 46.72, 40.01, -29.01

 

CMYK 2 / 25 / 0 / 45

HEX #89698C

RGB 137 105 140

HSL 294.86, 0.14%, 0.48%

LAB 48.65, 19.22, -14.32

 

CMYK 3 / 0 / 4 / 51

HEX #797D78

RGB 121 125 120

HSL 108, 0.02%, 0.48%

LAB 51.94, -2.5, 2.2

 

CMYK 49 / 78 / 0 / 22

HEX #662DC8

RGB 102 45 200

HSL 262.06, 0.63%, 0.48%

LAB 35.74, 57.84, -70.53

 

CMYK 29 / 78 / 0 / 22

HEX #8F2DC8

RGB 143 45 200

HSL 277.94, 0.63%, 0.48%

LAB 41.04, 64.34, -61.66

 

CMYK 8 / 78 / 0 / 22

HEX #B82DC8

RGB 184 45 200

HSL 293.81, 0.63%, 0.48%

LAB 47.28, 71.88, -51.26

 

CMYK 0 / 78 / 13 / 22

HEX #C82DAE

RGB 200 45 174

HSL 310.06, 0.63%, 0.48%

LAB 48.53, 71.14, -33.94

 

CMYK 0 / 78 / 34 / 22

HEX #C82D85

RGB 200 45 133

HSL 325.94, 0.63%, 0.48%

LAB 46.78, 65.99, -12.11

 

CMYK 7 / 77 / 0 / 48

HEX #7B1E84

RGB 123 30 132

HSL 294.71, 0.63%, 0.32%

LAB 31.36, 52.13, -36.53

 

CMYK 7 / 77 / 0 / 35

HEX #9A26A6

RGB 154 38 166

HSL 294.38, 0.63%, 0.4%

LAB 39.6, 62.16, -43.83

 

CMYK 7 / 78 / 0 / 22

HEX #BA2DC8

RGB 186 45 200

HSL 294.58, 0.63%, 0.48%

LAB 47.61, 72.27, -50.73

 

CMYK 6 / 66 / 0 / 16

HEX #C948D6

RGB 201 72 214

HSL 294.51, 0.63%, 0.56%

LAB 53.93, 68.67, -48.54

 

CMYK 5 / 52 / 0 / 13

HEX #D36ADD

RGB 211 106 221

HSL 294.78, 0.63%, 0.64%

LAB 61.11, 57.51, -41.05

 

CMYK 7 / 78 / 0 / 22

HEX #BA2DC8

RGB 186 45 200

HSL 294.58, 0.63%, 0.48%

LAB 47.61, 72.27, -50.73

 

CMYK 0 / 70 / 78 / 22

HEX #C83D2D

RGB 200 61 45

HSL 6.19, 0.63%, 0.48%

LAB 46.72, 54.07, 40.75

 

CMYK 78 / 0 / 39 / 22

HEX #2DC87A

RGB 45 200 122

HSL 149.81, 0.63%, 0.48%

LAB 71.74, -56.76, 28.1

 

CMYK 7 / 78 / 0 / 22

HEX #BA2DC8

RGB 186 45 200

HSL 294.58, 0.63%, 0.48%

LAB 47.61, 72.27, -50.73

 

CMYK 0 / 8 / 78 / 22

HEX #C8B82D

RGB 200 184 45

HSL 53.81, 0.63%, 0.48%

LAB 74.03, -8.94, 67.07

 

CMYK 78 / 0 / 8 / 22

HEX #2DC8B8

RGB 45 200 184

HSL 173.81, 0.63%, 0.48%

LAB 73.11, -42.19, -3.19

 

CMYK 7 / 78 / 0 / 22

HEX #BA2DC8

RGB 186 45 200

HSL 294.58, 0.63%, 0.48%

LAB 47.61, 72.27, -50.73

 

CMYK 0 / 70 / 78 / 22

HEX #C83D2D

RGB 200 61 45

HSL 6.19, 0.63%, 0.48%

LAB 46.72, 54.07, 40.75

 

CMYK 70 / 0 / 78 / 22

HEX #3DC82D

RGB 61 200 45

HSL 113.81, 0.63%, 0.48%

LAB 71.21, -64.08, 61.75

 

CMYK 78 / 8 / 0 / 22

HEX #2DB8C8

RGB 45 184 200

HSL 186.19, 0.63%, 0.48%

LAB 68.76, -30.1, -18.44

 

CMYK 7 / 78 / 0 / 22

HEX #BA2DC8

RGB 186 45 200

HSL 294.58, 0.63%, 0.48%

LAB 47.61, 72.27, -50.73

 

CMYK 0 / 47 / 78 / 22

HEX #C86B2D

RGB 200 107 45

HSL 24, 0.63%, 0.48%

LAB 55.06, 32.45, 49.2

 

CMYK 70 / 0 / 78 / 22

HEX #3DC82D

RGB 61 200 45

HSL 113.81, 0.63%, 0.48%

LAB 71.21, -64.08, 61.75

 

CMYK 78 / 31 / 0 / 22

HEX #2D8AC8

RGB 45 138 200

HSL 204, 0.63%, 0.48%

LAB 54.97, -5.6, -39.74

 

Description

Color code: HEX #BA2DC8 | qconv.com Color code: HEX #BA2DC8 | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 186 red, 45 green and 200 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
186 45 200 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 7 cyan, 78 magenta, none yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
7% 78% 0% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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