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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BA2BDA it is the complementary color #45D425. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BA2BDA. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BA2BDA shade: #BF2BD5, #D03DE8, #E14FFB, #F261FF and #FF73FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BA2BDA. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BA2BDA shade: #BA2BDA, #A919C7, #9807B4, #8700A1 and #76008E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BA2BDA shade: #BA2BDA, #DA2BCA, #DA2B9B, #DA2B6C and #DA2B3D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BA2BDA shade: #BA2BDA, #8A2BDA, #5B2BDA, #2C2BDA and #2B2BDA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BA2BDA shade matches the following richer shades: #BA2BDA and #C616EE

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BA2BDA shade: #BA2BDA, #AD3FC5, #A053B1, #93679D and #867B89

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BA2BDA shade: #5C2BDA, #8B2BDA, #B92BDA, #DA2BCB and #DA2B9C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BA2BDA shade: #801B97, #9E21BA, #BA2BDA, #C54EE0 and #D071E6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BA2BDA shade: #BA2BDA, #DA2E2B and #2BDA73

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BA2BDA shade: #BA2BDA, #DAB92B and #2BDAB9

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BA2BDA shade: #BA2BDA, #DA2E2B, #4BDA2B and #2BD7DA

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BA2BDA shade: #BA2BDA, #DA622B, #4BDA2B and #2BA2DA

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 15 / 80 / 0 / 15

HEX #BA2BDA

RGB 186 43 218

HSL 289.03, 0.7%, 0.51%

LAB 48.55, 75.91, -59.56

 

Complementary color

CMYK 67 / 0 / 83 / 17

HEX #45D425

RGB 69 212 37

HSL 109.03, 0.7%, 0.49%

LAB 75.13, -66.85, 67.73

 

CMYK 10 / 80 / 0 / 16

HEX #BF2BD5

RGB 191 43 213

HSL 292.24, 0.67%, 0.5%

LAB 49.02, 75.94, -55.9

 

CMYK 10 / 74 / 0 / 9

HEX #D03DE8

RGB 208 61 232

HSL 291.58, 0.79%, 0.57%

LAB 54.63, 77.14, -57.54

 

CMYK 10 / 69 / 0 / 2

HEX #E14FFB

RGB 225 79 251

HSL 290.93, 0.96%, 0.65%

LAB 60.4, 77.7, -58.77

 

CMYK 5 / 62 / 0 / 0

HEX #F261FF

RGB 242 97 255

HSL 295.06, 1%, 0.69%

LAB 65.47, 75.21, -52.76

 

CMYK 0 / 55 / 0 / 0

HEX #FF73FF

RGB 255 115 255

HSL 300, 1%, 0.73%

LAB 69.99, 70.8, -45.51

 

CMYK 15 / 80 / 0 / 15

HEX #BA2BDA

RGB 186 43 218

HSL 289.03, 0.7%, 0.51%

LAB 48.55, 75.91, -59.56

 

CMYK 15 / 87 / 0 / 22

HEX #A919C7

RGB 169 25 199

HSL 289.66, 0.78%, 0.44%

LAB 43.14, 73.83, -57.47

 

CMYK 16 / 96 / 0 / 29

HEX #9807B4

RGB 152 7 180

HSL 290.29, 0.93%, 0.37%

LAB 38.06, 70.5, -54.67

 

CMYK 16 / 100 / 0 / 37

HEX #8700A1

RGB 135 0 161

HSL 290.31, 1%, 0.32%

LAB 33.4, 65.56, -50.97

 

CMYK 17 / 100 / 0 / 44

HEX #76008E

RGB 118 0 142

HSL 289.86, 1%, 0.28%

LAB 28.91, 59.68, -46.74

 

CMYK 15 / 80 / 0 / 15

HEX #BA2BDA

RGB 186 43 218

HSL 289.03, 0.7%, 0.51%

LAB 48.55, 75.91, -59.56

 

CMYK 0 / 80 / 7 / 15

HEX #DA2BCA

RGB 218 43 202

HSL 305.49, 0.7%, 0.51%

LAB 52.84, 79.35, -43.24

 

CMYK 0 / 80 / 29 / 15

HEX #DA2B9B

RGB 218 43 155

HSL 321.6, 0.7%, 0.51%

LAB 50.69, 73.29, -19.09

 

CMYK 0 / 80 / 50 / 15

HEX #DA2B6C

RGB 218 43 108

HSL 337.71, 0.7%, 0.51%

LAB 49.15, 68.76, 7.02

 

CMYK 0 / 80 / 72 / 15

HEX #DA2B3D

RGB 218 43 61

HSL 353.83, 0.7%, 0.51%

LAB 48.22, 65.94, 34.3

 

CMYK 15 / 80 / 0 / 15

HEX #BA2BDA

RGB 186 43 218

HSL 289.03, 0.7%, 0.51%

LAB 48.55, 75.91, -59.56

 

CMYK 37 / 80 / 0 / 15

HEX #8A2BDA

RGB 138 43 218

HSL 272.57, 0.7%, 0.51%

LAB 41.52, 68.09, -71.29

 

CMYK 58 / 80 / 0 / 15

HEX #5B2BDA

RGB 91 43 218

HSL 256.46, 0.7%, 0.51%

LAB 36.01, 62.06, -80.55

 

CMYK 80 / 80 / 0 / 15

HEX #2C2BDA

RGB 44 43 218

HSL 240.34, 0.7%, 0.51%

LAB 32.54, 58.31, -86.41

 

CMYK 80 / 80 / 0 / 15

HEX #2B2BDA

RGB 43 43 218

HSL 240, 0.7%, 0.51%

LAB 32.49, 58.26, -86.49

 

CMYK 15 / 80 / 0 / 15

HEX #BA2BDA

RGB 186 43 218

HSL 289.03, 0.7%, 0.51%

LAB 48.55, 75.91, -59.56

 

CMYK 17 / 91 / 0 / 7

HEX #C616EE

RGB 198 22 238

HSL 288.89, 0.86%, 0.51%

LAB 50.4, 85.38, -67.82

 

CMYK 15 / 80 / 0 / 15

HEX #BA2BDA

RGB 186 43 218

HSL 289.03, 0.7%, 0.51%

LAB 48.55, 75.91, -59.56

 

CMYK 12 / 68 / 0 / 23

HEX #AD3FC5

RGB 173 63 197

HSL 289.25, 0.54%, 0.51%

LAB 47.59, 62.87, -49.14

 

CMYK 10 / 53 / 0 / 31

HEX #A053B1

RGB 160 83 177

HSL 289.15, 0.38%, 0.51%

LAB 48.05, 46.51, -36.87

 

CMYK 6 / 34 / 0 / 38

HEX #93679D

RGB 147 103 157

HSL 288.89, 0.22%, 0.51%

LAB 49.9, 27.37, -22.36

 

CMYK 2 / 10 / 0 / 46

HEX #867B89

RGB 134 123 137

HSL 287.14, 0.06%, 0.51%

LAB 52.99, 6.93, -6.07

 

CMYK 58 / 80 / 0 / 15

HEX #5C2BDA

RGB 92 43 218

HSL 256.8, 0.7%, 0.51%

LAB 36.11, 62.16, -80.38

 

CMYK 36 / 80 / 0 / 15

HEX #8B2BDA

RGB 139 43 218

HSL 272.91, 0.7%, 0.51%

LAB 41.66, 68.24, -71.07

 

CMYK 15 / 80 / 0 / 15

HEX #B92BDA

RGB 185 43 218

HSL 288.69, 0.7%, 0.51%

LAB 48.39, 75.73, -59.82

 

CMYK 0 / 80 / 7 / 15

HEX #DA2BCB

RGB 218 43 203

HSL 305.14, 0.7%, 0.51%

LAB 52.89, 79.49, -43.73

 

CMYK 0 / 80 / 28 / 15

HEX #DA2B9C

RGB 218 43 156

HSL 321.26, 0.7%, 0.51%

LAB 50.73, 73.4, -19.62

 

CMYK 15 / 82 / 0 / 41

HEX #801B97

RGB 128 27 151

HSL 288.87, 0.7%, 0.35%

LAB 33.15, 57.62, -45.34

 

CMYK 15 / 82 / 0 / 27

HEX #9E21BA

RGB 158 33 186

HSL 289.02, 0.7%, 0.43%

LAB 41.06, 67.9, -53.32

 

CMYK 15 / 80 / 0 / 15

HEX #BA2BDA

RGB 186 43 218

HSL 289.03, 0.7%, 0.51%

LAB 48.55, 75.91, -59.56

 

CMYK 12 / 65 / 0 / 12

HEX #C54EE0

RGB 197 78 224

HSL 288.9, 0.7%, 0.59%

LAB 54.76, 67.18, -52.91

 

CMYK 10 / 51 / 0 / 10

HEX #D071E6

RGB 208 113 230

HSL 288.72, 0.7%, 0.67%

LAB 62.45, 54.98, -44

 

CMYK 15 / 80 / 0 / 15

HEX #BA2BDA

RGB 186 43 218

HSL 289.03, 0.7%, 0.51%

LAB 48.55, 75.91, -59.56

 

CMYK 0 / 79 / 80 / 15

HEX #DA2E2B

RGB 218 46 43

HSL 1.03, 0.7%, 0.51%

LAB 48.3, 64.5, 44.52

 

CMYK 80 / 0 / 47 / 15

HEX #2BDA73

RGB 43 218 115

HSL 144.69, 0.7%, 0.51%

LAB 77.22, -64.57, 38.74

 

CMYK 15 / 80 / 0 / 15

HEX #BA2BDA

RGB 186 43 218

HSL 289.03, 0.7%, 0.51%

LAB 48.55, 75.91, -59.56

 

CMYK 0 / 15 / 80 / 15

HEX #DAB92B

RGB 218 185 43

HSL 48.69, 0.7%, 0.51%

LAB 75.93, -1.72, 70.01

 

CMYK 80 / 0 / 15 / 15

HEX #2BDAB9

RGB 43 218 185

HSL 168.69, 0.7%, 0.51%

LAB 78.55, -49.78, 4.21

 

CMYK 15 / 80 / 0 / 15

HEX #BA2BDA

RGB 186 43 218

HSL 289.03, 0.7%, 0.51%

LAB 48.55, 75.91, -59.56

 

CMYK 0 / 79 / 80 / 15

HEX #DA2E2B

RGB 218 46 43

HSL 1.03, 0.7%, 0.51%

LAB 48.3, 64.5, 44.52

 

CMYK 66 / 0 / 80 / 15

HEX #4BDA2B

RGB 75 218 43

HSL 109.03, 0.7%, 0.51%

LAB 77.17, -67.29, 68.09

 

CMYK 80 / 1 / 0 / 15

HEX #2BD7DA

RGB 43 215 218

HSL 181.03, 0.7%, 0.51%

LAB 78.56, -39.42, -13.42

 

CMYK 15 / 80 / 0 / 15

HEX #BA2BDA

RGB 186 43 218

HSL 289.03, 0.7%, 0.51%

LAB 48.55, 75.91, -59.56

 

CMYK 0 / 55 / 80 / 15

HEX #DA622B

RGB 218 98 43

HSL 18.86, 0.7%, 0.51%

LAB 55.9, 44.03, 51.85

 

CMYK 66 / 0 / 80 / 15

HEX #4BDA2B

RGB 75 218 43

HSL 109.03, 0.7%, 0.51%

LAB 77.17, -67.29, 68.09

 

CMYK 80 / 26 / 0 / 15

HEX #2BA2DA

RGB 43 162 218

HSL 199.2, 0.7%, 0.51%

LAB 62.86, -12.97, -37.47

 

Description

Color code: HEX #BA2BDA | qconv.com Color code: HEX #BA2BDA | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 186 red, 43 green and 218 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
186 43 218 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 15 cyan, 80 magenta, none yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
15% 80% 0% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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