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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B9DBED it is the complementary color #462412. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B9DBED. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #B9DBED: #BEDBE8, #CFEDFB, #E0FFFF, #F1FFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B9DBED. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #B9DBED: #B9DBED, #A8C9DA, #97B7C7, #86A5B4 and #7593A1

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 22 / 8 / 0 / 7

HEX #B9DBED

RGB 185 219 237

HSL 200.77, 0.59%, 0.83%

LAB 85.55, -7.31, -12.52

 

Complementary color

CMYK 0 / 49 / 74 / 73

HEX #462412

RGB 70 36 18

HSL 20.77, 0.59%, 0.17%

LAB 18.4, 14.28, 18.8

 

CMYK 18 / 6 / 0 / 9

HEX #BEDBE8

RGB 190 219 232

HSL 198.57, 0.48%, 0.83%

LAB 85.72, -6.87, -9.59

 

CMYK 18 / 6 / 0 / 2

HEX #CFEDFB

RGB 207 237 251

HSL 199.09, 0.85%, 0.9%

LAB 92.04, -6.91, -10.05

 

CMYK 12 / 0 / 0 / 0

HEX #E0FFFF

RGB 224 255 255

HSL 180, 1%, 0.94%

LAB 97.87, -9.94, -3.38

 

CMYK 5 / 0 / 0 / 0

HEX #F1FFFF

RGB 241 255 255

HSL 180, 1%, 0.97%

LAB 99, -4.55, -1.59

 

CMYK 22 / 8 / 0 / 7

HEX #B9DBED

RGB 185 219 237

HSL 200.77, 0.59%, 0.83%

LAB 85.55, -7.31, -12.52

 

CMYK 23 / 8 / 0 / 15

HEX #A8C9DA

RGB 168 201 218

HSL 200.4, 0.4%, 0.76%

LAB 79.13, -7.27, -12.1

 

CMYK 24 / 8 / 0 / 22

HEX #97B7C7

RGB 151 183 199

HSL 200, 0.3%, 0.69%

LAB 72.61, -7.22, -11.68

 

CMYK 26 / 8 / 0 / 29

HEX #86A5B4

RGB 134 165 180

HSL 199.57, 0.23%, 0.62%

LAB 65.96, -7.18, -11.25

 

CMYK 27 / 9 / 0 / 37

HEX #7593A1

RGB 117 147 161

HSL 199.09, 0.19%, 0.55%

LAB 59.18, -7.13, -10.82

 

CMYK 22 / 8 / 0 / 7

HEX #B9DBED

RGB 185 219 237

HSL 200.77, 0.59%, 0.83%

LAB 85.55, -7.31, -12.52

 

CMYK 22 / 11 / 0 / 7

HEX #BAD3ED

RGB 186 211 237

HSL 210.59, 0.59%, 0.83%

LAB 83.52, -2.84, -15.56

 

CMYK 22 / 14 / 0 / 7

HEX #BACBED

RGB 186 203 237

HSL 220, 0.59%, 0.83%

LAB 81.44, 1.39, -18.7

 

CMYK 22 / 18 / 0 / 7

HEX #BAC2ED

RGB 186 194 237

HSL 230.59, 0.59%, 0.83%

LAB 79.12, 6.22, -22.21

 

CMYK 22 / 22 / 0 / 7

HEX #BABAED

RGB 186 186 237

HSL 240, 0.59%, 0.83%

LAB 77.08, 10.56, -25.31

 

CMYK 22 / 8 / 0 / 7

HEX #B9DBED

RGB 185 219 237

HSL 200.77, 0.59%, 0.83%

LAB 85.55, -7.31, -12.52

 

CMYK 21 / 9 / 0 / 87

HEX #1A1E21

RGB 26 30 33

HSL 205.71, 0.12%, 0.12%

LAB 10.98, -1.01, -2.68

 

CMYK 21 / 7 / 0 / 67

HEX #424E54

RGB 66 78 84

HSL 200, 0.12%, 0.29%

LAB 32.36, -3.25, -5.13

 

CMYK 22 / 7 / 0 / 47

HEX #697D87

RGB 105 125 135

HSL 200, 0.13%, 0.47%

LAB 51.17, -4.92, -7.86

 

CMYK 22 / 8 / 0 / 27

HEX #91ACBA

RGB 145 172 186

HSL 200.49, 0.23%, 0.65%

LAB 68.8, -6.15, -10.26

 

CMYK 22 / 8 / 0 / 7

HEX #B9DBED

RGB 185 219 237

HSL 200.77, 0.59%, 0.83%

LAB 85.55, -7.31, -12.52

 

CMYK 10 / 22 / 0 / 7

HEX #D5BAED

RGB 213 186 237

HSL 271.76, 0.59%, 0.83%

LAB 79.26, 19, -21.8

 

CMYK 0 / 2 / 22 / 7

HEX #EDE9BA

RGB 237 233 186

HSL 55.29, 0.59%, 0.83%

LAB 91.61, -6.08, 23.39

 

CMYK 22 / 8 / 0 / 7

HEX #B9DBED

RGB 185 219 237

HSL 200.77, 0.59%, 0.83%

LAB 85.55, -7.31, -12.52

 

CMYK 0 / 22 / 7 / 7

HEX #EDBADC

RGB 237 186 220

HSL 320, 0.59%, 0.83%

LAB 80.9, 23.75, -9.96

 

CMYK 7 / 0 / 22 / 7

HEX #DCEDBA

RGB 220 237 186

HSL 80, 0.59%, 0.83%

LAB 91.38, -14.22, 22.88

 

CMYK 22 / 8 / 0 / 7

HEX #B9DBED

RGB 185 219 237

HSL 200.77, 0.59%, 0.83%

LAB 85.55, -7.31, -12.52

 

CMYK 10 / 22 / 0 / 7

HEX #D5BAED

RGB 213 186 237

HSL 271.76, 0.59%, 0.83%

LAB 79.26, 19, -21.8

 

CMYK 0 / 14 / 22 / 7

HEX #EDCBBA

RGB 237 203 186

HSL 20, 0.59%, 0.83%

LAB 84.1, 9.37, 12.9

 

CMYK 12 / 0 / 22 / 7

HEX #D1EDBA

RGB 209 237 186

HSL 92.94, 0.59%, 0.83%

LAB 90.63, -18.09, 21.72

 

CMYK 22 / 8 / 0 / 7

HEX #B9DBED

RGB 185 219 237

HSL 200.77, 0.59%, 0.83%

LAB 85.55, -7.31, -12.52

 

CMYK 4 / 22 / 0 / 7

HEX #E4BAED

RGB 228 186 237

HSL 289.41, 0.59%, 0.83%

LAB 80.59, 23.83, -19.66

 

CMYK 0 / 14 / 22 / 7

HEX #EDCBBA

RGB 237 203 186

HSL 20, 0.59%, 0.83%

LAB 84.1, 9.37, 12.9

 

CMYK 18 / 0 / 22 / 7

HEX #C2EDBA

RGB 194 237 186

HSL 110.59, 0.59%, 0.83%

LAB 89.67, -23.24, 20.24

 

Description

Color code: HEX #B9DBED | qconv.com Color code: HEX #B9DBED | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 185 red, 219 green and 237 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
185 219 237 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 22 cyan, 8 magenta, none yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
22% 8% 0% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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