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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B9B9C6 it is the complementary color #464639. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B9B9C6. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #B9B9C6: #BEB9C1, #CFCBD4, #E0DDE7, #F1EFFA

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B9B9C6. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #B9B9C6: #B9B9C6, #A8A7B3, #9795A0, #86838D and #75717A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 7 / 7 / 0 / 22

HEX #B9B9C6

RGB 185 185 198

HSL 240, 0.1%, 0.75%

LAB 75.51, 2.5, -6.56

 

Complementary color

CMYK 0 / 0 / 19 / 73

HEX #464639

RGB 70 70 57

HSL 60, 0.1%, 0.25%

LAB 29.36, -2.64, 7.86

 

CMYK 2 / 4 / 0 / 24

HEX #BEB9C1

RGB 190 185 193

HSL 277.5, 0.06%, 0.74%

LAB 75.76, 3.24, -3.42

 

CMYK 2 / 4 / 0 / 17

HEX #CFCBD4

RGB 207 203 212

HSL 266.67, 0.09%, 0.81%

LAB 82.23, 3.03, -3.98

 

CMYK 3 / 4 / 0 / 9

HEX #E0DDE7

RGB 224 221 231

HSL 258, 0.17%, 0.89%

LAB 88.6, 2.84, -4.53

 

CMYK 4 / 4 / 0 / 2

HEX #F1EFFA

RGB 241 239 250

HSL 250.91, 0.52%, 0.96%

LAB 94.88, 2.65, -5.06

 

CMYK 7 / 7 / 0 / 22

HEX #B9B9C6

RGB 185 185 198

HSL 240, 0.1%, 0.75%

LAB 75.51, 2.5, -6.56

 

CMYK 6 / 7 / 0 / 30

HEX #A8A7B3

RGB 168 167 179

HSL 245, 0.07%, 0.68%

LAB 68.91, 2.69, -6.04

 

CMYK 6 / 7 / 0 / 37

HEX #9795A0

RGB 151 149 160

HSL 250.91, 0.05%, 0.61%

LAB 62.18, 2.91, -5.52

 

CMYK 5 / 7 / 0 / 45

HEX #86838D

RGB 134 131 141

HSL 258, 0.04%, 0.53%

LAB 55.3, 3.13, -4.97

 

CMYK 4 / 7 / 0 / 52

HEX #75717A

RGB 117 113 122

HSL 266.67, 0.04%, 0.46%

LAB 48.26, 3.38, -4.42

 

CMYK 7 / 7 / 0 / 22

HEX #B9B9C6

RGB 185 185 198

HSL 240, 0.1%, 0.75%

LAB 75.51, 2.5, -6.56

 

CMYK 5 / 7 / 0 / 23

HEX #BBB8C5

RGB 187 184 197

HSL 253.85, 0.1%, 0.75%

LAB 75.37, 3.52, -6.19

 

CMYK 4 / 7 / 0 / 23

HEX #BDB8C5

RGB 189 184 197

HSL 263.08, 0.1%, 0.75%

LAB 75.53, 4.2, -5.94

 

CMYK 3 / 7 / 0 / 23

HEX #BFB8C5

RGB 191 184 197

HSL 272.31, 0.1%, 0.75%

LAB 75.69, 4.88, -5.69

 

CMYK 2 / 7 / 0 / 23

HEX #C1B8C5

RGB 193 184 197

HSL 281.54, 0.1%, 0.75%

LAB 75.85, 5.57, -5.43

 

CMYK 7 / 7 / 0 / 22

HEX #B9B9C6

RGB 185 185 198

HSL 240, 0.1%, 0.75%

LAB 75.51, 2.5, -6.56

 

CMYK 6 / 6 / 0 / 2

HEX #E9E9F9

RGB 233 233 249

HSL 240, 0.57%, 0.95%

LAB 92.77, 2.94, -7.73

 

CMYK 7 / 7 / 0 / 82

HEX #2A2A2D

RGB 42 42 45

HSL 240, 0.03%, 0.17%

LAB 17.17, 0.74, -1.95

 

CMYK 6 / 6 / 0 / 62

HEX #5A5A60

RGB 90 90 96

HSL 240, 0.03%, 0.36%

LAB 38.43, 1.31, -3.45

 

CMYK 7 / 7 / 0 / 42

HEX #898993

RGB 137 137 147

HSL 240, 0.04%, 0.56%

LAB 57.38, 2.03, -5.33

 

CMYK 7 / 7 / 0 / 22

HEX #B9B9C6

RGB 185 185 198

HSL 240, 0.1%, 0.75%

LAB 75.51, 2.5, -6.56

 

CMYK 0 / 7 / 1 / 23

HEX #C5B8C3

RGB 197 184 195

HSL 309.23, 0.1%, 0.75%

LAB 76.13, 6.58, -3.9

 

CMYK 4 / 0 / 7 / 23

HEX #BDC5B8

RGB 189 197 184

HSL 96.92, 0.1%, 0.75%

LAB 78.59, -5.14, 5.56

 

CMYK 7 / 7 / 0 / 22

HEX #B9B9C6

RGB 185 185 198

HSL 240, 0.1%, 0.75%

LAB 75.51, 2.5, -6.56

 

CMYK 0 / 7 / 7 / 23

HEX #C5B8B8

RGB 197 184 184

HSL 0, 0.1%, 0.75%

LAB 75.83, 4.6, 1.65

 

CMYK 7 / 0 / 7 / 23

HEX #B8C5B8

RGB 184 197 184

HSL 120, 0.1%, 0.75%

LAB 78.22, -6.88, 4.98

 

CMYK 7 / 7 / 0 / 22

HEX #B9B9C6

RGB 185 185 198

HSL 240, 0.1%, 0.75%

LAB 75.51, 2.5, -6.56

 

CMYK 0 / 7 / 1 / 23

HEX #C5B8C3

RGB 197 184 195

HSL 309.23, 0.1%, 0.75%

LAB 76.13, 6.58, -3.9

 

CMYK 0 / 0 / 7 / 23

HEX #C5C5B8

RGB 197 197 184

HSL 60, 0.1%, 0.75%

LAB 79.19, -2.31, 6.51

 

CMYK 7 / 0 / 5 / 23

HEX #B8C5BB

RGB 184 197 187

HSL 133.85, 0.1%, 0.75%

LAB 78.29, -6.33, 3.47

 

CMYK 7 / 7 / 0 / 22

HEX #B9B9C6

RGB 185 185 198

HSL 240, 0.1%, 0.75%

LAB 75.51, 2.5, -6.56

 

CMYK 0 / 7 / 3 / 23

HEX #C5B8BF

RGB 197 184 191

HSL 327.69, 0.1%, 0.75%

LAB 76.02, 5.85, -1.89

 

CMYK 0 / 0 / 7 / 23

HEX #C5C5B8

RGB 197 197 184

HSL 60, 0.1%, 0.75%

LAB 79.19, -2.31, 6.51

 

CMYK 7 / 0 / 3 / 23

HEX #B8C5BF

RGB 184 197 191

HSL 152.31, 0.1%, 0.75%

LAB 78.39, -5.58, 1.46

 

Description

Color code: HEX #B9B9C6 | qconv.com Color code: HEX #B9B9C6 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 185 red, 185 green and 198 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
185 185 198 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 7 cyan, 7 magenta, none yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
7% 7% 0% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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