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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B8E7F4 it is the complementary color #47180B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B8E7F4. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #B8E7F4: #BDE7EF, #CEF9FF, #DFFFFF, #F0FFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B8E7F4. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #B8E7F4: #B8E7F4, #A7D5E1, #96C3CE, #85B1BB and #749FA8

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 25 / 5 / 0 / 4

HEX #B8E7F4

RGB 184 231 244

HSL 193, 0.73%, 0.84%

LAB 88.86, -12.22, -11.27

 

Complementary color

CMYK 0 / 66 / 85 / 72

HEX #47180B

RGB 71 24 11

HSL 13, 0.73%, 0.16%

LAB 15.58, 21.66, 19.01

 

CMYK 21 / 3 / 0 / 6

HEX #BDE7EF

RGB 189 231 239

HSL 189.6, 0.61%, 0.84%

LAB 89.02, -11.83, -8.39

 

CMYK 19 / 2 / 0 / 0

HEX #CEF9FF

RGB 206 249 255

HSL 187.35, 1%, 0.9%

LAB 95.2, -12.44, -7.45

 

CMYK 13 / 0 / 0 / 0

HEX #DFFFFF

RGB 223 255 255

HSL 180, 1%, 0.94%

LAB 97.8, -10.25, -3.49

 

CMYK 6 / 0 / 0 / 0

HEX #F0FFFF

RGB 240 255 255

HSL 180, 1%, 0.97%

LAB 98.93, -4.88, -1.7

 

CMYK 25 / 5 / 0 / 4

HEX #B8E7F4

RGB 184 231 244

HSL 193, 0.73%, 0.84%

LAB 88.86, -12.22, -11.27

 

CMYK 26 / 5 / 0 / 12

HEX #A7D5E1

RGB 167 213 225

HSL 192.41, 0.49%, 0.77%

LAB 82.51, -12.23, -10.81

 

CMYK 27 / 5 / 0 / 19

HEX #96C3CE

RGB 150 195 206

HSL 191.79, 0.36%, 0.7%

LAB 76.05, -12.24, -10.35

 

CMYK 29 / 5 / 0 / 27

HEX #85B1BB

RGB 133 177 187

HSL 191.11, 0.28%, 0.63%

LAB 69.48, -12.26, -9.87

 

CMYK 31 / 5 / 0 / 34

HEX #749FA8

RGB 116 159 168

HSL 190.38, 0.23%, 0.56%

LAB 62.79, -12.28, -9.38

 

CMYK 25 / 5 / 0 / 4

HEX #B8E7F4

RGB 184 231 244

HSL 193, 0.73%, 0.84%

LAB 88.86, -12.22, -11.27

 

CMYK 24 / 9 / 0 / 5

HEX #B8DDF3

RGB 184 221 243

HSL 202.37, 0.71%, 0.84%

LAB 86.19, -7.32, -14.74

 

CMYK 24 / 13 / 0 / 5

HEX #B8D3F3

RGB 184 211 243

HSL 212.54, 0.71%, 0.84%

LAB 83.57, -2.1, -18.68

 

CMYK 24 / 17 / 0 / 5

HEX #B8C9F3

RGB 184 201 243

HSL 222.71, 0.71%, 0.84%

LAB 80.98, 3.21, -22.61

 

CMYK 24 / 21 / 0 / 5

HEX #B8BFF3

RGB 184 191 243

HSL 232.88, 0.71%, 0.84%

LAB 78.42, 8.61, -26.51

 

CMYK 25 / 5 / 0 / 4

HEX #B8E7F4

RGB 184 231 244

HSL 193, 0.73%, 0.84%

LAB 88.86, -12.22, -11.27

 

CMYK 25 / 5 / 0 / 84

HEX #1E2628

RGB 30 38 40

HSL 192, 0.14%, 0.14%

LAB 14.49, -2.96, -2.5

 

CMYK 24 / 5 / 0 / 64

HEX #45565B

RGB 69 86 91

HSL 193.64, 0.14%, 0.31%

LAB 35.35, -5.28, -5.08

 

CMYK 25 / 6 / 0 / 44

HEX #6B868E

RGB 107 134 142

HSL 193.71, 0.14%, 0.49%

LAB 54.16, -7.68, -7.47

 

CMYK 24 / 5 / 0 / 24

HEX #92B7C1

RGB 146 183 193

HSL 192.77, 0.27%, 0.66%

LAB 72.11, -10.13, -9.16

 

CMYK 25 / 5 / 0 / 4

HEX #B8E7F4

RGB 184 231 244

HSL 193, 0.73%, 0.84%

LAB 88.86, -12.22, -11.27

 

CMYK 14 / 24 / 0 / 5

HEX #D1B8F3

RGB 209 184 243

HSL 265.42, 0.71%, 0.84%

LAB 78.64, 20.06, -26

 

CMYK 0 / 4 / 24 / 5

HEX #F3E9B8

RGB 243 233 184

HSL 49.83, 0.71%, 0.84%

LAB 92.04, -4.16, 25.08

 

CMYK 25 / 5 / 0 / 4

HEX #B8E7F4

RGB 184 231 244

HSL 193, 0.73%, 0.84%

LAB 88.86, -12.22, -11.27

 

CMYK 0 / 24 / 5 / 5

HEX #F3B8E7

RGB 243 184 231

HSL 312.2, 0.71%, 0.84%

LAB 81.35, 28.73, -15.15

 

CMYK 5 / 0 / 24 / 5

HEX #E7F3B8

RGB 231 243 184

HSL 72.2, 0.71%, 0.84%

LAB 93.69, -13.53, 27.19

 

CMYK 25 / 5 / 0 / 4

HEX #B8E7F4

RGB 184 231 244

HSL 193, 0.73%, 0.84%

LAB 88.86, -12.22, -11.27

 

CMYK 14 / 24 / 0 / 5

HEX #D1B8F3

RGB 209 184 243

HSL 265.42, 0.71%, 0.84%

LAB 78.64, 20.06, -26

 

CMYK 0 / 19 / 24 / 5

HEX #F3C5B8

RGB 243 197 184

HSL 13.22, 0.71%, 0.84%

LAB 83.15, 14.45, 12.69

 

CMYK 10 / 0 / 24 / 5

HEX #DBF3B8

RGB 219 243 184

HSL 84.41, 0.71%, 0.84%

LAB 92.85, -17.82, 25.91

 

CMYK 25 / 5 / 0 / 4

HEX #B8E7F4

RGB 184 231 244

HSL 193, 0.73%, 0.84%

LAB 88.86, -12.22, -11.27

 

CMYK 7 / 24 / 0 / 5

HEX #E3B8F3

RGB 227 184 243

HSL 283.73, 0.71%, 0.84%

LAB 80.23, 25.74, -23.43

 

CMYK 0 / 19 / 24 / 5

HEX #F3C5B8

RGB 243 197 184

HSL 13.22, 0.71%, 0.84%

LAB 83.15, 14.45, 12.69

 

CMYK 17 / 0 / 24 / 5

HEX #C9F3B8

RGB 201 243 184

HSL 102.71, 0.71%, 0.84%

LAB 91.68, -24.08, 24.11

 

Description

Color code: HEX #B8E7F4 | qconv.com Color code: HEX #B8E7F4 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 184 red, 231 green and 244 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
184 231 244 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 25 cyan, 5 magenta, none yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
25% 5% 0% 4% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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