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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B8C8F0 it is the complementary color #47370F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B8C8F0. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B8C8F0 shade: #BDC8EB, #CEDAFE, #DFECFF, #F0FEFF and #FFFFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B8C8F0. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B8C8F0 shade: #B8C8F0, #A7B6DD, #96A4CA, #8592B7 and #7480A4

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B8C8F0 shade: #B7C8F0, #B7B8F0, #C6B7F0, #D5B7F0 and #E4B7F0

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B8C8F0 shade: #B7C8F0, #B7B8F0 and #B7B7F0

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B8C8F0 shade matches the following richer shades: #B7C8F0, #B0C5F7 and #A9C2FE

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B8C8F0 shade: #B7C8F0, #BECBE9, #C6CEE2, #CDD1DB and #D4D4D4

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B8C8F0 shade: #B7E6F0, #B7D7F0, #B7C8F0, #B7B9F0 and #C5B7F0

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B8C8F0 shade: #7393E1, #95ADE9, #B7C8F0, #DAE2F7 and #FCFCFE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B8C8F0 shade: #B8C8F0, #EAB7F0 and #DFF0B7

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B8C8F0 shade: #B8C8F0, #F0B7C8 and #C8F0B7

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B8C8F0 shade: #B8C8F0, #EAB7F0, #F0DFB7 and #BDF0B7

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B8C8F0 shade: #B8C8F0, #F0B7E5, #F0DFB7 and #B7F0C3

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 23 / 17 / 0 / 6

HEX #B8C8F0

RGB 184 200 240

HSL 222.86, 0.65%, 0.83%

LAB 80.62, 3.07, -21.55

 

Complementary color

CMYK 0 / 23 / 79 / 72

HEX #47370F

RGB 71 55 15

HSL 42.86, 0.65%, 0.17%

LAB 24.02, 2.15, 26.69

 

CMYK 20 / 15 / 0 / 8

HEX #BDC8EB

RGB 189 200 235

HSL 225.65, 0.53%, 0.83%

LAB 80.81, 3.47, -18.56

 

CMYK 19 / 14 / 0 / 0

HEX #CEDAFE

RGB 206 218 254

HSL 225, 0.96%, 0.9%

LAB 87.2, 3.26, -18.87

 

CMYK 13 / 7 / 0 / 0

HEX #DFECFF

RGB 223 236 255

HSL 215.63, 1%, 0.94%

LAB 92.97, -0.63, -10.63

 

CMYK 6 / 0 / 0 / 0

HEX #F0FEFF

RGB 240 254 255

HSL 184, 1%, 0.97%

LAB 98.68, -4.37, -2.07

 

CMYK 0 / 0 / 0 / 0

HEX #FFFFFF

RGB 255 255 255

HSL 0, 0%, 1%

LAB 100, 0.01, -0.01

 

CMYK 23 / 17 / 0 / 6

HEX #B8C8F0

RGB 184 200 240

HSL 222.86, 0.65%, 0.83%

LAB 80.62, 3.07, -21.55

 

CMYK 24 / 18 / 0 / 13

HEX #A7B6DD

RGB 167 182 221

HSL 223.33, 0.44%, 0.76%

LAB 74.12, 3.3, -21.29

 

CMYK 26 / 19 / 0 / 21

HEX #96A4CA

RGB 150 164 202

HSL 223.85, 0.33%, 0.69%

LAB 67.5, 3.56, -21.04

 

CMYK 27 / 20 / 0 / 28

HEX #8592B7

RGB 133 146 183

HSL 224.4, 0.26%, 0.62%

LAB 60.75, 3.84, -20.82

 

CMYK 29 / 22 / 0 / 36

HEX #7480A4

RGB 116 128 164

HSL 225, 0.21%, 0.55%

LAB 53.85, 4.16, -20.63

 

CMYK 24 / 17 / 0 / 6

HEX #B7C8F0

RGB 183 200 240

HSL 222.11, 0.66%, 0.83%

LAB 80.55, 2.77, -21.66

 

CMYK 24 / 23 / 0 / 6

HEX #B7B8F0

RGB 183 184 240

HSL 238.95, 0.66%, 0.83%

LAB 76.46, 11.44, -27.9

 

CMYK 18 / 24 / 0 / 6

HEX #C6B7F0

RGB 198 183 240

HSL 255.79, 0.66%, 0.83%

LAB 77.38, 16.55, -26.39

 

CMYK 11 / 24 / 0 / 6

HEX #D5B7F0

RGB 213 183 240

HSL 271.58, 0.66%, 0.83%

LAB 78.64, 21.24, -24.35

 

CMYK 5 / 24 / 0 / 6

HEX #E4B7F0

RGB 228 183 240

HSL 287.37, 0.66%, 0.83%

LAB 79.98, 26.02, -22.18

 

CMYK 24 / 17 / 0 / 6

HEX #B7C8F0

RGB 183 200 240

HSL 222.11, 0.66%, 0.83%

LAB 80.55, 2.77, -21.66

 

CMYK 24 / 23 / 0 / 6

HEX #B7B8F0

RGB 183 184 240

HSL 238.95, 0.66%, 0.83%

LAB 76.46, 11.44, -27.9

 

CMYK 24 / 24 / 0 / 6

HEX #B7B7F0

RGB 183 183 240

HSL 240, 0.66%, 0.83%

LAB 76.21, 11.99, -28.29

 

CMYK 24 / 17 / 0 / 6

HEX #B7C8F0

RGB 183 200 240

HSL 222.11, 0.66%, 0.83%

LAB 80.55, 2.77, -21.66

 

CMYK 29 / 20 / 0 / 3

HEX #B0C5F7

RGB 176 197 247

HSL 222.25, 0.82%, 0.83%

LAB 79.54, 3.97, -26.98

 

CMYK 33 / 24 / 0 / 0

HEX #A9C2FE

RGB 169 194 254

HSL 222.35, 0.98%, 0.83%

LAB 78.56, 5.34, -32.27

 

CMYK 24 / 17 / 0 / 6

HEX #B7C8F0

RGB 183 200 240

HSL 222.11, 0.66%, 0.83%

LAB 80.55, 2.77, -21.66

 

CMYK 18 / 13 / 0 / 9

HEX #BECBE9

RGB 190 203 233

HSL 221.86, 0.49%, 0.83%

LAB 81.59, 1.74, -16.3

 

CMYK 12 / 9 / 0 / 11

HEX #C6CEE2

RGB 198 206 226

HSL 222.86, 0.33%, 0.83%

LAB 82.72, 1.21, -10.81

 

CMYK 6 / 5 / 0 / 14

HEX #CDD1DB

RGB 205 209 219

HSL 222.86, 0.16%, 0.83%

LAB 83.81, 0.53, -5.42

 

CMYK 0 / 0 / 0 / 17

HEX #D4D4D4

RGB 212 212 212

HSL 0, 0%, 0.83%

LAB 84.91, 0, -0.01

 

CMYK 24 / 4 / 0 / 6

HEX #B7E6F0

RGB 183 230 240

HSL 190.53, 0.66%, 0.83%

LAB 88.42, -12.88, -9.83

 

CMYK 24 / 10 / 0 / 6

HEX #B7D7F0

RGB 183 215 240

HSL 206.32, 0.66%, 0.83%

LAB 84.46, -5.17, -15.75

 

CMYK 24 / 17 / 0 / 6

HEX #B7C8F0

RGB 183 200 240

HSL 222.11, 0.66%, 0.83%

LAB 80.55, 2.77, -21.66

 

CMYK 24 / 23 / 0 / 6

HEX #B7B9F0

RGB 183 185 240

HSL 237.89, 0.66%, 0.83%

LAB 76.71, 10.89, -27.51

 

CMYK 18 / 24 / 0 / 6

HEX #C5B7F0

RGB 197 183 240

HSL 254.74, 0.66%, 0.83%

LAB 77.3, 16.24, -26.52

 

CMYK 49 / 35 / 0 / 12

HEX #7393E1

RGB 115 147 225

HSL 222.55, 0.65%, 0.67%

LAB 61.61, 10, -43.11

 

CMYK 36 / 26 / 0 / 9

HEX #95ADE9

RGB 149 173 233

HSL 222.86, 0.66%, 0.75%

LAB 70.98, 6.06, -32.74

 

CMYK 24 / 17 / 0 / 6

HEX #B7C8F0

RGB 183 200 240

HSL 222.11, 0.66%, 0.83%

LAB 80.55, 2.77, -21.66

 

CMYK 12 / 9 / 0 / 3

HEX #DAE2F7

RGB 218 226 247

HSL 223.45, 0.64%, 0.91%

LAB 89.87, 1.36, -11.12

 

CMYK 1 / 1 / 0 / 0

HEX #FCFCFE

RGB 252 252 254

HSL 240, 0.5%, 0.99%

LAB 99.01, 0.36, -0.96

 

CMYK 23 / 17 / 0 / 6

HEX #B8C8F0

RGB 184 200 240

HSL 222.86, 0.65%, 0.83%

LAB 80.62, 3.07, -21.55

 

CMYK 3 / 24 / 0 / 6

HEX #EAB7F0

RGB 234 183 240

HSL 293.68, 0.66%, 0.83%

LAB 80.54, 27.95, -21.28

 

CMYK 7 / 0 / 24 / 6

HEX #DFF0B7

RGB 223 240 183

HSL 77.89, 0.66%, 0.83%

LAB 92.32, -15.07, 25.74

 

CMYK 23 / 17 / 0 / 6

HEX #B8C8F0

RGB 184 200 240

HSL 222.86, 0.65%, 0.83%

LAB 80.62, 3.07, -21.55

 

CMYK 0 / 24 / 17 / 6

HEX #F0B7C8

RGB 240 183 200

HSL 342.11, 0.66%, 0.83%

LAB 79.93, 23.12, -0.57

 

CMYK 17 / 0 / 24 / 6

HEX #C8F0B7

RGB 200 240 183

HSL 102.11, 0.66%, 0.83%

LAB 90.79, -23.13, 23.39

 

CMYK 23 / 17 / 0 / 6

HEX #B8C8F0

RGB 184 200 240

HSL 222.86, 0.65%, 0.83%

LAB 80.62, 3.07, -21.55

 

CMYK 3 / 24 / 0 / 6

HEX #EAB7F0

RGB 234 183 240

HSL 293.68, 0.66%, 0.83%

LAB 80.54, 27.95, -21.28

 

CMYK 0 / 7 / 24 / 6

HEX #F0DFB7

RGB 240 223 183

HSL 42.11, 0.66%, 0.83%

LAB 89.26, -0.32, 21.74

 

CMYK 21 / 0 / 24 / 6

HEX #BDF0B7

RGB 189 240 183

HSL 113.68, 0.66%, 0.83%

LAB 90.12, -26.84, 22.36

 

CMYK 23 / 17 / 0 / 6

HEX #B8C8F0

RGB 184 200 240

HSL 222.86, 0.65%, 0.83%

LAB 80.62, 3.07, -21.55

 

CMYK 0 / 24 / 5 / 6

HEX #F0B7E5

RGB 240 183 229

HSL 311.58, 0.66%, 0.83%

LAB 80.77, 27.92, -14.98

 

CMYK 0 / 7 / 24 / 6

HEX #F0DFB7

RGB 240 223 183

HSL 42.11, 0.66%, 0.83%

LAB 89.26, -0.32, 21.74

 

CMYK 24 / 0 / 19 / 6

HEX #B7F0C3

RGB 183 240 195

HSL 132.63, 0.66%, 0.83%

LAB 90.01, -26.75, 15.97

 

Description

Color code: HEX #B8C8F0 | qconv.com Color code: HEX #B8C8F0 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 184 red, 200 green and 240 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
184 200 240 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 23 cyan, 17 magenta, none yellow and 6 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
23% 17% 0% 6% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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