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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B8AB0B it is the complementary color #4754F4. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B8AB0B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #B8AB0B: #BDAB06, #CEBD19, #DFCF2C, #F0E13F and #FFF352

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B8AB0B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #B8AB0B: #B8AB0B, #A79900, #968700, #857500 and #746300

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 7 / 94 / 28

HEX #B8AB0B

RGB 184 171 11

HSL 55.49, 0.89%, 0.38%

LAB 69, -10.08, 70.03

 

Complementary color

CMYK 71 / 66 / 0 / 4

HEX #4754F4

RGB 71 84 244

HSL 235.49, 0.89%, 0.62%

LAB 44.54, 46.52, -81.33

 

CMYK 0 / 10 / 97 / 26

HEX #BDAB06

RGB 189 171 6

HSL 54.1, 0.94%, 0.38%

LAB 69.44, -7.92, 71.16

 

CMYK 0 / 8 / 88 / 19

HEX #CEBD19

RGB 206 189 25

HSL 54.36, 0.78%, 0.45%

LAB 75.82, -9.47, 73.91

 

CMYK 0 / 7 / 80 / 13

HEX #DFCF2C

RGB 223 207 44

HSL 54.64, 0.74%, 0.52%

LAB 82.11, -10.82, 75.28

 

CMYK 0 / 6 / 74 / 6

HEX #F0E13F

RGB 240 225 63

HSL 54.92, 0.86%, 0.59%

LAB 88.32, -11.97, 75.7

 

CMYK 0 / 5 / 68 / 0

HEX #FFF352

RGB 255 243 82

HSL 55.84, 1%, 0.66%

LAB 94.3, -13.77, 75.29

 

CMYK 0 / 7 / 94 / 28

HEX #B8AB0B

RGB 184 171 11

HSL 55.49, 0.89%, 0.38%

LAB 69, -10.08, 70.03

 

CMYK 0 / 8 / 100 / 35

HEX #A79900

RGB 167 153 0

HSL 54.97, 1%, 0.33%

LAB 62.51, -8.38, 65.99

 

CMYK 0 / 10 / 100 / 41

HEX #968700

RGB 150 135 0

HSL 54, 1%, 0.29%

LAB 55.9, -6.48, 60.51

 

CMYK 0 / 12 / 100 / 48

HEX #857500

RGB 133 117 0

HSL 52.78, 1%, 0.26%

LAB 49.14, -4.51, 54.92

 

CMYK 0 / 15 / 100 / 55

HEX #746300

RGB 116 99 0

HSL 51.21, 1%, 0.23%

LAB 42.21, -2.44, 49.19

 

CMYK 0 / 7 / 94 / 28

HEX #B8AB0B

RGB 184 171 11

HSL 55.49, 0.89%, 0.38%

LAB 69, -10.08, 70.03

 

CMYK 8 / 0 / 95 / 28

HEX #A8B70A

RGB 168 183 10

HSL 65.2, 0.9%, 0.38%

LAB 71.02, -23.17, 71.12

 

CMYK 23 / 0 / 95 / 28

HEX #8CB70A

RGB 140 183 10

HSL 74.91, 0.9%, 0.38%

LAB 69.09, -34.84, 68.78

 

CMYK 39 / 0 / 95 / 28

HEX #6FB70A

RGB 111 183 10

HSL 84.97, 0.9%, 0.38%

LAB 67.48, -45.8, 66.82

 

CMYK 55 / 0 / 95 / 28

HEX #52B70A

RGB 82 183 10

HSL 95.03, 0.9%, 0.38%

LAB 66.28, -54.94, 65.35

 

CMYK 0 / 7 / 94 / 28

HEX #B8AB0B

RGB 184 171 11

HSL 55.49, 0.89%, 0.38%

LAB 69, -10.08, 70.03

 

CMYK 0 / 7 / 94 / 8

HEX #EBDA0E

RGB 235 218 14

HSL 55.38, 0.89%, 0.49%

LAB 85.92, -11.82, 84.37

 

CMYK 0 / 6 / 94 / 88

HEX #1F1D02

RGB 31 29 2

HSL 55.86, 0.88%, 0.06%

LAB 10.37, -3.53, 14.58

 

CMYK 0 / 7 / 94 / 68

HEX #524C05

RGB 82 76 5

HSL 55.32, 0.89%, 0.17%

LAB 31.75, -5.71, 38.21

 

CMYK 0 / 7 / 94 / 48

HEX #857C08

RGB 133 124 8

HSL 55.68, 0.89%, 0.28%

LAB 51.17, -8.25, 54.84

 

CMYK 0 / 7 / 94 / 28

HEX #B8AB0B

RGB 184 171 11

HSL 55.49, 0.89%, 0.38%

LAB 69, -10.08, 70.03

 

CMYK 95 / 0 / 84 / 28

HEX #0AB71E

RGB 10 183 30

HSL 126.94, 0.9%, 0.38%

LAB 64.98, -65.74, 59.95

 

CMYK 46 / 95 / 0 / 28

HEX #630AB7

RGB 99 10 183

HSL 270.87, 0.9%, 0.38%

LAB 30.13, 63.97, -69.76

 

CMYK 0 / 7 / 94 / 28

HEX #B8AB0B

RGB 184 171 11

HSL 55.49, 0.89%, 0.38%

LAB 69, -10.08, 70.03

 

CMYK 95 / 0 / 8 / 28

HEX #0AB7A8

RGB 10 183 168

HSL 174.8, 0.9%, 0.38%

LAB 67.1, -41.59, -3.32

 

CMYK 8 / 95 / 0 / 28

HEX #A80AB7

RGB 168 10 183

HSL 294.8, 0.9%, 0.38%

LAB 41.15, 73.17, -51.31

 

CMYK 0 / 7 / 94 / 28

HEX #B8AB0B

RGB 184 171 11

HSL 55.49, 0.89%, 0.38%

LAB 69, -10.08, 70.03

 

CMYK 95 / 0 / 84 / 28

HEX #0AB71E

RGB 10 183 30

HSL 126.94, 0.9%, 0.38%

LAB 64.98, -65.74, 59.95

 

CMYK 95 / 86 / 0 / 28

HEX #0A19B7

RGB 10 25 183

HSL 234.8, 0.9%, 0.38%

LAB 24.25, 54.56, -79.72

 

CMYK 0 / 95 / 11 / 28

HEX #B70AA3

RGB 183 10 163

HSL 306.94, 0.9%, 0.38%

LAB 42.66, 72.78, -36.86

 

CMYK 0 / 7 / 94 / 28

HEX #B8AB0B

RGB 184 171 11

HSL 55.49, 0.89%, 0.38%

LAB 69, -10.08, 70.03

 

CMYK 95 / 0 / 55 / 28

HEX #0AB752

RGB 10 183 82

HSL 144.97, 0.9%, 0.38%

LAB 65.39, -60.62, 40.18

 

CMYK 95 / 86 / 0 / 28

HEX #0A19B7

RGB 10 25 183

HSL 234.8, 0.9%, 0.38%

LAB 24.25, 54.56, -79.72

 

CMYK 0 / 95 / 39 / 28

HEX #B70A6F

RGB 183 10 111

HSL 324.97, 0.9%, 0.38%

LAB 40.3, 66.66, -8.6

 

Description

Color code: HEX #B8AB0B | qconv.com Color code: HEX #B8AB0B | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 184 red, 171 green and 11 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
184 171 11 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 7 magenta, 94 yellow and 28 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 7% 94% 28% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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