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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B8775C it is the complementary color #4788A3. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B8775C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #B8775C: #BD7757, #CE896A, #DF9B7D, #F0AD90 and #FFBFA3

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B8775C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #B8775C: #B8775C, #A76549, #965336, #854123 and #742F10

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 35 / 50 / 28

HEX #B8775C

RGB 184 119 92

HSL 17.61, 0.39%, 0.54%

LAB 56.24, 22.46, 25.33

 

Complementary color

CMYK 56 / 17 / 0 / 36

HEX #4788A3

RGB 71 136 163

HSL 197.61, 0.39%, 0.46%

LAB 53.59, -12.76, -20.66

 

CMYK 0 / 37 / 54 / 26

HEX #BD7757

RGB 189 119 87

HSL 18.82, 0.44%, 0.54%

LAB 56.78, 24.06, 28.96

 

CMYK 0 / 33 / 49 / 19

HEX #CE896A

RGB 206 137 106

HSL 18.6, 0.51%, 0.61%

LAB 63.39, 22.9, 27.37

 

CMYK 0 / 30 / 44 / 13

HEX #DF9B7D

RGB 223 155 125

HSL 18.37, 0.6%, 0.68%

LAB 69.9, 21.88, 25.93

 

CMYK 0 / 28 / 40 / 6

HEX #F0AD90

RGB 240 173 144

HSL 18.13, 0.76%, 0.75%

LAB 76.33, 20.97, 24.61

 

CMYK 0 / 25 / 36 / 0

HEX #FFBFA3

RGB 255 191 163

HSL 18.26, 1%, 0.82%

LAB 82.47, 19.41, 23.09

 

CMYK 0 / 35 / 50 / 28

HEX #B8775C

RGB 184 119 92

HSL 17.61, 0.39%, 0.54%

LAB 56.24, 22.46, 25.33

 

CMYK 0 / 40 / 56 / 35

HEX #A76549

RGB 167 101 73

HSL 17.87, 0.39%, 0.47%

LAB 49.5, 23.7, 27.02

 

CMYK 0 / 45 / 64 / 41

HEX #965336

RGB 150 83 54

HSL 18.13, 0.47%, 0.4%

LAB 42.67, 25.12, 28.94

 

CMYK 0 / 51 / 74 / 48

HEX #854123

RGB 133 65 35

HSL 18.37, 0.58%, 0.33%

LAB 35.77, 26.76, 31.08

 

CMYK 0 / 59 / 86 / 55

HEX #742F10

RGB 116 47 16

HSL 18.6, 0.76%, 0.26%

LAB 28.86, 28.58, 33.23

 

CMYK 0 / 35 / 50 / 28

HEX #B8775C

RGB 184 119 92

HSL 17.61, 0.39%, 0.54%

LAB 56.24, 22.46, 25.33

 

CMYK 0 / 27 / 50 / 28

HEX #B7855B

RGB 183 133 91

HSL 27.39, 0.39%, 0.54%

LAB 59.52, 14.16, 30.11

 

CMYK 0 / 19 / 50 / 28

HEX #B7945B

RGB 183 148 91

HSL 37.17, 0.39%, 0.54%

LAB 63.34, 5.86, 34.93

 

CMYK 0 / 11 / 50 / 28

HEX #B7A35B

RGB 183 163 91

HSL 46.96, 0.39%, 0.54%

LAB 67.29, -2.29, 39.8

 

CMYK 0 / 3 / 50 / 28

HEX #B7B25B

RGB 183 178 91

HSL 56.74, 0.39%, 0.54%

LAB 71.33, -10.22, 44.66

 

CMYK 0 / 35 / 50 / 28

HEX #B8775C

RGB 184 119 92

HSL 17.61, 0.39%, 0.54%

LAB 56.24, 22.46, 25.33

 

CMYK 0 / 35 / 50 / 8

HEX #EB9876

RGB 235 152 118

HSL 17.44, 0.75%, 0.69%

LAB 70.47, 27.53, 30.74

 

CMYK 0 / 35 / 48 / 88

HEX #1F1410

RGB 31 20 16

HSL 16, 0.32%, 0.09%

LAB 7.49, 4.88, 4.3

 

CMYK 0 / 35 / 50 / 68

HEX #523529

RGB 82 53 41

HSL 17.56, 0.33%, 0.24%

LAB 25.26, 11.39, 12.85

 

CMYK 0 / 35 / 50 / 48

HEX #855643

RGB 133 86 67

HSL 17.27, 0.33%, 0.39%

LAB 41.29, 17.2, 19.05

 

CMYK 0 / 35 / 50 / 28

HEX #B8775C

RGB 184 119 92

HSL 17.61, 0.39%, 0.54%

LAB 56.24, 22.46, 25.33

 

CMYK 24 / 0 / 50 / 28

HEX #8BB75B

RGB 139 183 91

HSL 88.7, 0.39%, 0.54%

LAB 69.55, -30.33, 41.77

 

CMYK 50 / 44 / 0 / 28

HEX #5B66B7

RGB 91 102 183

HSL 232.83, 0.39%, 0.54%

LAB 45.83, 18.54, -44.32

 

CMYK 0 / 35 / 50 / 28

HEX #B8775C

RGB 184 119 92

HSL 17.61, 0.39%, 0.54%

LAB 56.24, 22.46, 25.33

 

CMYK 50 / 0 / 36 / 28

HEX #5BB775

RGB 91 183 117

HSL 136.96, 0.39%, 0.54%

LAB 67.56, -42.13, 25.38

 

CMYK 36 / 50 / 0 / 28

HEX #755BB7

RGB 117 91 183

HSL 256.96, 0.39%, 0.54%

LAB 45.2, 31.74, -45.21

 

CMYK 0 / 35 / 50 / 28

HEX #B8775C

RGB 184 119 92

HSL 17.61, 0.39%, 0.54%

LAB 56.24, 22.46, 25.33

 

CMYK 24 / 0 / 50 / 28

HEX #8BB75B

RGB 139 183 91

HSL 88.7, 0.39%, 0.54%

LAB 69.55, -30.33, 41.77

 

CMYK 50 / 14 / 0 / 28

HEX #5B9DB7

RGB 91 157 183

HSL 196.96, 0.39%, 0.54%

LAB 61.44, -13.8, -19.98

 

CMYK 26 / 50 / 0 / 28

HEX #885BB7

RGB 136 91 183

HSL 269.35, 0.39%, 0.54%

LAB 47.15, 36.83, -41.98

 

CMYK 0 / 35 / 50 / 28

HEX #B8775C

RGB 184 119 92

HSL 17.61, 0.39%, 0.54%

LAB 56.24, 22.46, 25.33

 

CMYK 39 / 0 / 50 / 28

HEX #6FB75B

RGB 111 183 91

HSL 106.96, 0.39%, 0.54%

LAB 68.02, -40.2, 39.56

 

CMYK 50 / 14 / 0 / 28

HEX #5B9DB7

RGB 91 157 183

HSL 196.96, 0.39%, 0.54%

LAB 61.44, -13.8, -19.98

 

CMYK 11 / 50 / 0 / 28

HEX #A35BB7

RGB 163 91 183

HSL 286.96, 0.39%, 0.54%

LAB 50.32, 44.41, -36.77

 

Description

Color code: HEX #B8775C | qconv.com Color code: HEX #B8775C | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 184 red, 119 green and 92 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
184 119 92 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 35 magenta, 50 yellow and 28 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 35% 50% 28% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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