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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B6EB3C it is the complementary color #4914C3. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B6EB3C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B6EB3C shade: #BBEB37, #CCFD4A, #DDFF5D, #EEFF70 and #FFFF83

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B6EB3C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B6EB3C shade: #B6EB3C, #A5D929, #94C716, #83B503 and #72A300

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B6EB3C shade: #B6EB3D, #E5EB3D, #EBC23D, #EB933D and #EB643D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B6EB3C shade: #B6EB3D, #87EB3D, #59EB3D, #3DEB51 and #3DEB7F

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B6EB3C shade matches the following richer shades: #B6EB3D and #BDFC2C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B6EB3C shade: #B6EB3D, #AFD94E, #A8C860, #A2B771 and #9BA582

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B6EB3C shade: #EBC23D, #E5EB3D, #B7EB3D, #88EB3D and #5AEB3D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B6EB3C shade: #8DC114, #A8E618, #B6EB3D, #C4EF62 and #D2F288

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B6EB3C shade: #B6EB3C, #3DEB94 and #D93DEB

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B6EB3C shade: #B6EB3C, #3DB7EB and #EB3DB7

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B6EB3C shade: #B6EB3C, #3DEB94, #713DEB and #EB3D94

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B6EB3C shade: #B6EB3C, #3DEBC8, #713DEB and #EB3D60

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 23 / 0 / 74 / 8

HEX #B6EB3C

RGB 182 235 60

HSL 78.17, 0.81%, 0.58%

LAB 86.84, -40.16, 73.79

 

Complementary color

CMYK 63 / 90 / 0 / 24

HEX #4914C3

RGB 73 20 195

HSL 258.17, 0.81%, 0.42%

LAB 29.05, 62.43, -78.74

 

CMYK 20 / 0 / 77 / 8

HEX #BBEB37

RGB 187 235 55

HSL 76, 0.82%, 0.57%

LAB 87.12, -38.48, 75.68

 

CMYK 19 / 0 / 71 / 1

HEX #CCFD4A

RGB 204 253 74

HSL 76.42, 0.98%, 0.64%

LAB 93.27, -39.08, 75.89

 

CMYK 13 / 0 / 64 / 0

HEX #DDFF5D

RGB 221 255 93

HSL 72.59, 1%, 0.68%

LAB 95.03, -32.35, 71.08

 

CMYK 7 / 0 / 56 / 0

HEX #EEFF70

RGB 238 255 112

HSL 67.13, 1%, 0.72%

LAB 96.36, -24.43, 65.08

 

CMYK 0 / 0 / 49 / 0

HEX #FFFF83

RGB 255 255 131

HSL 60, 1%, 0.76%

LAB 97.8, -16.29, 58.65

 

CMYK 23 / 0 / 74 / 8

HEX #B6EB3C

RGB 182 235 60

HSL 78.17, 0.81%, 0.58%

LAB 86.84, -40.16, 73.79

 

CMYK 24 / 0 / 81 / 15

HEX #A5D929

RGB 165 217 41

HSL 77.73, 0.7%, 0.51%

LAB 80.62, -39.5, 73.14

 

CMYK 26 / 0 / 89 / 22

HEX #94C716

RGB 148 199 22

HSL 77.29, 0.8%, 0.43%

LAB 74.32, -38.66, 71.46

 

CMYK 28 / 0 / 98 / 29

HEX #83B503

RGB 131 181 3

HSL 76.85, 0.97%, 0.36%

LAB 67.93, -37.62, 68.47

 

CMYK 30 / 0 / 100 / 36

HEX #72A300

RGB 114 163 0

HSL 78.04, 1%, 0.32%

LAB 61.46, -36.29, 63.44

 

CMYK 23 / 0 / 74 / 8

HEX #B6EB3D

RGB 182 235 61

HSL 78.28, 0.81%, 0.58%

LAB 86.85, -40.11, 73.48

 

CMYK 3 / 0 / 74 / 8

HEX #E5EB3D

RGB 229 235 61

HSL 62.07, 0.81%, 0.58%

LAB 90.05, -21.48, 77.63

 

CMYK 0 / 17 / 74 / 8

HEX #EBC23D

RGB 235 194 61

HSL 45.86, 0.81%, 0.58%

LAB 79.94, 1.57, 68.3

 

CMYK 0 / 37 / 74 / 8

HEX #EB933D

RGB 235 147 61

HSL 29.66, 0.81%, 0.58%

LAB 68.65, 26.35, 57.2

 

CMYK 0 / 57 / 74 / 8

HEX #EB643D

RGB 235 100 61

HSL 13.45, 0.81%, 0.58%

LAB 59.08, 50.01, 47.25

 

CMYK 23 / 0 / 74 / 8

HEX #B6EB3D

RGB 182 235 61

HSL 78.28, 0.81%, 0.58%

LAB 86.85, -40.11, 73.48

 

CMYK 43 / 0 / 74 / 8

HEX #87EB3D

RGB 135 235 61

HSL 94.48, 0.81%, 0.58%

LAB 84.43, -56.53, 70.32

 

CMYK 62 / 0 / 74 / 8

HEX #59EB3D

RGB 89 235 61

HSL 110.34, 0.81%, 0.58%

LAB 82.85, -68.82, 68.22

 

CMYK 74 / 0 / 66 / 8

HEX #3DEB51

RGB 61 235 81

HSL 126.9, 0.81%, 0.58%

LAB 82.38, -72.21, 60.24

 

CMYK 74 / 0 / 46 / 8

HEX #3DEB7F

RGB 61 235 127

HSL 142.76, 0.81%, 0.58%

LAB 82.88, -66.26, 40.11

 

CMYK 23 / 0 / 74 / 8

HEX #B6EB3D

RGB 182 235 61

HSL 78.28, 0.81%, 0.58%

LAB 86.85, -40.11, 73.48

 

CMYK 25 / 0 / 83 / 1

HEX #BDFC2C

RGB 189 252 44

HSL 78.17, 0.97%, 0.58%

LAB 91.96, -45.57, 82.9

 

CMYK 23 / 0 / 74 / 8

HEX #B6EB3D

RGB 182 235 61

HSL 78.28, 0.81%, 0.58%

LAB 86.85, -40.11, 73.48

 

CMYK 19 / 0 / 64 / 15

HEX #AFD94E

RGB 175 217 78

HSL 78.13, 0.65%, 0.58%

LAB 81.45, -33.65, 61.74

 

CMYK 16 / 0 / 52 / 22

HEX #A8C860

RGB 168 200 96

HSL 78.46, 0.49%, 0.58%

LAB 76.36, -26.84, 47.96

 

CMYK 11 / 0 / 38 / 28

HEX #A2B771

RGB 162 183 113

HSL 78, 0.33%, 0.58%

LAB 71.38, -18.88, 33.23

 

CMYK 6 / 0 / 21 / 35

HEX #9BA582

RGB 155 165 130

HSL 77.14, 0.16%, 0.58%

LAB 66.13, -9.82, 16.99

 

CMYK 0 / 17 / 74 / 8

HEX #EBC23D

RGB 235 194 61

HSL 45.86, 0.81%, 0.58%

LAB 79.94, 1.57, 68.3

 

CMYK 3 / 0 / 74 / 8

HEX #E5EB3D

RGB 229 235 61

HSL 62.07, 0.81%, 0.58%

LAB 90.05, -21.48, 77.63

 

CMYK 22 / 0 / 74 / 8

HEX #B7EB3D

RGB 183 235 61

HSL 77.93, 0.81%, 0.58%

LAB 86.91, -39.73, 73.56

 

CMYK 42 / 0 / 74 / 8

HEX #88EB3D

RGB 136 235 61

HSL 94.14, 0.81%, 0.58%

LAB 84.48, -56.21, 70.37

 

CMYK 62 / 0 / 74 / 8

HEX #5AEB3D

RGB 90 235 61

HSL 110, 0.81%, 0.58%

LAB 82.87, -68.6, 68.26

 

CMYK 27 / 0 / 90 / 24

HEX #8DC114

RGB 141 193 20

HSL 78.03, 0.81%, 0.42%

LAB 72.13, -38.76, 69.83

 

CMYK 27 / 0 / 90 / 10

HEX #A8E618

RGB 168 230 24

HSL 78.06, 0.81%, 0.5%

LAB 84.48, -44.52, 79.93

 

CMYK 23 / 0 / 74 / 8

HEX #B6EB3D

RGB 182 235 61

HSL 78.28, 0.81%, 0.58%

LAB 86.85, -40.11, 73.48

 

CMYK 18 / 0 / 59 / 6

HEX #C4EF62

RGB 196 239 98

HSL 78.3, 0.82%, 0.66%

LAB 89.09, -34.21, 62.14

 

CMYK 13 / 0 / 44 / 5

HEX #D2F288

RGB 210 242 136

HSL 78.11, 0.8%, 0.74%

LAB 91.23, -26.75, 47.57

 

CMYK 23 / 0 / 74 / 8

HEX #B6EB3C

RGB 182 235 60

HSL 78.17, 0.81%, 0.58%

LAB 86.84, -40.16, 73.79

 

CMYK 74 / 0 / 37 / 8

HEX #3DEB94

RGB 61 235 148

HSL 150, 0.81%, 0.58%

LAB 83.2, -62.59, 30.06

 

CMYK 8 / 74 / 0 / 8

HEX #D93DEB

RGB 217 61 235

HSL 293.79, 0.81%, 0.58%

LAB 56.18, 79.4, -56.68

 

CMYK 23 / 0 / 74 / 8

HEX #B6EB3C

RGB 182 235 60

HSL 78.17, 0.81%, 0.58%

LAB 86.84, -40.16, 73.79

 

CMYK 74 / 22 / 0 / 8

HEX #3DB7EB

RGB 61 183 235

HSL 197.93, 0.81%, 0.58%

LAB 70.08, -16.59, -35.53

 

CMYK 0 / 74 / 22 / 8

HEX #EB3DB7

RGB 235 61 183

HSL 317.93, 0.81%, 0.58%

LAB 56.5, 75.66, -26.32

 

CMYK 23 / 0 / 74 / 8

HEX #B6EB3C

RGB 182 235 60

HSL 78.17, 0.81%, 0.58%

LAB 86.84, -40.16, 73.79

 

CMYK 74 / 0 / 37 / 8

HEX #3DEB94

RGB 61 235 148

HSL 150, 0.81%, 0.58%

LAB 83.2, -62.59, 30.06

 

CMYK 52 / 74 / 0 / 8

HEX #713DEB

RGB 113 61 235

HSL 257.93, 0.81%, 0.58%

LAB 42.53, 61.42, -79.43

 

CMYK 0 / 74 / 37 / 8

HEX #EB3D94

RGB 235 61 148

HSL 330, 0.81%, 0.58%

LAB 55.21, 71.68, -7.8

 

CMYK 23 / 0 / 74 / 8

HEX #B6EB3C

RGB 182 235 60

HSL 78.17, 0.81%, 0.58%

LAB 86.84, -40.16, 73.79

 

CMYK 74 / 0 / 15 / 8

HEX #3DEBC8

RGB 61 235 200

HSL 167.93, 0.81%, 0.58%

LAB 84.27, -51.17, 4.56

 

CMYK 52 / 74 / 0 / 8

HEX #713DEB

RGB 113 61 235

HSL 257.93, 0.81%, 0.58%

LAB 42.53, 61.42, -79.43

 

CMYK 0 / 74 / 59 / 8

HEX #EB3D60

RGB 235 61 96

HSL 347.93, 0.81%, 0.58%

LAB 53.86, 67.35, 21.27

 

Description

Color code: HEX #B6EB3C | qconv.com Color code: HEX #B6EB3C | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 182 red, 235 green and 60 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
182 235 60 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 23 cyan, none magenta, 74 yellow and 8 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
23% 0% 74% 8% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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