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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B5E764 it is the complementary color #4A189B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B5E764. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B5E764 shade: #BAE75F, #CBF972, #DCFF85, #EDFF98 and #FEFFAB

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B5E764. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B5E764 shade: #B5E764, #A4D551, #93C33E, #82B12B and #719F18

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B5E764 shade: #B5E765, #D8E765, #E7D265, #E7AF65 and #E78C65

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B5E764 shade: #B5E765, #92E765, #6FE765, #65E77D and #65E7A1

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B5E764 shade matches the following richer shades: #B5E765 and #B9F556

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B5E764 shade: #B5E765, #B2D873, #AECA81, #ABBC90 and #A7AD9E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B5E764 shade: #E7D165, #DAE765, #B7E765, #94E765 and #72E765

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B5E764 shade: #92D722, #A4E141, #B5E765, #C6EC88 and #D7F2AC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B5E764 shade: #B5E764, #65E7AE and #E365E7

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B5E764 shade: #B5E764, #65B7E7 and #E765B7

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B5E764 shade: #B5E764, #65E7AE, #9465E7 and #E7659D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B5E764 shade: #B5E764, #65E7D6, #9465E7 and #E76576

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 22 / 0 / 57 / 9

HEX #B5E764

RGB 181 231 100

HSL 82.9, 0.73%, 0.65%

LAB 85.95, -36.01, 57.49

 

Complementary color

CMYK 52 / 85 / 0 / 39

HEX #4A189B

RGB 74 24 155

HSL 262.9, 0.73%, 0.35%

LAB 25.19, 50.94, -61.12

 

CMYK 19 / 0 / 59 / 9

HEX #BAE75F

RGB 186 231 95

HSL 79.85, 0.74%, 0.64%

LAB 86.21, -34.57, 60.04

 

CMYK 18 / 0 / 54 / 2

HEX #CBF972

RGB 203 249 114

HSL 80.44, 0.92%, 0.71%

LAB 92.43, -34.79, 59.1

 

CMYK 14 / 0 / 48 / 0

HEX #DCFF85

RGB 220 255 133

HSL 77.21, 1%, 0.76%

LAB 95.34, -29.44, 54.19

 

CMYK 7 / 0 / 40 / 0

HEX #EDFF98

RGB 237 255 152

HSL 70.49, 1%, 0.8%

LAB 96.74, -21.13, 47.18

 

CMYK 0 / 0 / 33 / 0

HEX #FEFFAB

RGB 254 255 171

HSL 60.71, 1%, 0.84%

LAB 98.25, -12.64, 40.1

 

CMYK 22 / 0 / 57 / 9

HEX #B5E764

RGB 181 231 100

HSL 82.9, 0.73%, 0.65%

LAB 85.95, -36.01, 57.49

 

CMYK 23 / 0 / 62 / 16

HEX #A4D551

RGB 164 213 81

HSL 82.27, 0.61%, 0.58%

LAB 79.66, -35.79, 58.36

 

CMYK 25 / 0 / 68 / 24

HEX #93C33E

RGB 147 195 62

HSL 81.65, 0.53%, 0.5%

LAB 73.27, -35.46, 58.98

 

CMYK 27 / 0 / 76 / 31

HEX #82B12B

RGB 130 177 43

HSL 81.04, 0.61%, 0.43%

LAB 66.8, -34.98, 59.1

 

CMYK 29 / 0 / 85 / 38

HEX #719F18

RGB 113 159 24

HSL 80.44, 0.74%, 0.36%

LAB 60.22, -34.3, 58.31

 

CMYK 22 / 0 / 56 / 9

HEX #B5E765

RGB 181 231 101

HSL 83.08, 0.73%, 0.65%

LAB 85.96, -35.92, 57.06

 

CMYK 6 / 0 / 56 / 9

HEX #D8E765

RGB 216 231 101

HSL 66.92, 0.73%, 0.65%

LAB 88.3, -22.46, 60.34

 

CMYK 0 / 9 / 56 / 9

HEX #E7D265

RGB 231 210 101

HSL 50.31, 0.73%, 0.65%

LAB 83.98, -5.98, 55.74

 

CMYK 0 / 24 / 56 / 9

HEX #E7AF65

RGB 231 175 101

HSL 34.15, 0.73%, 0.65%

LAB 75.19, 12.25, 45.43

 

CMYK 0 / 39 / 56 / 9

HEX #E78C65

RGB 231 140 101

HSL 18, 0.73%, 0.65%

LAB 67.04, 30.85, 35.4

 

CMYK 22 / 0 / 56 / 9

HEX #B5E765

RGB 181 231 101

HSL 83.08, 0.73%, 0.65%

LAB 85.96, -35.92, 57.06

 

CMYK 37 / 0 / 56 / 9

HEX #92E765

RGB 146 231 101

HSL 99.23, 0.73%, 0.65%

LAB 84.07, -48.16, 54.38

 

CMYK 52 / 0 / 56 / 9

HEX #6FE765

RGB 111 231 101

HSL 115.38, 0.73%, 0.65%

LAB 82.63, -58.48, 52.34

 

CMYK 56 / 0 / 46 / 9

HEX #65E77D

RGB 101 231 125

HSL 131.08, 0.73%, 0.65%

LAB 82.59, -57.78, 40.91

 

CMYK 56 / 0 / 30 / 9

HEX #65E7A1

RGB 101 231 161

HSL 147.69, 0.73%, 0.65%

LAB 83.17, -51.61, 23.52

 

CMYK 22 / 0 / 56 / 9

HEX #B5E765

RGB 181 231 101

HSL 83.08, 0.73%, 0.65%

LAB 85.96, -35.92, 57.06

 

CMYK 24 / 0 / 65 / 4

HEX #B9F556

RGB 185 245 86

HSL 82.64, 0.89%, 0.65%

LAB 89.99, -41.89, 67.81

 

CMYK 22 / 0 / 56 / 9

HEX #B5E765

RGB 181 231 101

HSL 83.08, 0.73%, 0.65%

LAB 85.96, -35.92, 57.06

 

CMYK 18 / 0 / 47 / 15

HEX #B2D873

RGB 178 216 115

HSL 82.57, 0.56%, 0.65%

LAB 81.74, -28.69, 45.49

 

CMYK 14 / 0 / 36 / 21

HEX #AECA81

RGB 174 202 129

HSL 83.01, 0.41%, 0.65%

LAB 77.77, -21.73, 33.41

 

CMYK 9 / 0 / 23 / 26

HEX #ABBC90

RGB 171 188 144

HSL 83.18, 0.25%, 0.65%

LAB 73.96, -13.64, 20.37

 

CMYK 3 / 0 / 9 / 32

HEX #A7AD9E

RGB 167 173 158

HSL 84, 0.08%, 0.65%

LAB 69.87, -4.9, 6.97

 

CMYK 0 / 10 / 56 / 9

HEX #E7D165

RGB 231 209 101

HSL 49.85, 0.73%, 0.65%

LAB 83.72, -5.48, 55.45

 

CMYK 6 / 0 / 56 / 9

HEX #DAE765

RGB 218 231 101

HSL 66, 0.73%, 0.65%

LAB 88.45, -21.67, 60.54

 

CMYK 21 / 0 / 56 / 9

HEX #B7E765

RGB 183 231 101

HSL 82.15, 0.73%, 0.65%

LAB 86.09, -35.18, 57.23

 

CMYK 36 / 0 / 56 / 9

HEX #94E765

RGB 148 231 101

HSL 98.31, 0.73%, 0.65%

LAB 84.17, -47.51, 54.52

 

CMYK 51 / 0 / 56 / 9

HEX #72E765

RGB 114 231 101

HSL 114, 0.73%, 0.65%

LAB 82.74, -57.69, 52.49

 

CMYK 32 / 0 / 84 / 16

HEX #92D722

RGB 146 215 34

HSL 82.87, 0.73%, 0.49%

LAB 78.94, -45.99, 72.93

 

CMYK 27 / 0 / 71 / 12

HEX #A4E141

RGB 164 225 65

HSL 82.88, 0.73%, 0.57%

LAB 82.98, -42.24, 68.02

 

CMYK 22 / 0 / 56 / 9

HEX #B5E765

RGB 181 231 101

HSL 83.08, 0.73%, 0.65%

LAB 85.96, -35.92, 57.06

 

CMYK 16 / 0 / 42 / 7

HEX #C6EC88

RGB 198 236 136

HSL 82.8, 0.72%, 0.73%

LAB 88.82, -28.36, 44.38

 

CMYK 11 / 0 / 29 / 5

HEX #D7F2AC

RGB 215 242 172

HSL 83.14, 0.73%, 0.81%

LAB 92.1, -20.47, 30.95

 

CMYK 22 / 0 / 57 / 9

HEX #B5E764

RGB 181 231 100

HSL 82.9, 0.73%, 0.65%

LAB 85.95, -36.01, 57.49

 

CMYK 56 / 0 / 25 / 9

HEX #65E7AE

RGB 101 231 174

HSL 153.69, 0.73%, 0.65%

LAB 83.43, -49, 17.12

 

CMYK 2 / 56 / 0 / 9

HEX #E365E7

RGB 227 101 231

HSL 298.15, 0.73%, 0.65%

LAB 62.85, 65.78, -43.76

 

CMYK 22 / 0 / 57 / 9

HEX #B5E764

RGB 181 231 100

HSL 82.9, 0.73%, 0.65%

LAB 85.95, -36.01, 57.49

 

CMYK 56 / 21 / 0 / 9

HEX #65B7E7

RGB 101 183 231

HSL 202.15, 0.73%, 0.65%

LAB 71.15, -11.47, -31.6

 

CMYK 0 / 56 / 21 / 9

HEX #E765B7

RGB 231 101 183

HSL 322.15, 0.73%, 0.65%

LAB 61.41, 59.35, -18.86

 

CMYK 22 / 0 / 57 / 9

HEX #B5E764

RGB 181 231 100

HSL 82.9, 0.73%, 0.65%

LAB 85.95, -36.01, 57.49

 

CMYK 56 / 0 / 25 / 9

HEX #65E7AE

RGB 101 231 174

HSL 153.69, 0.73%, 0.65%

LAB 83.43, -49, 17.12

 

CMYK 36 / 56 / 0 / 9

HEX #9465E7

RGB 148 101 231

HSL 261.69, 0.73%, 0.65%

LAB 53.36, 46.3, -59.44

 

CMYK 0 / 56 / 32 / 9

HEX #E7659D

RGB 231 101 157

HSL 334.15, 0.73%, 0.65%

LAB 60.54, 55.96, -5.22

 

CMYK 22 / 0 / 57 / 9

HEX #B5E764

RGB 181 231 100

HSL 82.9, 0.73%, 0.65%

LAB 85.95, -36.01, 57.49

 

CMYK 56 / 0 / 7 / 9

HEX #65E7D6

RGB 101 231 214

HSL 172.15, 0.73%, 0.65%

LAB 84.37, -39.82, -2.55

 

CMYK 36 / 56 / 0 / 9

HEX #9465E7

RGB 148 101 231

HSL 261.69, 0.73%, 0.65%

LAB 53.36, 46.3, -59.44

 

CMYK 0 / 56 / 49 / 9

HEX #E76576

RGB 231 101 118

HSL 352.15, 0.73%, 0.65%

LAB 59.53, 51.86, 15.94

 

Description

Color code: HEX #B5E764 | qconv.com Color code: HEX #B5E764 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 181 red, 231 green and 100 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
181 231 100 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 22 cyan, none magenta, 57 yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
22% 0% 57% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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