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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B4918F it is the complementary color #4B6E70. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B4918F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #B4918F: #B9918A, #CAA39D, #DBB5B0, #ECC7C3 and #FDD9D6

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B4918F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #B4918F: #B4918F, #A37F7C, #926D69, #815B56 and #704943

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 19 / 21 / 29

HEX #B4918F

RGB 180 145 143

HSL 3.24, 0.2%, 0.63%

LAB 63.29, 12.84, 6.04

 

Complementary color

CMYK 33 / 2 / 0 / 56

HEX #4B6E70

RGB 75 110 112

HSL 183.24, 0.2%, 0.37%

LAB 43.97, -11.9, -5.13

 

CMYK 0 / 22 / 25 / 27

HEX #B9918A

RGB 185 145 138

HSL 8.94, 0.25%, 0.63%

LAB 63.67, 14.01, 9.48

 

CMYK 0 / 19 / 22 / 21

HEX #CAA39D

RGB 202 163 157

HSL 8, 0.3%, 0.7%

LAB 70.31, 13.43, 8.55

 

CMYK 0 / 17 / 20 / 14

HEX #DBB5B0

RGB 219 181 176

HSL 6.98, 0.37%, 0.77%

LAB 76.83, 12.91, 7.68

 

CMYK 0 / 16 / 17 / 7

HEX #ECC7C3

RGB 236 199 195

HSL 5.85, 0.52%, 0.85%

LAB 83.24, 12.45, 6.87

 

CMYK 0 / 14 / 15 / 1

HEX #FDD9D6

RGB 253 217 214

HSL 4.62, 0.91%, 0.92%

LAB 89.56, 12.02, 6.1

 

CMYK 0 / 19 / 21 / 29

HEX #B4918F

RGB 180 145 143

HSL 3.24, 0.2%, 0.63%

LAB 63.29, 12.84, 6.04

 

CMYK 0 / 22 / 24 / 36

HEX #A37F7C

RGB 163 127 124

HSL 4.62, 0.17%, 0.56%

LAB 56.51, 13.42, 6.95

 

CMYK 0 / 25 / 28 / 43

HEX #926D69

RGB 146 109 105

HSL 5.85, 0.16%, 0.49%

LAB 49.58, 14.09, 7.96

 

CMYK 0 / 29 / 33 / 49

HEX #815B56

RGB 129 91 86

HSL 6.98, 0.2%, 0.42%

LAB 42.49, 14.88, 9.09

 

CMYK 0 / 35 / 40 / 56

HEX #704943

RGB 112 73 67

HSL 8, 0.25%, 0.35%

LAB 35.23, 15.82, 10.4

 

CMYK 0 / 19 / 21 / 29

HEX #B4918F

RGB 180 145 143

HSL 3.24, 0.2%, 0.63%

LAB 63.29, 12.84, 6.04

 

CMYK 0 / 17 / 21 / 30

HEX #B3958D

RGB 179 149 141

HSL 12.63, 0.2%, 0.63%

LAB 64.16, 9.91, 8.4

 

CMYK 0 / 13 / 21 / 30

HEX #B39C8D

RGB 179 156 141

HSL 23.68, 0.2%, 0.63%

LAB 65.97, 6.04, 10.97

 

CMYK 0 / 9 / 21 / 30

HEX #B3A28D

RGB 179 162 141

HSL 33.16, 0.2%, 0.63%

LAB 67.54, 2.75, 13.18

 

CMYK 0 / 6 / 21 / 30

HEX #B3A88D

RGB 179 168 141

HSL 42.63, 0.2%, 0.63%

LAB 69.12, -0.5, 15.39

 

CMYK 0 / 19 / 21 / 29

HEX #B4918F

RGB 180 145 143

HSL 3.24, 0.2%, 0.63%

LAB 63.29, 12.84, 6.04

 

CMYK 0 / 19 / 20 / 9

HEX #E7BAB8

RGB 231 186 184

HSL 2.55, 0.49%, 0.81%

LAB 79.37, 15.86, 7.14

 

CMYK 0 / 19 / 22 / 89

HEX #1B1615

RGB 27 22 21

HSL 10, 0.13%, 0.09%

LAB 7.78, 2.27, 1.54

 

CMYK 0 / 19 / 21 / 69

HEX #4E3F3E

RGB 78 63 62

HSL 3.75, 0.11%, 0.27%

LAB 28.17, 6.32, 3.05

 

CMYK 0 / 19 / 21 / 49

HEX #816866

RGB 129 104 102

HSL 4.44, 0.12%, 0.45%

LAB 46.35, 9.63, 4.89

 

CMYK 0 / 19 / 21 / 29

HEX #B4918F

RGB 180 145 143

HSL 3.24, 0.2%, 0.63%

LAB 63.29, 12.84, 6.04

 

CMYK 5 / 0 / 21 / 30

HEX #AAB38D

RGB 170 179 141

HSL 74.21, 0.2%, 0.63%

LAB 71.36, -9.8, 18.39

 

CMYK 21 / 14 / 0 / 30

HEX #8D9AB3

RGB 141 154 179

HSL 219.47, 0.2%, 0.63%

LAB 63.37, 0.88, -14.54

 

CMYK 0 / 19 / 21 / 29

HEX #B4918F

RGB 180 145 143

HSL 3.24, 0.2%, 0.63%

LAB 63.29, 12.84, 6.04

 

CMYK 21 / 0 / 20 / 30

HEX #8DB38F

RGB 141 179 143

HSL 123.16, 0.2%, 0.63%

LAB 69.39, -19.99, 14.26

 

CMYK 20 / 21 / 0 / 30

HEX #8F8DB3

RGB 143 141 179

HSL 243.16, 0.2%, 0.63%

LAB 60.02, 8.9, -19.6

 

CMYK 0 / 19 / 21 / 29

HEX #B4918F

RGB 180 145 143

HSL 3.24, 0.2%, 0.63%

LAB 63.29, 12.84, 6.04

 

CMYK 5 / 0 / 21 / 30

HEX #AAB38D

RGB 170 179 141

HSL 74.21, 0.2%, 0.63%

LAB 71.36, -9.8, 18.39

 

CMYK 21 / 1 / 0 / 30

HEX #8DB1B3

RGB 141 177 179

HSL 183.16, 0.2%, 0.63%

LAB 69.73, -11.66, -5.04

 

CMYK 16 / 21 / 0 / 30

HEX #978DB3

RGB 151 141 179

HSL 255.79, 0.2%, 0.63%

LAB 60.68, 11.52, -18.54

 

CMYK 0 / 19 / 21 / 29

HEX #B4918F

RGB 180 145 143

HSL 3.24, 0.2%, 0.63%

LAB 63.29, 12.84, 6.04

 

CMYK 12 / 0 / 21 / 30

HEX #9EB38D

RGB 158 179 141

HSL 93.16, 0.2%, 0.63%

LAB 70.48, -14.27, 17.03

 

CMYK 21 / 1 / 0 / 30

HEX #8DB1B3

RGB 141 177 179

HSL 183.16, 0.2%, 0.63%

LAB 69.73, -11.66, -5.04

 

CMYK 9 / 21 / 0 / 30

HEX #A28DB3

RGB 162 141 179

HSL 273.16, 0.2%, 0.63%

LAB 61.64, 15.2, -16.98

 

Description

Color code: HEX #B4918F | qconv.com Color code: HEX #B4918F | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 180 red, 145 green and 143 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
180 145 143 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 19 magenta, 21 yellow and 29 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 19% 21% 29% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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