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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B48C50 it is the complementary color #4B73AF. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B48C50. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #B48C50: #B98C4B, #CA9E5E, #DBB071, #ECC284 and #FDD497

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B48C50. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #B48C50: #B48C50, #A37A3D, #92682A, #815617 and #704404

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 22 / 56 / 29

HEX #B48C50

RGB 180 140 80

HSL 36, 0.4%, 0.51%

LAB 60.82, 8, 37.54

 

Complementary color

CMYK 57 / 34 / 0 / 31

HEX #4B73AF

RGB 75 115 175

HSL 216, 0.4%, 0.49%

LAB 48.07, 4.26, -36.18

 

CMYK 0 / 24 / 59 / 27

HEX #B98C4B

RGB 185 140 75

HSL 35.45, 0.44%, 0.51%

LAB 61.29, 9.75, 40.82

 

CMYK 0 / 22 / 53 / 21

HEX #CA9E5E

RGB 202 158 94

HSL 35.56, 0.5%, 0.58%

LAB 67.89, 8.7, 39.41

 

CMYK 0 / 20 / 48 / 14

HEX #DBB071

RGB 219 176 113

HSL 35.66, 0.6%, 0.65%

LAB 74.38, 7.81, 38.05

 

CMYK 0 / 18 / 44 / 7

HEX #ECC284

RGB 236 194 132

HSL 35.77, 0.73%, 0.72%

LAB 80.78, 7.04, 36.76

 

CMYK 0 / 16 / 40 / 1

HEX #FDD497

RGB 253 212 151

HSL 35.88, 0.96%, 0.79%

LAB 87.1, 6.37, 35.52

 

CMYK 0 / 22 / 56 / 29

HEX #B48C50

RGB 180 140 80

HSL 36, 0.4%, 0.51%

LAB 60.82, 8, 37.54

 

CMYK 0 / 25 / 63 / 36

HEX #A37A3D

RGB 163 122 61

HSL 35.88, 0.46%, 0.44%

LAB 54.07, 9.12, 38.97

 

CMYK 0 / 29 / 71 / 43

HEX #92682A

RGB 146 104 42

HSL 35.77, 0.55%, 0.37%

LAB 47.21, 10.49, 40.32

 

CMYK 0 / 33 / 82 / 49

HEX #815617

RGB 129 86 23

HSL 35.66, 0.7%, 0.3%

LAB 40.22, 12.18, 41.27

 

CMYK 0 / 39 / 96 / 56

HEX #704404

RGB 112 68 4

HSL 35.56, 0.93%, 0.23%

LAB 33.11, 14.27, 41.21

 

CMYK 0 / 22 / 56 / 29

HEX #B48C50

RGB 180 140 80

HSL 36, 0.4%, 0.51%

LAB 60.82, 8, 37.54

 

CMYK 0 / 13 / 56 / 29

HEX #B49C50

RGB 180 156 80

HSL 45.6, 0.4%, 0.51%

LAB 65.01, -0.77, 42.55

 

CMYK 0 / 4 / 56 / 29

HEX #B4AD50

RGB 180 173 80

HSL 55.8, 0.4%, 0.51%

LAB 69.59, -9.81, 47.87

 

CMYK 6 / 0 / 56 / 29

HEX #AAB450

RGB 170 180 80

HSL 66, 0.4%, 0.51%

LAB 70.71, -17.61, 48.94

 

CMYK 15 / 0 / 56 / 29

HEX #99B450

RGB 153 180 80

HSL 76.2, 0.4%, 0.51%

LAB 69.47, -24.56, 47.18

 

CMYK 0 / 22 / 56 / 29

HEX #B48C50

RGB 180 140 80

HSL 36, 0.4%, 0.51%

LAB 60.82, 8, 37.54

 

CMYK 0 / 22 / 55 / 9

HEX #E7B467

RGB 231 180 103

HSL 36.09, 0.73%, 0.65%

LAB 76.44, 9.76, 45.93

 

CMYK 0 / 22 / 56 / 89

HEX #1B150C

RGB 27 21 12

HSL 36, 0.38%, 0.08%

LAB 7.19, 1.23, 5.82

 

CMYK 0 / 22 / 55 / 69

HEX #4E3D23

RGB 78 61 35

HSL 36.28, 0.38%, 0.22%

LAB 26.96, 3.6, 18.77

 

CMYK 0 / 22 / 56 / 49

HEX #816439

RGB 129 100 57

HSL 35.83, 0.39%, 0.36%

LAB 44.34, 6.14, 28.65

 

CMYK 0 / 22 / 56 / 29

HEX #B48C50

RGB 180 140 80

HSL 36, 0.4%, 0.51%

LAB 60.82, 8, 37.54

 

CMYK 44 / 0 / 56 / 29

HEX #64B450

RGB 100 180 80

HSL 108, 0.4%, 0.51%

LAB 66.47, -43.77, 42.92

 

CMYK 44 / 56 / 0 / 29

HEX #6450B4

RGB 100 80 180

HSL 252, 0.4%, 0.51%

LAB 40.8, 33.31, -50.58

 

CMYK 0 / 22 / 56 / 29

HEX #B48C50

RGB 180 140 80

HSL 36, 0.4%, 0.51%

LAB 60.82, 8, 37.54

 

CMYK 56 / 0 / 22 / 29

HEX #50B48C

RGB 80 180 140

HSL 156, 0.4%, 0.51%

LAB 66.7, -38.87, 11.7

 

CMYK 22 / 56 / 0 / 29

HEX #8C50B4

RGB 140 80 180

HSL 276, 0.4%, 0.51%

LAB 45.09, 43.3, -43.47

 

CMYK 0 / 22 / 56 / 29

HEX #B48C50

RGB 180 140 80

HSL 36, 0.4%, 0.51%

LAB 60.82, 8, 37.54

 

CMYK 44 / 0 / 56 / 29

HEX #64B450

RGB 100 180 80

HSL 108, 0.4%, 0.51%

LAB 66.47, -43.77, 42.92

 

CMYK 56 / 33 / 0 / 29

HEX #5078B4

RGB 80 120 180

HSL 216, 0.4%, 0.51%

LAB 50.02, 3.96, -36

 

CMYK 11 / 56 / 0 / 29

HEX #A050B4

RGB 160 80 180

HSL 288, 0.4%, 0.51%

LAB 47.63, 48.64, -39.28

 

CMYK 0 / 22 / 56 / 29

HEX #B48C50

RGB 180 140 80

HSL 36, 0.4%, 0.51%

LAB 60.82, 8, 37.54

 

CMYK 56 / 0 / 50 / 29

HEX #50B45A

RGB 80 180 90

HSL 126, 0.4%, 0.51%

LAB 65.82, -48.12, 37.05

 

CMYK 56 / 33 / 0 / 29

HEX #5078B4

RGB 80 120 180

HSL 216, 0.4%, 0.51%

LAB 50.02, 3.96, -36

 

CMYK 0 / 56 / 6 / 29

HEX #B450AA

RGB 180 80 170

HSL 306, 0.4%, 0.51%

LAB 49.91, 52.31, -29.66

 

Description

Color code: HEX #B48C50 | qconv.com Color code: HEX #B48C50 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 180 red, 140 green and 80 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
180 140 80 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 22 magenta, 56 yellow and 29 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 22% 56% 29% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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